
Galerie Karl Flinker (Anthropometry) Poster /// Yves Klein Nude Figurative Blue
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Galerie Karl Flinker (Anthropometry) Poster /// Yves Klein Nude Figurative Blue1973
1973
Price:$1,675.86
About the Item
- Creation Year:1973
- Dimensions:Height: 36.5 in (92.71 cm)Width: 21.5 in (54.61 cm)
- Medium:
- Movement & Style:
- After:Yves Klein (1928 - 1962, French)
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU12126530542
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By Salvador Dalí
Located in Saint Augustine, FL
Artist: Salvador Dali (Spanish, 1904-1989)
Title: "Le Nu à la Guitarre (The Nude on the Guitar) (Serenade)"
Portfolio: Nudes
*Signed by Dali in pencil lower right
Year: 1970
Medium: Original Lithograph on white Rives paper
Limited edition: 104/120
Printer: Desjobert, Paris, France
Publisher: E.G.I., Beverly Hills, CA
Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 70-8-D, page 158
Beautifully framed in handmade real gold-leaf moulding with raw silk matting and gold filet
Framed size: 30.25" x 38.25"
Image size: 20" x 28.25"
Condition: Light toning to sheet in margins and some minor handling creases. Some minor cosmetic wear to framing. It is otherwise a strong impression in very good condition
Rare
Notes:
Provenance: private collection - Philadelphia, PA. Numbered by Dali in pencil lower left. Comes from Dali's 1970 "Nudes" portfolio of 8 lithographs from original drawings. Printed in light yellow-brown on pale green panel.
Note: We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic.
Biography:
Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media.
Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes...
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Earth /// Contemporary Female Artist Nude Woman Figurative Lithograph Modern Art
By Dagmar Mezricky
Located in Saint Augustine, FL
Artist: Dagmar Mezricky (Czech, 1944-)
Title: "Earth"
*Signed, numbered, and dated by Mezricky in pencil lower right
Year: 1989
Medium: Original Lithograph on Rives BFK paper
Limite...
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Tenderness Gives Rise to Harmony /// Contemporary Nude Female Artist Woman Art
By Dagmar Mezricky
Located in Saint Augustine, FL
Artist: Dagmar Mezricky (Czech, 1944-)
Title: "Tenderness Gives Rise to Harmony"
*Signed, numbered, and dated by Mezricky in pencil lower left
Year: 1988
Medium: Original Lithograph...
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1980s Contemporary Nude Prints
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Sitzende Frau mit Blüten (Seated Woman with Flowers) /// Karl Schmidt-Rottluff
By Karl Schmidt-Rottluff
Located in Saint Augustine, FL
Artist: (after) Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Sitzende Frau mit Blüten (Seated Woman with Flowers)"
Series: Die Aktion
Year: 1914
Medium: The Complete Vol. 4, No. 11 issue of 'Die Aktion' with a Lithograph on cream smooth wove paper
Limited edition: Unknown
Printer: F.E. Haag, Melle, Hanover, Germany
Publisher: Verlag der Wochenschrift DIE AKTION, Berlin, Germany
Sheet size: 12.25" x 9.25"
Image size: 3.82" x 3.25"
Condition: Toning to sheets (as normal). Light water staining at center right edge and upper right corner. Some separation and small paper losses at spine. It is otherwise in very good condition
Extremely rare
A very nice copy of this extremely scarce issue
Notes:
Provenance: private collection - Fürstenberg/Havel, Germany. The lithograph on the cover is a smaller-sized reproduction after Schmidt-Rottluff's 1913 larger original signed woodcut engraving edition, ("Das Graphische Werk Bis 1923" - Schapire No. 114, page 28). Published March 14th, 1914. A total of 14 pages. There is an example of this complete issue in the permanent collection of the Museum of Modern Art, New York, NY.
In 1911 Franz Pfemfert, a cantankerous critic of capitalism and Wilhelmine society, founded Die Aktion as a political and literary journal. In April of the following year, a new subtitle declared the journal a "weekly for politics, literature, and art." Although politics remained the priority, Die Aktion began featuring visual art coverage as well as original prints and illustrations.
Artist Max Oppenheimer (MOPP) worked closely with 'Die Aktion' in its early years, portraying in its pages many of the young writers who gave the journal its distinctive voice. Egon Schiele made his first woodcuts at Pfemfert's urging in 1916, for publication in the journal. Other frequent contributors included Ludwig Meidner and, later, Conrad Felixmüller and Karl Schmidt-Rottluff.
Adamantly opposed to World War I, Pfemfert skirted tightened censorship from August 1914 to October 1918 by treating contemporary events only through artistic and literary allusions. At a time when reading books by foreign authors was considered unpatriotic, he dedicated entire issues of Die Aktion to Russian, French, and Belgian authors and artists. In late 1918, however, Pfemfert resumed vocal political critique, siding with the radical left. His selection of prints, formerly varied, became overtly political. After 1921, he ceased art coverage altogether, decreased the number of issues, and used the publication exclusively as a mouthpiece for his own increasingly partisan views.
Biography:
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes.
In 1905 Schmidt-Rottluff began to study architecture in Dresden, Germany, where he and his friend Erich Heckel met Ernst Ludwig Kirchner and Fritz Bleyl...
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Kunsthandel Wolfgang Werner KG (Nudes) /// German Expressionism Schmidt-Rottluff
Located in Saint Augustine, FL
Artist: (after) Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Kunsthandel Wolfgang Werner KG (Nudes)"
Year: 1984
Medium: Original Offset-Lithograph, Exhibition Poster on yellow wove paper
Limited edition: Unknown
Printer: Unknown
Publisher: Kunsthandel Wolfgang Werner KG, Bremen, Germany
Framing: Recently framed in a contemporary black moulding with frame space
Framed size: 29.25" x 19.5"
Sheet size: 27.25" x 17.75"
Image size: 9.5" x 12"
Condition: In excellent condition
Extremely rare
Notes:
Poster produced for a special posthumous exhibition of Rottluff's early watercolors and printmaking "Schmidt Rottluff" at Kunsthandel Wolfgang Werner KG, Bremen, Germany from March 8 - May 12, 1984, in tribute to the artist's, would have been, 100th birthday.
GIA Gallery Poster Disclaimer:
Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters.
Biography:
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died August 9, 1976, West Berlin [now Berlin]), German painter and printmaker who was noted for his Expressionist landscapes and nudes.
In 1905 Schmidt-Rottluff began to study architecture in Dresden, Germany, where he and his friend Erich Heckel met Ernst Ludwig Kirchner and Fritz Bleyl, two other architecture students who shared their passion for painting. Together they formed the organization of Expressionist artists known as Die Brücke...
Category
1980s Expressionist Nude Prints
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Vérité (Truth) /// French Modern Impressionist Art Lithograph Nude Figurative
By Henri Fantin-Latour
Located in Saint Augustine, FL
Artist: Henri Fantin-Latour (French, 1836-1904)
Title: "Vérité (Truth)"
Portfolio: Revue de l'Art Ancien & Moderne
*Issued unsigned
Year: 1900 (third state of three)
Medium: Original Lithograph on chine appliqué on wove paper
Limited edition: Unknown
Printer: A. Clot, Paris, France
Publisher: Revue de l'Art Ancien & Moderne, Paris, France
Reference: Floury No. 156; Hediard-Mason No. 156; L No. 139
Sheet size: 11.5" x 8.5"
Image size: 7.5" x 5.5"
Condition: In excellent condition
This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community.
Biography:
Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour (born Jan. 14, 1836, Grenoble, France—died Aug. 25, 1904, Buré), French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts.
Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés.
Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild...
Category
Early 1900s Impressionist Nude Prints
Materials
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