16th Century Nude Prints
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Period: 16th Century
Venere e Amore sui Delfini (Venus and Cupid on Dolphins) /// Old Masters Raphael
Located in Saint Augustine, FL
Artist: Marco Dente da Ravenna (Italian, 1493-1527)
Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)"
*Monogram signed by Dente in the plate (printed signature) lower left
Circa: 1515-1520 (second state of three)
Medium: Original Engraving on laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Antonio Salamanca, Rome, Italy
Reference: Bartsch XIV, page 244, No. 324; Passavant VI, page 69, No. 32; Le Blanc, II, page 111, No. 16; Imolesi Pozzi pages 71-72, 113, No. 10
Sheet size: 10.63" x 6.94"
Condition: Thread margins. A strong impression in excellent condition
Very rare
Notes:
Provenance: private collection - Périgueux, France. This work is also sometimes referred to as "Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above". The engraver's monogram "SR" lower left. Published by Antonio Salamanca (1478-1562) in Rome, Italy with his address printed lower right: "Ant. Sal. Exc.". No watermark found. This engraving is after a drawing by Italian artist Raphael aka Raffaello Sanzio da Urbino (1483-1520).
"This engraving by Marco Dente is after a design by Raphael, now lost, used by Giulio Romano for his fresco on the south wall of the Stufetta of cardinal Bibbiena - a small room in the Apostolic Palace, at the Vatican, that originally served as a washroom for the cardinal. The engraving differs from the fresco in some details, such as the cityscape in the background and the two winds above, which may indicate that these elements were present in Raphael's drawing. " - Christie's, London
Biography:
Marco Dente da Ravenna (1493–1527), usually just called Marco Dente, was an Italian engraver born in Ravenna in the latter part of the 15th Century. He was a prominent figure within the circle of printmakers around Marcantonio Raimondi...
Category
Old Masters 16th Century Nude Prints
Materials
Laid Paper, Engraving, Intaglio
Medea and Jason
By Georg Pencz
Located in Fairlawn, OH
Medea and Jason
From the series: Greek Heroines
Engraving, c. 1539
Initialed in the plate lower right
Provenance: Grimes Collection
R. E. Lewis
References And E...
Category
Old Masters 16th Century Nude Prints
Materials
Engraving
Farnese Hercules
By Jacob Bos
Located in Chicago, IL
448 x 315 mm.; 17 5/8 x 12 1/4 inches
Watermark:
Eagle, close to Briquet 207 (Rome 1573-76)
Notes:
Bos was born in ‘s-Hertogenbosch in southern Netherlands (in French, the city’s name is “Bois-le-Duc”), and was active in Rome for a number of years from circa 1549 onward. His works were influenced by Marcantonio Raimondi (near Bologna 1480 – died between 1527 and 1534: see our no. 11).
The inspiration for this magnificent and extremely rare engraving was the famous so-called Farnese Hercules...
Category
Old Masters 16th Century Nude Prints
Materials
Engraving
$15,000
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Located in Saint Augustine, FL
Artist: Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Frau in der Wanne (Woman in Tub)"
Series: Die Aktion
*Unsigned edition
Year: 1915
Medium: Original Woodcut Engraving on cream smooth wove paper
Limited edition: Unknown, (there was also a signed edition on laid paper with wider margins in an unknown edition size)
Printer: F.E. Haag, Melle, Hanover, Germany
Publisher: Verlag der Wochenschrift DIE AKTION, Berlin, Germany
Reference: "Das Graphische Werk Bis 1923" - Schapire No. 171, page 37; Söhn No. 40502
Framing: Recently framed in a contemporary gold moulding with 100% cotton rag matting and Artglass
Framed size: 16" x 13.25"
Sheet size: 11.5" x 8.75"
Image size: 10" x 7.25"
Condition: Faint UV staining to sheet and light toning at edges. It is otherwise a strong impression in excellent condition
Extremely rare
Notes:
Provenance: private collection - Kiel, Germany. Comes from the famous "Die Aktion" publication, Vol. 5, No. 13 published March 20th, 1915. Text on verso as issued. There is an example of this complete issue in the permanent collection of the Museum of Modern Art, New York, NY.
In 1911 Franz Pfemfert, a cantankerous critic of capitalism and Wilhelmine society, founded Die Aktion as a political and literary journal. In April of the following year, a new subtitle declared the journal a "weekly for politics, literature, and art." Although politics remained the priority, Die Aktion began featuring visual art coverage as well as original prints and illustrations.
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By Jim Smyth
Located in Soquel, CA
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Jim Smyth (American, b. 1938) has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy and the Art Students league. He is also a graduate from UC Berkeley with a degree in Fine Art.
Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with an extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels.
When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable.
On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deep etched plate.
Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model.
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