Gino Boccasile

Paglieri dai Fiori le Cipri I Profumi

1946

Original French poster: Cycles Clement Motocycles, La Plus Vaste Usine de Monde; artist: PAL, (Jean de Paléologue) 1860-1942, c. 1895 original stone lithograph; archival linen backe...

Original military poster: Make this Pledge I Pay No More Than Top Legal Prices. This is the larger size format of this vintage poster (small size was 10 x 14) Artist: Frede...

Original World War II "Freedom from Fear" Ours ... To fight for by Rockwell. One of the 4 freedom posters created in 1943 by Norman Rockwell. Fre...

Original vintage World War 2 poster: A Careless Word … A Needless Sinking. A Careless Word ... A Needless Sinking. Linen backed origin...

Original poster: THE SAURDAY EVENING POST. Artist: Noman Rockwell. Size: 21.75" x 28". Archival linen backed in very fine condition. The painting for this original poster ...

Original I'LL CARRY MINE TOO! ORIGINAL VINTAGE WWII POSTER. Artist: Valentino Sarra. Size: 22" x 28". Year: 1943. Original U. S. Government World War II vintage poster. Professional archival linen backing; ready to frame. Original WWII fold marks restored during linen backing. (All WWII U. S. Government posters were folded - this is not a defect.) During World War ll conservation was a major part of the war effort. In this image we see the lady carrying her own groceries home and thereby saving wear and tear on trucks and tires as well as aiding the troops. Each citizen was encouraged to do their part in helping in the allied war effort. This is an Original Vintage Poster; it is not a reproduction. A fun World War 2...

This refined work on paper, entitled "Teddo" was produced by the celebrated American artist Paul Cadmus (1901-1999) in 1985. It features a nude male figure with tightly cropped hair ...

Marina Abramović The Cleaner, 2017 Offset Lithograph poster from this European exhibition 39 2/5 × 27 3/5 inches Unframed and unsigned About The Cleaner project - courtesy of the Louisiana Museum Marina Abramović has inscribed herself in the history of art as one of the pioneers of body and performance art, and since the 1970s – with her own body and energy as her primary material – she has developed one of contemporary art’s most radical and uncompromising practices. Abramović is best known for physically and mentally demanding performance works that are often transgressive and revolve around the body, gender, energy, time, pain, presence, and identity. Her performances range from powerful, violent, and risky actions to quieter exchanges of energy and meetings with the audience. And especially in recent years, we the audience have increasingly become key players in her works. The exhibition at Louisiana comprised more than 100 works and spans more than five decades – from early concept sketches, paintings and sound works to presentations of the artist’s performances – including her collaboration with former partner Ulay. Reperformances of an early work formed part of the exhibition as well. Marina Abramović – The Cleaner was developed in dialogue with the artist and organized by Moderna Museet, Stockholm, in collaboration with Louisiana Museum of Modern Art, Henie Onstad Kunstsenter and Bundeskunsthalle, Bonn. The performance part...

Nobuyoshi Araki Private Tokyo, 1996 Two Sided Offset Lithograph Boldly signed and numbered by the artist in black marker on the lower right front 33 × 46 3/5 inches Unframed This dra...

Cindy Sherman Limited Edition Offset Lithograph on 200g Profisilk paper 33 × 23 1/4 inches Edition of 200 Limited Edition Offset Lithograph on 200g Profisilk paper Hand signed in re...

Study for Sunset Nude with Abstract Painting (Lying on Side). Original ink and colored pencil on Tracing Paper, 2002. Tom Wesselmann is one of the biggest American pop artists today....

Monica Nude with Lichtenstein. Original color silkscreen on cardboard, 2002. Edition of 60 signed and numbered impressions on a cardboard. Tom Wesselmann is one of the biggest American pop artists today. Even he did not like being labeled a pop artist, it is hard to imagine that his artworks featuring consumer goods and assorted American icons would be considered anything but pop art. At first he was a follower of abstract expressionism, but later switched to figurative art. In the late ‘50s he produced a series of small format collages, which became the basis for his future nudes and still lifes. In 1963 he married Claire Selley, his most faithful model from the series ‘Great American Nude’, and other nudes. In his search for creative styles he began to produce three-dimensional works with the technique of assemblage, using everyday objects such as telephones and televisions. In the ‘Still Life’ series he used advertising techniques and complemented traditional still lifes with mass consumption items taken directly from ads. In the ‘80s he began to work with metals and produced original works with a special laser. Over the next two decades he returned to large formats and the theme of the nude from the ‘60s, rounding off his career with The ‘Sunset Nude’ series, inspired by the works of Matisse. Tom Wesselmann went down in history as one of the greatest representatives of pop art due to his exciting commercial images, his aggressive intervention in three dimensions, his choice of trivial motifs, their monumentalisation, the use of stereotypes as a basis for his work and the choice of strong colors. Wesselmann’s aesthetic usage of everyday objects was done not in criticism of American consumerism and culture, but as a way to render Classical genres modern so as to explore the gap between art and contemporary life. He has a series that incorporated iconic paintings by other artists, including Lichtenstein, Warhol, and Matisse, juxtaposing with his famous nudes...