Julia Whitney Barnes

TORRE DI BABELE (GRANDE/PRIMO)

Signed and editioned on reverse. This print is a surreal depiction of an aerial view of a planned building development or subdivision. Developed in the imagination of the artist, th...

ink and watercolor on paper, 42"x 42" available framed This painting is from as series of ink and watercolor paintings that depict ad-hoc structures, similar to tree hous...

watercolor on paper, 39"x40" (artwork size) 43" x 43.75"x2" framed size This beautifully painted watercolor depicts a Canada goose standing atop a modernist chair with the natural c...

ink and watercolor on paper, 26"x 30" This painting is from as series of ink and watercolor paintings that depict ad-hoc structures, similar to tree houses or forts. The ...

ink and watercolor on paper, 30"x 26" This painting is from as series of ink and watercolor paintings that depict ad-hoc structures, similar to tree houses or forts. The ...

15"x15" ink and watercolor on paper This painting is from as series of ink and watercolor paintings that depict ad-hoc structures, similar to tree houses or forts. The st...

Artist: William Henry Toms (English, c.1700-1765) Title: "Draught of a Galley" (Plate 13, Vol. III, page 131) Portfolio: La Spectacle de la Nature Year: 1737 Medium: Original Hand-Colored Engraving on laid paper Limited edition: Unknown Printer: Unknown, London, UK Publisher: Humphreys, London, UK Framing: Recently framed in a Regency style gold moulding with rag matting from Holland and museum glass. The frame is an antique frame we've reused, originally built by Knoedler Gallery, New York, NY Framed size: 10.25" x 10.25" Sheet size (irregular margins): 6.63" x 8.25" Image size: 4.75" x 6.75" Condition: In excellent condition with strong colors and good margins Rare Notes: Comes from the 1737 volume edition of Noël-Antoine Pluche's "La Spectacle de la Nature", translated from the original French by Humphreys as "Nature Displayed". With two soft vertical folds within paper as issued. Various dealer reference numbers and an old price pencil inscribed in margins and on verso. Biography: William Henry Toms (c. 1700–1765) was an English engraver. He worked on portraits, book-plates, landscapes and prints of buildings. Among his works were the plates for Robert West's "Perspective Views of All the Ancient Churches in London" (1736–1739). In 1741, he worked with Thomas Badeslade on "Chorographia Britanniae or a New Set of Maps of all the Counties in England and Wales". The maps were republished on 29 September 1742, with additional place names. Among Toms's apprentices was the engraver and publisher John Boydell. W. H. Toms lived in Masham Street, London, and was the father of the painter Peter Toms. Toms died in 1765. Noël-Antoine Pluche (1688-1761) , known as the abbé Pluche, was a French priest...

Soviet / American Array II is a 1990 color intaglio by Robert Rauschenberg. Soviet / American Array II is part of a larger series entitled Soviet / American Array where Rauschenberg pairs pictures of the Soviet Union with those of the United States. Soviet / American Array II is from an edition of 55 plus artist and printers proofs. Soviet / American Array II is signed by Rauschenberg.

Intaglio on Somerset paper, edition of 4 The artwork is shipped unframed. Please message us directly if you are interested in purchasing the piece already framed. Bio // Katie Van...

This image is printed in black ink on Hahnemühle Copperplate paper in an edition of 12 from a copper photogravure plate made from the artist's original 35mm camera negative. The scene was shot in New York City during a snowstorm. The camera's flash illuminated the falling snowflakes. The artist's signature, title, date and edition number are in pencil on the front, lower margin. This print is included in Volume 1 of "Toward What Sun?", the artist's ongoing series of photogravure prints. It is available singly or as part of the ten prints that comprise Vol.I. Philip Van Keuren...

Edition of 7. Sold unframed. Nari Ward is known for re-contextualizing found/discarded objects in juxtapositions that create complex and metaphorical meanings that highlight cultur...

Door To The East no.62 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, an...