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(after) Raphael (Raffaello Sanzio da Urbino)L'Amour Montrant Psyche Aux Graces /// Renaissance Mythology Raphael Classics1883
1883
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About the Item
Artist: (after) Raphael (Italian, 1483-1520)
Title: "L'Amour Montrant Psyche Aux Graces"
Portfolio: Gazette des Beaux-Arts
Year: 1883
Medium: Original Etching on chine appliqué on wove paper
Limited edition: approx. 1,500
Printer: Ch. Chardon, Paris, France
Publisher: Gazette des Beaux-Arts, Paris, France
Reference: Sanchez & Seydoux 1883-2; Beraldi No. 10, page 216
Framing: Recently framed in an ornate gold moulding with 100% cotton rag mat. All archival
Framed size: 17.75" x 15"
Sheet size: 11" x 7.5"
Image size: 7.75" x 5.75"
Condition: In excellent condition
Rare
Notes:
Engraved by French artist Tiburce de Mare (1840-1900). This etching is after a painting by Italian artist Raphael (1483-1520). The original (mural) painting is at the Villa Farnesina in Rome, Italy.
This etching was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002.
Biography:
Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 – April 6, 1520), known as Raphael was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Tiburce de Mare (French, 1840-1900) was a painter, draughtsman, and printmaker. Portrait painter and reproductive engraver; son of Johannes de Mare (q.v.), b. Paris. Pupil of his father and of Fernand Gaillard. Works exhibited at the Salon from 1878. Frequently worked for the 'Gazette des Beaux Arts' in Paris.
- Creator:(after) Raphael (Raffaello Sanzio da Urbino)
- Creation Year:1883
- Dimensions:Height: 17.75 in (45.09 cm)Width: 15 in (38.1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU12127121992
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Located in Saint Augustine, FL
Artist: Marco Dente da Ravenna (Italian, 1493-1527)
Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)"
*Monogram signed by Dente in the plate (printed signature) lower left
Circa: 1515-1520 (second state of three)
Medium: Original Engraving on laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Antonio Salamanca, Rome, Italy
Reference: Bartsch XIV, page 244, No. 324; Passavant VI, page 69, No. 32; Le Blanc, II, page 111, No. 16; Imolesi Pozzi pages 71-72, 113, No. 10
Sheet size: 10.63" x 6.94"
Condition: Thread margins. A strong impression in excellent condition
Very rare
Notes:
Provenance: private collection - Périgueux, France. This work is also sometimes referred to as "Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above". The engraver's monogram "SR" lower left. Published by Antonio Salamanca (1478-1562) in Rome, Italy with his address printed lower right: "Ant. Sal. Exc.". No watermark found. This engraving is after a drawing by Italian artist Raphael aka Raffaello Sanzio da Urbino (1483-1520).
"This engraving by Marco Dente is after a design by Raphael, now lost, used by Giulio Romano for his fresco on the south wall of the Stufetta of cardinal Bibbiena - a small room in the Apostolic Palace, at the Vatican, that originally served as a washroom for the cardinal. The engraving differs from the fresco in some details, such as the cityscape in the background and the two winds above, which may indicate that these elements were present in Raphael's drawing. " - Christie's, London
Biography:
Marco Dente da Ravenna (1493–1527), usually just called Marco Dente, was an Italian engraver born in Ravenna in the latter part of the 15th Century. He was a prominent figure within the circle of printmakers around Marcantonio Raimondi...
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Located in Saint Augustine, FL
Artist: Unknown (Likely French, 18th Century)
Title: "La Femme Muse"
*No signature found
Circa: 1780
Medium: Original Pastel Drawing on heavy laid paper
Frami...
Category
1780s Old Masters Figurative Drawings and Watercolors
Materials
Pastel, Laid Paper
$1,200 Sale Price
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The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel Art
By Michael Burghers
Located in Saint Augustine, FL
Artist: Michael Burghers (Dutch, c.1647/1648-1727)
Title: "The New Testament"
Portfolio: Holy Bible
*Signed by Burghers in the plate (printed signature) lower left
Year: 1680
Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper
Limited edition: Unknown
Printer: John Baskett, London?, UK
Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK
Sheet size (irregular margins): 17.25" x 10.5"
Image size: 14.75" x 9.5"
Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors
Very rare
Notes:
Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK.
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Located in Saint Augustine, FL
Artist: (after) Johann Daniel Preissler (German, 1666-1737)
Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)"
Portfolio: Die Vier Tageszeiten (The Four Times of Day)
Year: 1723
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown
Printer: likely Johann Balthasar Probst, Augsburg, Germany
Publisher: Jeremias Wolff (Erben), Augsburg, Germany
Reference: Le Blanc No. 255, 38; Nagler No. 23
Sheet size: 22.57" x 16.38"
Image size: 17.75" x 14"
Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins
Extremely rare
Notes:
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Biography:
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Vérité (Truth) /// French Modern Impressionist Art Lithograph Nude Figurative
By Henri Fantin-Latour
Located in Saint Augustine, FL
Artist: Henri Fantin-Latour (French, 1836-1904)
Title: "Vérité (Truth)"
Portfolio: Revue de l'Art Ancien & Moderne
*Issued unsigned
Year: 1900 (third state of three)
Medium: Original Lithograph on chine appliqué on wove paper
Limited edition: Unknown
Printer: A. Clot, Paris, France
Publisher: Revue de l'Art Ancien & Moderne, Paris, France
Reference: Floury No. 156; Hediard-Mason No. 156; L No. 139
Sheet size: 11.5" x 8.5"
Image size: 7.5" x 5.5"
Condition: In excellent condition
This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community.
Biography:
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