Le Printemps des Poètes (Portrait Relief d'Arman)

2015

Richard Prince, Dude Ranch Nurse, Lithograph with Collage, 2008 Lithograph with collage with offset lithography, hand colouring, hand cutting and pencil F...

Tracey Emin, Tattoo, Offset Lithograph on Paper, 2001 Colour photocopies on A4 paper, from a limited edition of 200 (No. 129). Hand signed and numbered in pencil by the artist, rect...

Tomi Ungerer Nude Gun: a selection from Underground Sketchbook: First printing, 1965. Medium: Vintage poster. Dimensions: 23 in. x 29 in. (58.42 cm x 73.66 cm). Very good overall vi...

Raymond Pettibon: Rare early Black Flag punk flyer: Black Flag Santa Monica Civic Auditorium, Jun 11, 1983. Santa Monica, CA. Flyer / handbill for gig by Black Flag, Misfits, Vandals featuring artwork by Pettibon. Post-marked 1983 on verso; rare as such given the SST stamp on verso (Black Flag's record label). Offset Print; 8.5 x 11 inches. Features Pettibon printed signure on the lower right. Condition: Minor signs of handling and fading or yellowing; fold-lines and staple marks to upper & lower center (these were originally stapled together and mailed); in otherwise very good overall condition given age & medium. Post-marked 1983 and hand addressed on verso. Rare. Flea, the Red Hot Chili Peppers bassist once said of Pettibon's Black Flag illustrations and iconic logo: "Before I knew what Black Flag was I remember walking around Hollywood and seeing Raymond's flyers and being like, 'What the fuck is that?'… Those flyers made me feel like something is going on and it's romantic and it's mysterious and it's heavy and I don't know what it is but I wanna know." About Raymond Pettibon (Americanb. 1957) Raymond Pettibon is a contemporary American artist known for his stylized ink drawings combining images and text. His inventive narratives blend historical content with consumer culture to yield incisive critiques of contemporary society. “I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology,” he explained. “There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures.” Born Raymond Ginn on June 16, 1957 in Tucson, AZ, the artist is self-taught, but cites drawings by William Blake, Edward Hopper, Francisco Goya, and John Sloan as instructive to his practice. Deriving inspiration from comics, cartoons, and other pop culture iconography, Pettibon began designing album covers and ephemera for his brother’s band Black Flag in the mid-1970s. He went on to produce cover art for Sonic Youth, the Minutemen...

"For Adults Only I" is an exquisite offset lithograph print with colors of an alluring corseted and stockinged nude female in a confrontational pose filling the frame inviting the vi...

Collage with color offset lithograph, hand-cutting, hand-painting and assemblage on inset board. It is signed in pencil, with numbering on the original label. Published by Two Palms ...

David Hockney XVI RIP ARLES (Hand signed, inscribed and dated by David Hockney), 1985 Offset lithograph poster Hand signed and inscribed with dateline London, 1985 by David Hockney o...

Marina Abramović The Cleaner, 2017 Offset Lithograph poster from this European exhibition 39 2/5 × 27 3/5 inches Unframed and unsigned About The Cleaner project - courtesy of the Louisiana Museum Marina Abramović has inscribed herself in the history of art as one of the pioneers of body and performance art, and since the 1970s – with her own body and energy as her primary material – she has developed one of contemporary art’s most radical and uncompromising practices. Abramović is best known for physically and mentally demanding performance works that are often transgressive and revolve around the body, gender, energy, time, pain, presence, and identity. Her performances range from powerful, violent, and risky actions to quieter exchanges of energy and meetings with the audience. And especially in recent years, we the audience have increasingly become key players in her works. The exhibition at Louisiana comprised more than 100 works and spans more than five decades – from early concept sketches, paintings and sound works to presentations of the artist’s performances – including her collaboration with former partner Ulay. Reperformances of an early work formed part of the exhibition as well. Marina Abramović – The Cleaner was developed in dialogue with the artist and organized by Moderna Museet, Stockholm, in collaboration with Louisiana Museum of Modern Art, Henie Onstad Kunstsenter and Bundeskunsthalle, Bonn. The performance part...

John Baldessari at Sonnabend Gallery New York, 1987: Rare vintage original 1980s exhibition poster that makes for an excellent Baldessari collectible and frame piece. 'John Baldessar...

Yayoi Kusama Driving Image Show: An impossibly rare 1960s Kusama exhibition poster/brochure, published on the occasion of: Yayoi Kusama at Galleria del Naviglio Milan: Jan. 26-Feb. ...