Ogden N. Pleissner

"Dry Fly Fishing For Salmon Print" 1982 by Ogden M. Pleissner (SIGNED)

1982

Art Sz: 9 1/2"H x 7 1/2"W Frame Sz: 11 1/8"H x 9"W Stamped: W.H.H

Image Sz: 19"H x 12 3/4"W Frame Sz: 26"H x 19"W Lovely 'Easter Orchid' botanical colour print pub 1960 w/ marbled mat

1890 Sz: 20"H x 12 7/8"W James Woodburn 1863-1919 Born at York on September 20, 1863, James began life as a doctor’s errand boy but, wanting to become a jockey, he ran away from home. Covering the 13 miles on foot, he arrived at the Hambleton stables of Mr Sanderson, who took an instant liking to the runaway. Woodburn rode his first winner for the stable...

Classic sporting hand-coloured lithograph depicting two English huntsmen w/ three game dogs in the woodlands 19th Century Print Sz: 15 1/4"H x 18 1/4"W Frame Sz: 22"H x 25"W

Art Sz: 15 3/4"H x 19 3/4"W Frame Sz: 25"H x 28 1/2"W Limited edition copy number 626/ 2400 Pencil signed LL by the artist Blindstamp LR: The Wildlife Legislative Fund of America Larry Hayden is a visual artist whose drawings and photographs reflect his fascination with his domestic environment and its feathered inhabitants. An ongoing series of photographs spanning nearly five years show him to be an animalier; his subject is his small flock of laying hens who share with him a picturesque 19th century Maine farm that once covered one hundred thirty acres, and whose Northern edge was the Presumpscot River. Now reduced to a bit less than one acre and surrounded by residential Portland, it is this little world that is the core subject of Larry’s work. His photographs; paintings; and drawings are in respected collections including the Portland Museum of Art; Bates College Art Museum; the Colby Museum of Art; The Farnsworth Museum; the Fine Art Collection of William and Hobart Smith Colleges, and the University of New England Art Gallery, as well as distinguished corporate, institutional, and private collections. Larry’s work has been included in many publications including Design Language, 2006, Tim McCreight, Brynmorgen Press; Abstract Art, Dean Nimmer...

Art Sz: 5 1/4" x 6 1/4" Frame Sz: 13 1/4 x 16 1/8" Printed in Paris by Boussod, Valadon & Co.

The Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...

ROSENQUIST, JAMES (1933 - 2017) F-111 (Castelli Gallery Poster) Offset Lithograph c. 1965 Signed and dated in pencil along lower edge Sheet Size: 28” x 22”, Fresh ...

CHARPENTIER, ALEX (1856 -1909) "Grande Tuilerie d’Ivry" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, issue # 33, 1898. Plate #131 Unframed Size: 11 3/8 x 15 3/4”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...

BRADLEY, WILL (1868 - 1962) The Chap Book Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #34, 1898. Plate #136 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...

CHERET, JULES (1836 - 1932) "Emilienne d’Alencon" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #29, 1898. Plate #113 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to...

PRICE, JULIUS "An Artist’s Model" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #1, 1896. Plate # 3 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...