Italian Cinema - Vintage Poster after Franciszek Strawieyski - 1974

1974

Tropical night is a vintage poster realized in 1969, after a painting by Benito Garcia (Eduardo Benito, 1891-1981). Published by Condé Nast in 1969. G...

Slodki Dom (Home Sweet Home) is an original offset artwork on paper realized in 1973 Original colored offset. Good condition and aged.

Nude is an original Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in the late 20th Century. The state of preservation of th...

Homage to Caravaggio is an offset print realized after the Sicilian artist Renato Guttuso, 1980s. Very good conditions. Renato Guttuso (Bagheria, Palermo 1912 - Rome,1987) was a f...

Portrait is a vintage offset print realized by Franco Sarnari. Hand-signed in pencil. Good conditions. Realized with precise strokes, the work represents a Portrait and fragment ...

Woman is a vintage poster realized in 1960s after André Planson. Offset on paper. Signed on plate on the bottom center. Very good conditions. The artwork represents a very beauti...

Patti Smith Patti Smith Returns to Ground Zero (Hand Signed by Patti Smith), from the Gotham Book Mart collection, 1998 Magazine on broadsheet (Hand signed in ink by Patti Smith) 14 ...

Claude Lafortune 8e centenaire de la naissance de François d'Assise ("Fais de moi un artisan de paix), 1982 Offset lithograph poster 23 1/2 × 12 3/4 inches unframed (unsigned) This r...

Marina Abramović The Cleaner, 2017 Offset Lithograph poster from this European exhibition 39 2/5 × 27 3/5 inches Unframed and unsigned About The Cleaner project - courtesy of the Louisiana Museum Marina Abramović has inscribed herself in the history of art as one of the pioneers of body and performance art, and since the 1970s – with her own body and energy as her primary material – she has developed one of contemporary art’s most radical and uncompromising practices. Abramović is best known for physically and mentally demanding performance works that are often transgressive and revolve around the body, gender, energy, time, pain, presence, and identity. Her performances range from powerful, violent, and risky actions to quieter exchanges of energy and meetings with the audience. And especially in recent years, we the audience have increasingly become key players in her works. The exhibition at Louisiana comprised more than 100 works and spans more than five decades – from early concept sketches, paintings and sound works to presentations of the artist’s performances – including her collaboration with former partner Ulay. Reperformances of an early work formed part of the exhibition as well. Marina Abramović – The Cleaner was developed in dialogue with the artist and organized by Moderna Museet, Stockholm, in collaboration with Louisiana Museum of Modern Art, Henie Onstad Kunstsenter and Bundeskunsthalle, Bonn. The performance part...

Jonas Wood Face Painting (Hand signed and dated), 2019 Offset lithograph poster. Hand signed and dated with artist's trademark basketball flourish Boldly signed and dated by Jonas Wo...

Cindy Sherman Hamptons International Film Festival poster (hand signed and inscribed by Cindy Sherman), 2006 Offset lithograph poster Bold signature and inscription in black marker by Cindy Sherman on the front 32 × 24 inches Unframed This print was made for the 14th Hamptons International Film Festival from October 18-22, 2006. It was boldly inscribed in black marker to Peter by Cindy Sherman. Publisher: Hamptons International Film Festival Cindy Sherman Biography: Born in 1954 in Glen Ridge, New Jersey, Cindy Sherman lives and works in New York NY. Her ground-breaking photographs have interrogated themes around representation and identity in contemporary media for over four decades. Coming to prominence in the late 1970s with the Pictures Generation group alongside artists such as Sherrie Levine, Richard Prince and Louise Lawler, Sherman studied art at Buffalo State College in 1972 where she turned her attention to photography. In 1977, shortly after moving to New York, Sherman began her critically acclaimed Untitled Film Stills. A suite of 69 black and white portraits, Untitled Film Stills sees Sherman impersonate a myriad of stereotypical female characters and caricatures inspired by Hollywood pictures, film noir, and B movies. Using a range of costumes, props and backdrops to manipulate her own appearance and to create photographs resembling promotional film images, the series explores the tension between artifice and identity in consumer culture which has preoccupied the artist’s practice ever since. Sherman continued to channel and reconstruct familiar personas known to the collective psyche, often in unsettling ways. In 1981, the artist created her Centerfolds, a series of photographic double spreads inspired by men’s erotic...

Inspired by a banner carried by young female textile workers in Lawrence, Massachusettes, James Oppenheim penned the 1912 poem “Bread and Roses”. The b...