Masaaki Tanaka

Muddy Rice Planting Dance, Koyoshima Pref

1977

This artwork titled "Platform" 1963 is an original silkscreen by American artist Kenneth William Auvil, 1925-1999. It is signed, dated, titled and numbered 9/27 in pencil by the artist. The image size is 17 x 11.25 inches, framed size is 23.5 x 17.65 inches. Custom framed in a bronze color metal frame. It is in good condition, paper is slightly toned by age. About the artist: Educational Background University of Washington, 1953 MFA Art University of Washington, 1949 BA Art Teaching Experience San Jose State University, 1956 -1988 Selected Publications Serigraphy: Silk Screen Techniques for the Artist, Prentice‑Hall, 1965‑1996. Activities: Learning to Use the Macintosh Computer...

Artist: Marion Osborn Cunningham – American (1908-1948) Title: San Francisco with Blimp Overhead Year: 1940s Medium: Serigraph (Silkscreen) Edition: Unknown Sight size: 7.75 x 6 inches. Image size: 8.25 x 6.5 inches Sheet size: 10.5 x 9 inches Framed size: 15 x 12 inches Signature: Signed lower center Condition: Very good Frame: Framed in original frame. Frame in fair-to-good condition with some small nicks and shallow scratches. This print depicts San Francisco the 1940s when blimps were a common sight over the city because of World War II. I am not sure where in San Francisco this print depicts - perhaps North Beach. It is dated in the lower left 194? (the date is partially illegible). The print is in very good condition. It is attached with archival tape to the mat. The print is matted, but the mat covers part of the print, so it would probably benefit from rematting. Please see the pictures. The mat and frame are in fair-to-good condition, the frame having a few tiny nicks. Marion Cunningham was a painter and printmaker. Her family moved to Bakersfield, CA, when she was very young. She graduated from high school from Bakersfield, then went on to study at Santa Barbara Junior College, the ASL in NYC, CSFA, and at Stanford University. She was married to artist Ben Cunningham. In 1930's, she began silk screen printing. Her colorful reproductions of Cable Cars were in demand worldwide. While en route to Europe, she died unexpectedly of a brain tumor in NYC. Member: National Serigraph Society; San Francisco Women Artists; San Francisco Art Ass'n. Exhibited: San Francisco Museum of Art Inaugural, 1935; Golden Gate International Exposition, 1939; San Francisco Watercolor...

Artist: Valerio Adami – Italian (1935- ) Title: Homer Year: 1979 Medium: serigraph Sight size: 38 x 22 inches. Sheet size: 42 x 25 inches Signature: Signed lower right Edition size:...

Artist: Valerio Adami – Italian (1935- ) Title: Caprichos Americano Year: 1979 Medium: serigraph Sight size: 39.5 x 29.75 inches. Sheet size: 39.5 x 29.75 inches Signature: Signed l...

Artist: Valerio Adami – Italian (1935- ) Title: Prelude Year: 1979 Medium: serigraph Sight size: 29.75 x39.5 inches. Sheet size: 29.75 x 39.5 inches Signature: Signed lower right Ed...

This artwork titled "Happy Birthday Liberty, 100th Birthday of the Statue of Liberty" 1986 is an original color serigraph on thick paper by renown artist Hiro Yamagata (Japanese, b. ...

Robert Indiana Four Seasons of Hope (Complete set of 4) Screen print on paper Edition of 125 Hand signed and numbered in pencil Mint condition in the original blue silk portfolio case

Ben Shahn created this 1968 serigraph entitled “CULTURE” in black ink with red calligraphy. This is an UNSIGNED impression. Provenance; Shahn estate, private collector, The Old Print Shop...

ROBERT COTTINGHAM Fox, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...

Robert Indiana Santa Fe Opera 1976 Silkscreen in colors Hand signed in pencil 37.5 x 27 inches

An original color silkscreen print by Ruth Grotenrath. A lovely assortment of different foods both vegetable and animal alike. The photos do not do this piece justice. The dark color...

Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...