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Francis Bacon
Francis Bacon 'Three Studies for Self Portrait' Limited Edition Signed Print

$38,000
£28,652.17
€33,017.63
CA$52,716.27
A$59,068.30
CHF 30,747.30
MX$722,609.81
NOK 390,280.06
SEK 368,614.85
DKK 246,483.37
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About the Item

Francis Bacon (British, 1909-1992) Three Studies for Self Portrait, c. 1981 Lithograph in colors on Arches wove paper Edition 81/150 with Arabic numbering. There were also 25 H.C. (Hors Commerce) and 10 E.A. (artist proofs). Published by the Éditions de la Différence, Paris, and printed by Arts Litho, Paris Arts Litho Paris stamp at lower left. Sheet: 40 7/8in x 18 1/2 in In a vintage white metal frame: 43in x 21in Literature: Bruno Sabatier, Francis Bacon, The Graphic Work, no. 15 Alexandre Tacou, Francis Bacon, Estampes, no. 11 This lithograph is after a triptych oil painting on canvas, 1979-80, currently held by the Metropolitan Museum of Art, New York. Three Studies for a Self-Portrait is a profoundly introspective work in which Francis Bacon presents three subtly distorted depictions of his face, each emerging from a stark black background. Created in the aftermath of his lover George Dyer’s suicide, the triptych serves as a meditation on grief, self-examination, and the artist’s ongoing struggle with identity, aging, and loss. Though Bacon was approaching seventy at the time, he deliberately omits visible signs of aging, instead rendering a face suspended in time—an embodiment of his uneasy relationship with mortality. The triptych format, with its three distinct yet connected perspectives, suggests a fragmented self-image. The distortions speak to Bacon’s intense self-scrutiny and dissatisfaction with his appearance. The somber palette and isolated heads evoke a sense of confinement and introspection, drawing focus to the contorted features that reveal the emotional and psychological weight of his experiences. Bacon’s inner tension permeates the work, inviting viewers to engage with the multiple facets of his persona across the panels. Known for his privacy, Bacon relied on photographs rather than mirrors to achieve a sense of detachment. This approach enabled him to manipulate and distort his image with emotional distance, shielding the most vulnerable aspects of himself from direct exposure.
  • Creator:
    Francis Bacon (1909 - 1992, British, Irish)
  • Dimensions:
    Height: 21 in (53.34 cm)Width: 43 in (109.22 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Print is in very good condition. Vintage frame with surface scratches, etc. New frame is suggested.
  • Gallery Location:
    San Rafael, CA
  • Reference Number:
    Seller: 111-9341stDibs: LU1084116370462

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