Alberto Maso Gilli

Portrait of Arnaldo da Brescia - Lithograph by Alberto Maso Gilli - 19th Century

19th Century

Galeazzo Visconti is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of th...

Ariosto is an original Hand-colored lithograph artwork realized by Dolfino in the XIX century. Signed on the plate on the lower left Titled on the lower center. The state of pres...

Portrait of Man is an original Etching realized by an unkown artist in late-19th century. Very good condition. No signature.

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Based on characters from "Flowers for Algernon." Limited Edition Lithograph (available in multiple editions out of 50). Print is pencil-signed and numbered by the artist. Good Condit...

François Viète, Seigneur de la Bigotière (1540–1603), is known by mathematicians as the “Father of Algebra.”. Paris: 1861. Etching on tissue-thin Japon paper, 8 1/4 x 5 1/2 inches (...

This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture. The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...

The artist Nicolas Sperafis John Hardy, American (1923–2014) Date: 1979 Lithograph, signed in pencil Edition of AP Size: 30 x 22.5 in. (76.2 x 57.15 cm)