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Ryan McGinnessSigned Ryan McGiness Screenprint2010
2010
About the Item
Signed Ryan McGinness screen-print:
Ryan McGinness, "Women: The Blacklight Paintings". The Standard Hotel, New York, 2010.
Screen-print with black flocking and fluorescent ink on paper
23 x 35 inches (58 x 89 cm)
Hand-signed from a limited edition of 300 (in pencil on lower right & left)
Some minor signs of handling; otherwise excellent
Provenance: The Standard
Ryan McGinness (American b.1972)
Working across a variety of media, from painting and sculpture to site-specific installations and silkscreens, Ryan McGinness creates works that reveal the deep and abiding influences of artists such as Andy Warhol and Takashi Murakami. McGinness frequently uses bright colors and a bold graphic style, as he combines his own iconography with urban signage, transforming an otherwise impersonal and ubiquitous aesthetic into a deeply personal one. McGinness's Black Hole series (2011) featured Technicolor gyroscope drawings that brought whimsy to its geometrical concentric circles, drawing the audience into its continual swirls.
McGinness’s work has been exhibited at numerous public and private institutions, including solo shows at Phillips de Pury and Deitch Projects and group shows at the Andy Warhol Museum, London’s Royal Academy of Art, the Saatchi Gallery, and the Museum of Modern Art.
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- Creator:Ryan McGinness (1971, American)
- Creation Year:2010
- Dimensions:Height: 35 in (88.9 cm)Width: 23 in (58.42 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good.
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU35434059731
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View AllSigned Ryan McGiness Women Screenprint
By Ryan McGinness
Located in NEW YORK, NY
Ryan McGinness “Women: The Blacklight Paintings":
Hand signed exhibition poster created by the artist for The Standard Hotel, 2010.
Screen-print with b...
Category
Early 2000s Pop Art Nude Prints
Materials
Screen
$200 Sale Price
60% Off
Raymond Pettibon Black Flag 1983 postmarked (Raymond Pettibon prints)
By Raymond Pettibon
Located in NEW YORK, NY
Raymond Pettibon: Rare early Black Flag punk flyer:
Black Flag Santa Monica Civic Auditorium, Jun 11, 1983. Santa Monica, CA. Flyer / handbill for gig by Black Flag, Misfits, Vandals featuring artwork by Pettibon. Post-marked 1983 on verso; rare as such given the SST stamp on verso (Black Flag's record label).
Offset Print; 8.5 x 11 inches.
Features Pettibon printed signure on the lower right.
Condition: Minor signs of handling and fading or yellowing; fold-lines and staple marks to upper & lower center (these were originally stapled together and mailed); in otherwise very good overall condition given age & medium.
Post-marked 1983 and hand addressed on verso. Rare.
Flea, the Red Hot Chili Peppers bassist once said of Pettibon's Black Flag illustrations and iconic logo: "Before I knew what Black Flag was I remember walking around Hollywood and seeing Raymond's flyers and being like, 'What the fuck is that?'… Those flyers made me feel like something is going on and it's romantic and it's mysterious and it's heavy and I don't know what it is but I wanna know."
About Raymond Pettibon (Americanb. 1957)
Raymond Pettibon is a contemporary American artist known for his stylized ink drawings combining images and text. His inventive narratives blend historical content with consumer culture to yield incisive critiques of contemporary society. “I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology,” he explained. “There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures.” Born Raymond Ginn on June 16, 1957 in Tucson, AZ, the artist is self-taught, but cites drawings by William Blake, Edward Hopper, Francisco Goya, and John Sloan as instructive to his practice. Deriving inspiration from comics, cartoons, and other pop culture iconography, Pettibon began designing album covers and ephemera for his brother’s band Black Flag in the mid-1970s. He went on to produce cover art for Sonic Youth, the Minutemen...
Category
1980s Pop Art Nude Prints
Materials
Offset, Lithograph
Raymond Pettibon Punk flyer 1981
By Raymond Pettibon
Located in NEW YORK, NY
Raymond Pettibon Punk Art 1981:
Raymond Pettibon illustrated gig flyer / handbill for: The Subhumans, China White, Mad Society, Runns, Assassins at Polish Hall, Los Angeles 1981. Post marked 1981 on the verso; quite rare as such.
Offset Print; 8.5 x 11 inches.
Pettibon printed signature appears on the lower right.
A RARE original example, mailed by SST Records in 1981.
Condition: Staple on mid-left; fold-lines consistent with mailing; scattered signs of handling, fading and minor wear consistent with age and medium; otherwise good overall condition.
Further History:
Between the years 1978 and 1986 Raymond Pettibon (aka, Raymond Pettibone; St. Pettibone) produced a now historic amassment of graphic works for seminal Southern California punk bands such as Black Flag, the Dead Kennedys...
Category
1980s Pop Art Nude Prints
Materials
Offset
Raymond Pettibon Black Flag 1982 postmarked (Raymond Pettibon punk flyer)
By Raymond Pettibon
Located in NEW YORK, NY
Raymond Pettibon Black Flag:
1982 Raymond Pettibon illustrated Black Flag punk flyer published on the occasion of: Black Flag, Saccharine Trust, The Minutemen...
Category
1980s Pop Art Nude Prints
Materials
Offset, Lithograph
Keith Haring Fault Lines 1986 (4 works)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Fault Lines 1986 (set of 4 printed works):
A grouping of 4 lithographs from the book Fault Lines by Brison Gysin with illustrations by Keith Haring. These works are eac...
Category
1980s Pop Art Figurative Prints
Materials
Lithograph
Andy Warhol Studies for a Boy Book (1950s Warhol illustrated announcement)
By Andy Warhol
Located in NEW YORK, NY
Andy Warhol Studies for a Boy Book 1956:
A rare sought-after, 1950s Andy Warhol designed poster invitation published on the occasion of: Warhol's 'Studies for a Boy Book', held at the Bodley Gallery and Bookshop Feb. 14 - March 3, 1956. A rare early Warhol collectible that seldom comes to market. Not to be passed upon.
Medium: Offset lithograph on wove paper. Framed in glass.
Dimensions: 15.75 x 13.5 inches (40 x 34.3 cm).
Framed dimensions: 24h x 26w inches.
Good overall vintage condition; fold-lines as originally issued;
Unsigned from an edition of unknown. Rare.
With the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts Authorization ink-stamps on the reverse; initialed 'T.J.H.' by Timothy J. Hunt of the Andy Warhol Foundation and annotated 'XX-07.16' and 'PM19.0242' in pencil on the reverse.
Provenance:
The Andy Warhol Foundation for the Visual Arts, New York
Susan Sheehan Gallery, New York
Private Collection, New York
Further Background:
"In the 1950's Warhol self-published a large series of artist’s books & hold parties at Serendipity 3, a restaurant and ice cream parlor on Manhattan’s Upper East Side, where his friends would help him hand color his books. In 1956, he presented a solo exhibition at the Bodley Gallery called Studies for a Boy Book. These sketchbook drawings of portraits of young men and erotic portrayals of male nudes contrasted with the work of other contemporary gay artists, such as Robert Rauschenberg and Jasper Johns, who considered Warhol 'too swish.' (source: The Andy Warhol Museum)
Collections:
The Art Institute of Chicago
Further background:
Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre, dominated by charming and light-handed ink drawings.
As a master of line and contour, Warhol’s consistent and unique drawings and designs piqued the interest of his clients, earning him commissions and collaborations with some of the biggest brands of the day: Tiffany & Co., Columbia Records, and Vogue, to name a few. Though stylistically different from the Pop, these early drawings offer a glimpse at an artist well on his way to establishing an art movement that would change the way the world conceived of contemporary art and its connection to pop culture, morphing from his early successes in the commercial art scene.
The simple yet sophisticated line drawings contain... his favorite things: cherubs, shoes, cats, and often young men. Across these drawings and hand-colored prints, we see Warhol as a compulsive creator, documenting life and fantasy with the stark clarity of ink on paper." (source: Phillips)
_
Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions.
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1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...
Category
1960s Pop Art Nude Prints
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