Giuseppe Capparoni

Prefect of the Pontifical Ceremonial - Etching by Giuseppe Capparoni - 1828

1828

"Cursore Pontificio" is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the righ...

"Uditore di Rota con Croce Papale" is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dat...

"Servo Pontificio detto de Virga rubea"  is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate a...

The Canon is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the right margin.  ...

Italian Regional Costumes: Sarzana, Sesto, Rome and Florence, 1823 This hand-colored lithograph presents six detailed bust portraits of Italian women dressed in traditional regional...

Civic Pride and Domestic Dignity in Siena: Treasurer, Matron, Rector - 1845 Description: This beautifully matched trio of hand-colored lithographs offers a rare and evocative look at civic and domestic dress in Renaissance Siena. Published in 1845, these images come from a celebrated series of historical costumes derived from authentic pictorial and sculptural sources. The prints bring to life three distinct societal roles—financial administrator, noble matron, and hospital rector—captured with finesse and saturated, historically accurate color. Plate No.37, titled "Trésorier" (Treasurer), portrays a Renaissance financier or bookkeeper at his desk, mid-task, with a ledger open and coins scattered across the surface. His orange cloak and deep crimson tunic are richly shaded, while the dark headwear adds gravity to his expression. He holds a money pouch in one hand and a quill in the other, suggesting both financial and administrative responsibility. This image vividly illustrates the importance of record-keeping and accountability in city governance. Plate No.38, "Matrone Siennoise" (Sienese Matron), presents a noblewoman in a stately turquoise gown...

Title: "The Stature of a Milanese Noble: An Artistic Depiction from 'Costume du Moyen Âge'" Description: This finely detailed lithograph is part of the 1847 seminal work "Costume du Moyen Âge," which portrays a Milanese nobleman, attired in the fashion of the Middle Ages. The nobleman stands in a dignified pose, with a slight turn to the side that suggests movement or the commencement of an address. His garment is a robust, terracotta-hued robe, which falls in heavy folds to the ground, indicating the weight and quality of the fabric. The robe features elegant blue cuffs and a blue collar, which provide a contrast to the warm primary color and are adorned with diamond-shaped embellishments, implying a subtle yet unmistakable wealth. Atop his head sits a distinctive chapeau with a jaunty feather, adding a touch of personal flair to his ensemble. This hat, along with his full, neatly groomed beard, contributes to the air of wisdom and experience that the nobleman exudes. His expression is one of contemplation and sagacity, with eyes that appear to be observing or assessing the scene before him. As in other plates from the collection, the background is left intentionally plain, directing the viewer’s focus to the subject and his elaborate attire. This lithograph not only captures the fashion and dignity of a nobleman from Milan but also serves as a cultural and historical record, revealing the meticulous attention to detail in costume design and social hierarchy of the time. The lithograph serves as a visual study of the mores and attire of the period, crafted with reverence for the historical accuracy and an appreciation for the aesthetics of medieval clothing...

This handcolored copperplate engraving, originating from Friedrich Johann Bertuch’s "Bilderbuch für Kinder" (Picture Book for Children) published in Weimar in 1805, depicts four stri...