Untitled (Revue Verve)

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Design Credit: Kacy Ellis, Photo Credit: Wynn Myers. Dimensions: H 10.5 in. x W 14 in.
Design Credit: Jeremiah Brent Design, Photo Credit: Nicole Franzen. Dimensions: H 10.5 in. x W 14 in.
Design Credit: Sarah Shetter, Photo Credit: Boris Breuer. Dimensions: H 10.5 in. x W 14 in.
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(after) Pablo Picasso
Untitled (Revue Verve)
1954

Name: Untitled (Revue Verve)
Brand: (after) Pablo Picasso
Price: 500 USD

$500Asking Price

About

An original lithograph on wove paper after a drawing by Spanish artist Pablo Picasso (1881-1973) titled "Untitled (Revue Verve)", 1954. Issued unsigned. Edition size unknown. Comes from Verve No. 29-30, “Suite de 180 Dessins de Picasso” bound volume. Picasso authorized and was commissioned to see these lithographs produced. Printed under the direction of Teraiade by Mourlot Freres Paris, France and published by Harcourt, Brace and Company, New York, NY. Sheet size: 10.5" x 14". Image size: 9.5" x 12.5". In very good condition. Pablo Picasso was born on October 25, 1881, in Málaga, Spain. The son of an academic painter, José Ruiz Blasco, he began to draw at an early age. In 1895 the family moved to Barcelona, and Picasso studied there at La Lonja, the academy of fine arts. His visit to Horta de Ebro from 1898 to 1899 and his association with the group at the café Els Quatre Gats in about 1899 were crucial to his early artistic development. Picasso’s first exhibition took place in Barcelona in 1900, and that fall he went to Paris for the first of several stays during the early years of the century. Picasso settled in Paris in April 1904, and his circle of friends soon included Guillaume Apollinaire, Max Jacob, Gertrude and Leo Stein, as well as two dealers, Ambroise Vollard and Berthe Weill. His style developed from the Blue Period (1901–04) to the Rose Period (1905) to the pivotal work Les Demoiselles d’Avignon (1907), and the subsequent evolution of Cubism from an Analytic phase (ca. 1908–11) to its Synthetic phase (beginning in 1912–13). Picasso’s collaboration on ballet and theatrical productions began in 1916. Soon thereafter, his work was characterized by neoclassicism and a renewed interest in drawing and figural representation. In the 1920s the artist and his wife, Olga (whom he had married in 1918), continued to live in Paris, to travel frequently, and to spend their summers at the beach. From 1925 to the 1930s Picasso was involved to a certain degree with the Surrealists, and from the fall of 1931 he was especially interested in making sculpture. In 1932, with large exhibitions at the Galeries Georges Petit, Paris, and the Kunsthaus Zürich, and the publication of the first volume of Christian Zervos’s catalogue raisonné, Picasso’s fame increased markedly. By 1936 the Spanish Civil War had profoundly affected Picasso, the expression of which culminated in his painting Guernica (1937, Museo Nacional Centro de Arte Reina Sofía, Madrid). Picasso’s association with the Communist Party began in 1944. From the late 1940s he lived in the south of France. Among the enormous number of exhibitions that were held during the artist’s lifetime, those at the Museum of Modern Art, New York, in 1939 and the Musée des Arts Décoratifs, Paris, in 1955 were most significant. In 1961 the artist married Jacqueline Roque, and they moved to Mougins. There Picasso continued his prolific work in painting, drawing, prints, ceramics, and sculpture until his death on April 8, 1973.