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Eric FischlEric Fischl Hand Signed Lithograph Figures on the Beach Pictures Generation Art
$1,800
£1,384.68
€1,607.22
CA$2,538.43
A$2,843.47
CHF 1,493.49
MX$34,575.66
NOK 18,912.49
SEK 17,953.04
DKK 11,995.30
About the Item
Eric Fischl (AMERICAN, Born 1948)
Lithograph depicting figures on a beach., 1991
Hand signed in pencil to lower left and edition numbered 41/125.
Mounted in a black painted wooden frame behind glass screen.
Dimensions: Frame: 18.75 X 22.75, Image: 16 X 20
From Art Pro-Choice II, 1991
Relief pressure print from stratified collage on wove Okawara paper
Printed by Spring Street Workshop,New York and published by Pace Editions,Inc., New York. This was a portfolio of 8 works by artists
Jennifer Bartlett, Ross Bleckner, Francesco Clemente, Eric Fischl, April Gornik, Claes Oldenburg, Cindy Sherman and Pat Steir.
Eric Fischl (born March 9, 1948) is an American painter, sculptor, printmaker, draughtsman and educator. He is known for his paintings depicting American suburbia from the 1970s and 1980s.
Fischl was born in New York City and grew up on suburban Long Island; his family moved to Phoenix, Arizona, in 1967. His art education began at Phoenix College for two years, followed with studying at Arizona State University. Followed by studying at the California Institute of the Arts in Valencia, California, where he received a B.F.A. in 1972. He then moved to Chicago, taking a job as a guard at the Museum of Contemporary Art.
Between 1974 and 1978 he taught at the Nova Scotia College of Art and Design in Halifax, Nova Scotia. It was at this school where he met his future wife, painter April Gornik. In 1978, he moved back to New York City.
Fischl is a trustee and senior critic at the New York Academy of Art and President of the Academy of the Arts at Guild Hall of East Hampton. In addition to receiving Guild Hall's Academy of the Art's Lifetime Achievement Award in 1994, Fischl was extended the honor of membership to the American Academy of Arts and Letters in 2006.
Fischl has embraced the description of himself as a painter of the suburbs, not generally considered appropriate subject matter prior to his generation. In 2002, Fischl collaborated with the Museum Haus Esters in Krefeld, Germany. Haus Esters is a 1928 home, designed by Mies van der Rohe in 1928 to be a private home. It now houses changing exhibitions. Fischl refurbished it as a home (though not particularly in Bauhaus style) and hired models who, for several days, pretended to be a couple who lived there. He took 2,000 photographs, which he reworked digitally and used as the basis for a series of paintings, one of which, the monumental Krefeld Redux, Bedroom #6 (Surviving the Fall Meant Using You for Handholds) (2004) was purchased by Paul Allen featured in the 2006 Double Take Exhibit at Experience Music Project, where it was juxtaposed with a much smaller Degas pastel. This is by no means the first time Fischl has been compared to Degas.
Twenty years earlier, reviewing a show of 28 Fischl paintings at New York's Whitney Museum, art critic John Russell wrote in The New York Times, "[Degas] sets up a charged situation with his incomparable subtlety of insight and characterization, and then he goes away and leaves us to figure it out as best we can. That is the tactic of Fischl, too, though the society with which he deals has an unstructured brutality and a violence never far from release that are very different from the nicely calibrated cruelties that Degas recorded."
Fischl also collaborated with Jamaica Kincaid, E. L. Doctorow and Frederic Tuten combining paintings and sketches with literary works.Composer Bruce Wolosoff was inspired by Fischl's watercolors to compose "The Loom" for the classical ensemble Eroica Trio.
Fischl's work can be found in the permanent collections of museums such as the Art Gallery of New South Wales, Sydney; Art Institute of Chicago; Broad Museum, Los Angeles; Dallas Museum of Art; Solomon R. Guggenheim Museum, New York; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Louisiana Museum of Modern Art, Humlebaek; Musée National d'Art Moderne, Centre Georges Pompidou, Paris; Museum of Modern Art, New York; and the Philadelphia Museum of Modern Art, among many others.
In May 2022, a new auction record was set for Eric Fischl when his 1982 painting The Old Man's Boat and the Old Man's Dog sold for $4,140,000 against an estimate of $2,000,000-3,000,000, more than doubling his previous record.
Eric Fischl is represented by Skarstedt Gallery, New York.
Personal life
For many years Fischl worked and resided in New York City, with his studio located in Tribeca. In 2000 he moved to Sag Harbor, Long Island, New York with his wife, landscapist April Gornik, where they share a home and matching studios.
In Sag Harbor Fischl and Gornik led fundraising efforts to renovate the Sag Harbor Cinema which burned in December 2016 into a cultural center and renovate an abandoned Methodist Church into an artist residency and exhibition space called The Church. Both venues opened in 2021.
Fischl a Pictures Generation American painter, printmaker, photographer, is an American Postmodern Neo Expressionist painter, printmaker and photographer.
The Pictures Generation, 1974–1984 was an exhibition at The Metropolitan Museum of Art in 2009. The exhibition took its name from Pictures, a 1977 five person group show organized by art historian and critic Douglas Crimp at New York City's Artists Space gallery. The artists exhibited were Troy Brauntuch, Jack Goldstein, Sherrie Levine, Robert Longo and Philip Smith. Artists in the 2009 Met exhibition included well known artists of the 1980s such as Cindy Sherman, Barbara Kruger, Louise Lawler, Robert Longo, David Salle, Richard Prince, Jack Goldstein and Sherrie Levine, together with lesser-known contemporaries such as Troy Brauntuch and Michael Zwack. It also featured some of the group's artistic predecessors including John Baldessari and Allan McCollum.
Artists not included in the Metropolitan Museum of Art show, such as Eric Fischl and Julian Schnabel, were also a part of this group.
- Creator:Eric Fischl (1948, American)
- Dimensions:Height: 18.75 in (47.63 cm)Width: 22.75 in (57.79 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good. Frame has minor wear. please refer to photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214736622
Eric Fischl
Eric Fischl’s extraordinary achievements throughout his career have made him one of the most influential figurative painters of the late 20th and early 21st centuries.
Fischl was born in 1948 in New York City and grew up in the suburbs of Long Island. He attended Phoenix College and earned his BFA from the California Institute for the Arts in 1972. Fischl’s suburban upbringing provided him with a backdrop of alcoholism and a country club culture obsessed with image over content. His early work thus became focused on the rift between what was experienced and what could not be said. His first New York City solo show was at Edward Thorp Gallery in 1979, during a time when suburbia was not considered a legitimate genre for art. He first received critical attention for depicting the dark, disturbing undercurrents of mainstream American life.
In his pinned Mylar and cast resin works, Fischl creates images that are both striking in their saturated tones and infused with the subtle tension of figures twisting, reaching, and pushing out beyond the boundaries of the picture plane. The artist has reimagined his technique used to create glassine collages during the late '70s and early '80s.
Drawing on those early years, Fischl pulls his collage process forward using contemporary imagery and art-making technology not available to him in prior years. The result is work that is fresh, arresting, and deeply tied to the historic roots of the artist. While both the cast resin and pinned Mylar concepts emanate from the same desire to revisit his early collage process, each accomplishes very different results. The resin pieces were created around the time Fischl began exploring cast glass sculpture. The resin pieces became a way to create collaged images in modern materials that capture light in a similar way to the glass sculptures, whereby light comes into the piece and projects back out of the work. In the pinned Mylars, Fischl wanted to break free from the confines of the cast resin and the picture plane. This became a creative driver for much of this body of work.
Eric Fischl’s paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions and his work is represented in many museums, as well as prestigious private and corporate collections, including the Metropolitan Museum of Art, the Whitney Museum of American Art, the Museum of Modern Art in New York City, the Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musée Beaubourg in Paris, the Paine Webber Collection, and many others.
Find original Eric Fischl art on 1stDibs.
(Biography provided by Octavia Art Gallery)
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