Fritz Koethe

Untitled

Abraham Rattner (after) Title: Unknown Year: Unknown Lithograph Size: 26.25x20 inches Esther Gentle, Reproduction, 1952 Signed in the stone Annotated verso COA provided Ref.: 924802-...

Akio Takamori Fruit Tree, 1993 Medium: 4 Color Lithograph Edition: 30 Paper: Rives BFK, White Paper Size: 33.5″ x 15″ Image Size: 29.5″ x 11″ Signed, dated, numbered and inscribed by...

Paul Kostabi High five on East 5 Giclee print on handmade paper Year: 2013 Size: 24.02x17.32in Signed by hand Edition: 75 COA provided Ref.: 924802-1187 Paul Indrek Kostabi (also known as Ena; born October 1, 1962 in Whittier, California) is an American artist, musician, music producer and audio engineer. He is the brother of artist Mark Kostabi. Kostabi was a founding member of the bands Youth Gone Mad, White Zombie, and Psychotica. Kostabi currently performs with Tony Esposito in the group Kostabeats and with Walter Schreifels band Dead Heavens. Kostabi became part of the CBGB Festival in 2014 exhibiting paintings alongside photographers Bob Gruen, Michael Lavine...

Paul Kostabi Invention Giclée print on handmade paper Year: 2013 Size: 24.02x17.32in Signed by hand Edition: 30 COA provided Ref.: 924802-1188 Paul Indrek Kostabi (also known as Ena; born October 1, 1962 in Whittier, California) is an American artist, musician, music producer and audio engineer. He is the brother of artist Mark Kostabi. Kostabi was a founding member of the bands Youth Gone Mad, White Zombie, and Psychotica. Kostabi currently performs with Tony Esposito in the group Kostabeats and with Walter Schreifels band Dead Heavens. Kostabi became part of the CBGB Festival in 2014 exhibiting paintings alongside photographers Bob Gruen, Michael Lavine...

Shepard Fairey Swan Song Screen print on thick cream Speckletone paper Year: 2023 Size: 24 x 36 inches Edition: 550 Signed, dated and numbered by hand COA provided Ref.: 924802-1603 ...

Title: Rueckenakt Medium: Etching Edition: 50 Signed and numbered by hand Size: 21.5 × 17.6 on 25.0 × 19.9 inches COA provided Claude Garache is a French artist. He has worked in pa...

This set of 12 Serigraphs , each mounted on board, was published in Avant Garde Magazine in March, 1968. Avant Garde magazine only published 14 issues between January 1968 and July 1...

Additional Information: Provenance: Private Collection, Palm Beach, Florida Marking(s); notes: signed; ed. 23/100; 1980 Country of origin; materials: USA; lithograph Dimensions: 3...

This print depicts a baseball game mid-play. An umpire crouches with his hand up, and the batter stands poised. In the lower right, spectators peer onto ...

This large scale minimalist black and white zen cliff landscape features Buddhas with mudra hands in India. Deities in the lotus yoga position with flo...

Image 12.5 x 19 in. / 32 x 48 cm Paper 28 x 38 in. / 72 x 98 cm Lithograph on smooth, handmade white paper, with pale yellow watercolor border. Edition 30: this impression 22/30...

With Josh Crumpler on the design and layout, the team sought to give issue its own stamp – “to really give a sense of who the artist is,” says Milo. In this sense, they wanted to distinguish how Harland was “very carefree” and how he had a “slightly punk” attitude on life, but also how his was was notably concise. “It was about bringing together those elements,” continues Milo. “He is pleased with how it came out so that was a big plus.” Upon deciding on the aesthetic and feel of the magazine, Milo goes on to explain how they pulled many cues from postmodernism. Especially that of mixed-media, and how, with Harland producing his own self-portrait to be included in the issue, they wanted to juxtapose the photograph with a handwritten Q&A. “Harland’s work merges a love of pop culture, abstract expressionism and wordplay,” says Milo, “so the combination of these styles really fit the mould and influenced the design of Plaster.” This conception effortlessly rings out from the magazine, with what Milo describes as “clashing Herb Lubalin...