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Art Subject: Insect
Finis le Paradis, Surrealist Etching by Jan Peter Tripp
Located in Long Island City, NY
Finis le Paradis
Jan Peter Tripp
German (1945)
Date: 1994
Etching, signed, numbered, dated, and titled in pencil
Edition of 6/66
Image Size: 39 x 20 inches
...
Category
1990s Surrealist Figurative Prints
Materials
Etching
Salvador Dali - Nude with Snails Breats
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Nude with Snails Breats - Original Etching
Dimensions: 38 x 28 cm
Edition: 390
1967
On Rives Vellum
References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.
Category
1960s Surrealist Nude Prints
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Salvador Dali
Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press.
Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him.
In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness.
By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. His great craftsmanship allowed him to execute his paintings in a nearly photo-realistic style. No wonder that the artist was a great admirer of the Italian Renaissance painter Raphael.
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Gala decided to stay with Dali. She became his companion, his muse, his sexual partner, his model in numerous art works and his business manager. For him she was everything. Most of all Gala was a stabilizing factor in his life. And she managed his success in the 1930s with exhibitions in Europe and the United States.
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