K.K.

MARRY ME

2017

This is from the "Other People's Conversations" ongoing series. Using Text In Art Printed on Glossy Paper and mounted onto acid free foamcore

This is from the "Other People's Conversations" ongoing series. (app 10 years ongoing) The perfect way to say it. Printed on METALLIC Paper Using Text In Art Editioned to 3/ 25

This is from the "Other People's Conversations" ongoing series. Using Text In ArtbPrinted on Metallic Paper Editioned to 15 Sizing: 36x24 $300 24x18 $200 18x12 $100

Black & White Photograp Desert Printed to Order Unframed Also available in 20"x30" Edition of 10 $725 The area that would become Gold Point, one of Nevada’s best ghost towns, was first settled by ranchers and a few miners around 1880. A small camp was formed a few hundred yards west of the present-day townsite at an outcropping of limestone and was called Lime Point. When new discoveries of both gold and silver established the major mining towns of Tonopah and Goldfield, Nevada in the early 1900s, a flood of prospectors returned to the old Lime Point mining camp to try their luck. In 1902 silver was discovered in the area and within no time, the old camp...

Beach Hut, Amagansett, NY, Archival Pigment Print, , With Surfboards The Hamptons Printed to Order *Photography: U Wash Truck, Death Valley and Mulford ...

Old Barn Edition of 10 *Can come in multiple sizes Gerard Giliberti is a print-based photographic artist who uses graphics, photography, sculpture and digita...

A TIME TO HEAL - 20 x 16 inches Limited edition broadside (a poetry & art letterpress/archival pigment print) signed and numbered by the artist. Edition size: 100 + 10 ...

Burnt Place 03 - After the fire swept through, the forest was left scorched and barren. The ground is still warm and the unstirring air is thick with the scent of charred wood. Scorched, lifeless pines stand solemn and mournful in the shadows of the Burnt Place. About the Twilight's Path project: "We spend our lives surrounded by the security of possessions, relationships and roles, but our futures hold nothing so substantial; one day we must all enter into true not- knowing - into a dark, unconscious place." Jasper Goodall...

Babysitter, 2006 by Julie Blackmon is from her ongoing series Domestic Vacations. The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refe...

Stolen Kiss is a color photograph by Julie Blackmon and is part of her ongoing series Domestic Vacations. Domestic Vacations: The Dutch proverb "a Jan Steen household" originated i...

Riverside, limited edition photograph, archival ink, signed and numbered Reviewing the photographs of Julie Blackmon, critic Leah Ollman of the Los Angeles Times wrote: “Each frame is an absorbing, meticulously orchestrated slice of ethnographic theater … that abounds with tender humor but also shrewdly subtle satire.” Blackmon is a native of Springfield, MO, and her photographs are inspired by her experience of growing up the oldest of nine children—including five sisters—in what she calls “a generic American town in the middle of the U.S.” In college, Blackmon was introduced to the work of artists Sally Mann, Diane Arbus, and Helen Levitt, and she describes herself as “obsessed” with their images. “When my three children were small,” she recalls, “we moved into an old house with a darkroom in the basement. Like any mother, I wanted to take pictures of my kids. But I didn’t want to be just the ‘mother photographer.’ I wanted my work to be more: more penetrating, more artful, more striking, more thoughtful, more a reflection of the times. “Over the next few years, I progressed from making documentary black and white photographs of my life and the lives of my sisters to creating colorful, fictitious images that offered a more fantastical look at everyday life. My work became more conceptual, as I began to realize that I was not obligated to capture “reality” exactly, but that I could work more like a painter or a filmmaker, actively shaping the images I was creating. This realization—that fiction can often capture the truth more memorably than reality—was a major shift in how I saw the world around me, and it transformed my work.” “It’s thrilling to see the most common aspects of everyday life as potential stories or themes for a photograph. It changes how you see things: suddenly, a Starbucks employee on a smoke break, or an outmoded beauty shop catering to an elderly clientele, can spark a memorable image. As Nora...

Slide by Julie Blackmon is from an ongoing series titled Home Grown According to the Los Angeles Times, Blackmon's images are “absorbing, meticulously orchestrated slices of ethnogr...