Olin Travis

"Nude" Circa 1930s Lithograph Dallas/Arkansas/Colorado Artist

Circa 1930s

Ancel Nunn (1928-1999) Austin, Tyler, Palestine Artist Medium: Lithograph Image Size: 12 x 17.5 Frame Size: 18 x 24 "Mystical Beast" Buffalo Bison Biography Ancel Nunn (1928-1999)...

Ancel Nunn (1928-1999) Austin, Tyler, Palestine Artist Image Size: 12 x 17.5 Frame Size: 18 x 24 Medium: Lithograph "San Ygnacio - Vela Mercantile" Biography Ancel Nunn (1928-1999)...

Ancel Nunn (1928-1999) Austin, Tyler, Palestine Artist Image Size: 12 x 17.5 Frame Size: 18 x 24 Medium: Lithograph "The Gathering of Water" Biography Ancel Nunn (1928-1999) Born ...

Ancel Nunn (1928-1999) Austin, Tyler, Palestine Artist Image Size: 12 x 17.5 Frame Size: 18 x 24 Medium: Lithograph "Water Stop" Texas Biography Ancel Nunn (1928-1999) Born in Sey...

Andre Derain, French (1880 - 1954) - Buste de Femme from Souvenirs de Portraits d'Artistes. Jacques Prevert: Le Coeur a l'ouvrage., Year: 1950 (printed 1972), Medium: Lithograph, s...

Henri Matisse's Planche 51 from the 1920 portfolio Cinquante Dessins features a tender scene of two female figures: an older woman standing to the left and a young girl with long hai...

Medium: original lithograph. Catalogue references: Delteil 44 or Roger-Marx 19. Printed in Paris by Clot and published in 1919 by Ambroise Vollard for the rare "Douze Lithographies O...

Artist: Henri Fantin-Latour (French, 1836-1904) Title: "Vérité (Truth)" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1900 (third state of three) Medium: Original Lithograph on chine appliqué on wove paper Limited edition: Unknown Printer: A. Clot, Paris, France Publisher: Revue de l'Art Ancien & Moderne, Paris, France Reference: Floury No. 156; Hediard-Mason No. 156; L No. 139 Sheet size: 11.5" x 8.5" Image size: 7.5" x 5.5" Condition: In excellent condition This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour (born Jan. 14, 1836, Grenoble, France—died Aug. 25, 1904, Buré), French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts. Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés. Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild...