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Pierre Bonnard1896 Original poster - Les Maîtres de l'affiche Pl. 38 - La revue Blanche1896
1896
$5,379.75
£3,920.81
€4,500
CA$7,376.44
A$8,235.99
CHF 4,296.12
MX$101,273.73
NOK 54,222.33
SEK 51,048.42
DKK 34,241.42
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About the Item
Pierre Bonnard's "La revue Blanche" poster, created in 1896, is considered a masterpiece of poster art. It is part of the "Maîtres de l'Affiche" collection, edited by Jules Chéret, a pioneer of poster advertising.
Pierre Bonnard was a French painter and poster artist. His poster "La revue Blanche" depicts an elegant woman in a white dress, seated in an armchair and holding a copy of the magazine of the same name. The background is filled with decorative motifs and vibrant colors, creating a dynamic atmosphere.
Bonnard skilfully uses color to attract attention. Vivid shades of red, yellow and blue are juxtaposed, creating a striking contrast. Shapes and lines are simplified, adding to the poster's modern look.
"La revue Blanche" was an influential literary and artistic publication of the time. Bonnard's poster expresses the magazine's creative spirit and intellectualism.
Les Maîtres de l'Affiche was a collection of 256 posters created by renowned artists of the time. Bonnard's poster was one of the most sought-after in the collection, testifying to the growing importance of poster art in the late 19th century. This is plate number 38.
Literature - Advertising - France
Les Maîtres de l'affiche Pl. 38
Chaix
- Creator:Pierre Bonnard (1867-1947, French)
- Creation Year:1896
- Dimensions:Height: 15.75 in (40 cm)Width: 11.42 in (29 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good condition.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1792215540542
Pierre Bonnard
Pierre Bonnard was a French painter, illustrator and printmaker, born in 1867. He is known especially for the stylized decorative qualities of his paintings and his bold use of color. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. He was a founding member of the post-impressionist group of avant garde painters, Les Nabis. He was also a leading figure in the transition from impressionism to modernism.
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