B Wade

Blitz Spirit, 20th Century Signed Watercolour, War Landscape

Watercolour and pen and ink on paper, inscribed verso Image size: 5 x 4 inches (13 x 10 cm) Framed This drawing most likely depicts a view in Lullingstone Park, near the village of ...

Watercolour and gouache on paper, dated '1927' and signed lower left Image size: 12 1/2 x 19 3/8 inches (31.75 x 49.25 cm) Mounted and framed Provenance The Collection of Jill and J...

Watercolour on paper, signed, titled & dated 1933 Image size: 11 ½ x 7 inches (29 x 18 cm) Mounted This work is initialled lower right 'CT' and inscribed lower left 'Bristol Savages...

Watercolour and gouache on paper, signed lower left Image size: 8 x 12 inches (20 x 30.5 cm) Original frame This painting effectively displays the atmospheric problems that London struggled with during the artist's lifetime. When most homes relied on coal fires and industry too derived much of its power from coal, 'pea-soupers' were a regular occurrence. As the fog closed in totally obscuring ones vision, the smog was so thick that much of London descended into grey. Fog persisted well into the 20th century. Indeed, in TS Eliot...

Watercolour and graphite on paper Image size: 9 1/2 x 12 inches (24 x 30.5 cm) Acid free mount This is a view just outside of the village of Warlingham, Surrey, where Scott had a house. The Artist Gordon Scott frst studied at Croydon School of Art and then was trained at the Royal College of Art between 1934-38 under Gilbert Spencer, Alan Sorrell and Charles Mahoney...

Watercolour on paper, signed and dated '1913' lower right Image size: 10 x 14 1/2 inches (27 x 37 cm) Acid free mount At this time, Cirque Napoleon Rancy was one of the most prestigious and respected of French travelling shows. According to the corporate magazine Der Artist, Napoleon Rancy launched his two-masted marquee, 40 diameter, in 1910. In 1913 The Rixfords flying trapeze...

The image is 8 x 8 inches, and the paper it is printed on is 15 x 13.5 inches. This is a quirky and tender image of a naked man sitting on the floor holding a giant iguana on his la...

This is a handmade cyanotype print inspired by Hashiguchi Goyo's 1915 print "Woman After a Bath." This image of a Japanese traditional Ukiyo-e print is then hand coated using the sum...

Lying nude is an original artwork realized by Mino Maccari in the 1960s. Mixed media colored drawing (ink and watercolor) on paper. Hand-signed in pencil by the artist on the lowe...

Hand-coloured portrait of a human larvae bursting out of their cocoon, immobilised in marble. Representative of a safe and isolating space, the cocoon is both a cage and a shelter. This tale is a​ study of transformation, of breaking apart and coming back together as the larvae emerges from the silken threads. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...

© Katie Eleanor, VIII. "Omphalopagus monster, an orphan" Series: Saint Wanderer's Hospital, 2015 Archival Pigment Print of the hand Coloured Photograph on cotton fine art paper, custom framed 7 1/2 × 5 7/10 in 19 × 14.5 cm (unframed print) 35 x 30.5 cm (Framed : Museum mount-board, antireflective art glass in hardwood custom frame) Edition of 15 Framed or Unframed option available - please enquire 'Saint Wanderer’s Hospital' series depicts a fictional tale birthed from the artist’s inherent need to find splendour in the idea of sickness. Rooted first from her own words, Katie used the idea of illustrating as a form of personal art therapy by immersing herself in the realm of the otherworldly characters. Every aspect of each scene was created by Katie alone, from building and designing the sets to printing and hand-colouring the final images. In this act, over the year long course of the projects creation, the artist managed to make certain turmoil in her personal life bearable. In the world of the hospital, the artist adapts the role of medical photographer – creating accurate portraits of each character’s condition as a record for the hospitals future use. The final series comprises of 8 ‘specimen...

Signed limited edition lithograph, 'Les Amants', by Belgian/Dutch artist, Corneille. This is the artists own copy, L'épreuve d'artiste, from the edition of 40, Vincenzo Bitetti, Potenza of the rarer monochromatic version. Eau forte and aquatinte on craft paper with white highlights added. It is signed titled and dated in pencil by the artist. Presented in patinated wood frame under glass. Corneille was the pseudonym of Guillaume Cornelis van Beverloo, born July 4, 1922 in Liège (Belgium), of Dutch parents, and died in Auvers-sur-Oise (Val-d'Oise) September 5, 2010, he was a Dutch painter, engraver, sculptor and ceramist After attending the School of Fine Arts in Amsterdam, Corneille began exhibiting in 1946, then discovered surrealism. Co-founder in 1948 with Karel Appel, Eugène Brands, Constant Nieuwenhuis, Anton Rooskens and Theo Wolvecamp, of the Experimentele Groep in Holland movement which publishes the journal Reflex, anticipating the magazine Cobra (journal) which would appear the following year in Denmark, Belgium, then in the Netherlands. He is one of the initiators of Cobra with Karel Appel, Constant Nieuwenhuis, Asger Jorn and Dotremont. This group was soon joined by poets, painters and writers including Jacques Doucet, Pierre Alechinsky, Henry Heerup, Reinhoud, Else Alfelt, Carl-Henning Pedersen, Egill Jacobsen, C.O. Hultén, Anders Osterlind...