(after) Raphael (Raffaello Sanzio da Urbino)

L'Amour Montrant Psyche Aux Graces /// Renaissance Mythology Raphael Classics

1883

Artist: Marco Dente da Ravenna (Italian, 1493-1527) Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)" *Monogram signed by Dente in the plate (printed signature) lower left Circa: 1515-1520 (second state of three) Medium: Original Engraving on laid paper Limited edition: Unknown Printer: Unknown Publisher: Antonio Salamanca, Rome, Italy Reference: Bartsch XIV, page 244, No. 324; Passavant VI, page 69, No. 32; Le Blanc, II, page 111, No. 16; Imolesi Pozzi pages 71-72, 113, No. 10 Sheet size: 10.63" x 6.94" Condition: Thread margins. A strong impression in excellent condition Very rare Notes: Provenance: private collection - Périgueux, France. This work is also sometimes referred to as "Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above". The engraver's monogram "SR" lower left. Published by Antonio Salamanca (1478-1562) in Rome, Italy with his address printed lower right: "Ant. Sal. Exc.". No watermark found. This engraving is after a drawing by Italian artist Raphael aka Raffaello Sanzio da Urbino (1483-1520). "This engraving by Marco Dente is after a design by Raphael, now lost, used by Giulio Romano for his fresco on the south wall of the Stufetta of cardinal Bibbiena - a small room in the Apostolic Palace, at the Vatican, that originally served as a washroom for the cardinal. The engraving differs from the fresco in some details, such as the cityscape in the background and the two winds above, which may indicate that these elements were present in Raphael's drawing. " - Christie's, London Biography: Marco Dente da Ravenna (1493–1527), usually just called Marco Dente, was an Italian engraver born in Ravenna in the latter part of the 15th Century. He was a prominent figure within the circle of printmakers around Marcantonio Raimondi...

Artist: André Masson (French, 1896-1987) Title: "Le Fil d'Ariane (Ariadne's Clew)" Portfolio: For Meyer Schapiro *Signed by Masson in pencil lower right Year: 1973 Medium: Original Etching with Aquatint on Rives BFK paper Limited edition: 15/100 Printer: Atelier Crommelynck, Paris, France Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro at Columbia University, New York, NY Sheet size: 18" x 13.5" Image size: 11.5" x 8.5" Condition: Never framed, has been professionally stored away for decades. In excellent condition Rare Notes: Numbered by Masson in pencil lower left. Comes from the 1974 "For Meyer Schapiro" portfolio of twelve print editions by various artists. The "For Meyer Schapiro" portfolio consisted of four lithographs (one with embossing), three screenprints (one with stamp additions), two lithographs and screenprints (one with embossing), two etching and aquatints, and one duplicated drawing. Various printers were used. In addition to Masson, the following artists also contributed to the portfolio: Stanley William Hayter, Jasper Johns, Ellsworth Kelly, Alexander Liberman, Roy Lichtenstein, Robert Motherwell, Claes Oldenburg, Robert Rauschenberg, Saul Steinberg, Frank Stella, and Andy Warhol. Biography: André Masson (b. Balagny-sur-Thérain 1896 - Paris 1987) was a French artist. He was brought up in Belgium. He began his study of art at the age of eleven in Brussels, at the Académie Royale des Beaux-Arts under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured. His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miró, Georges Bataille, Jean Dubuffet, and Georges Malkine, who were neighbors of his studio in Paris. By the end of the 1920s, however, he was finding automatic drawing rather restricting, and he left the surrealist movement and turned instead to a more structured style, often producing works with a violent or erotic theme, and making a number of paintings in reaction to the Spanish Civil War. Under the German occupation of France during World War II, his work was condemned by the Nazis as degenerate. With the assistance of Varian Fry in Marseille, Masson escaped the Nazi regime on a ship to the French island...

Rembrandt van Rijn 1606-1669 Dutch Naked Woman on a Mound Etching on paper Etched by Rembrandt New Hollstein 88, second state of II; Bartsch, Hollstein 198; Hind 43 One of the gr...

Unknown Artist - Male Nude with Goat, Medium: Lithograph, mounted to board, Size: 20 x 15 in. (50.8 x 38.1 cm)