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Gerald Leslie BrockhurstUna (Portrait of a Creole Lady)1929
1929
$1,750
£1,352.18
€1,563.25
CA$2,472.88
A$2,773.50
CHF 1,452.44
MX$33,700.68
NOK 18,443.51
SEK 17,485.75
DKK 11,668.81
About the Item
Gerald Leslie Brockhurst (1891-1978), Una (Portrait of a Creole Lady), etching, 1929, signed in pencil lower right, and also inscribed by the artist: “2nd State, GB”. Reference: Fletcher 65, second state (of 10), before the edition of 111. In very good condition, printed on a cream wove paper with full margins, 8 5/8 x 6 1/4, the sheet 15 3/8 x 10 1/8 inches, archival matting.
A fine impression of this early state, before the signature in the plate and much additional shading in the background and on the figure.
Only 4 proofs are known in this state.
A painting in the Metropolitan Museum of Art in New York by Brockhurst is related to this etching; the model is the same woman.
Gerald Leslie Brockhurst was one of the outstanding British artists of the early 20th Century, hugely popular in the ’20’s and early ’30’s. Today he is still renowned for his poignant images of young women and girls and several portraits of contemporaries (Rushbury, McBey); to print lovers portraits such as this example show him at his best: as a master etcher, and superb draftsman.
- Creator:Gerald Leslie Brockhurst (1890 - 1978, English)
- Creation Year:1929
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531644423
Gerald Leslie Brockhurst
(b Birmingham, 31 Oct. 1890; d Franklin Lakes, NJ, 4 May 1978). British-born painter and etcher who became an American citizen in 1949. Precociously gifted, an excellent draughtsman, and a fine craftsman, Brockhurst won several prizes at the Royal Academy Schools and went on to have a highly successful career as a society portraitist, first in Britain and then in the USA, where he settled in 1939, working in New York and New Jersey. He is best known for his portraits of glamorous women, painted in an eye-catching, dramatically lit, formally posed style similar to that later associated with Annigoni. As an etcher Brockhurst is remembered particularly for Adolescence (1932), a powerful study of a naked girl on the verge of womanhood staring broodingly into a mirror—one of the masterpieces of 20th-century printmaking.
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