Name: 17th Century Etching, Les Gueux Series, #22
Brand: Jacques Callot
Rating: 5 (2 reviews)

17th Century Etching, Les Gueux Series, #22

View Similar Items

After Diego Velazquez - Las Meninas

Gerald Leslie Brockhurst - The Black Silk Dress (Anaïs).

Heinrich Ulrich - Heinrich Ulrich after Paul Mair, Guard of Emperor Rudolph, Soldier, Landsknecht

Horace Vernet - Vernet-'Portrait of Napoleon' 1972-Vintage

Pazzi after Giovanni Domenico Campiglia - Diogenes the Cynic, Greek philosopher. C18th Grand Tour Roman bust engraving

Petrus Christus - Madonna and Donor (an Ecclesiastic)

Jacobus Houbraken - Lieutenant General Talmash, portrait engraving, c1820

Jacobus Houbraken - Henry Boyle, Lord Carleton, portrait engraving, c1820

Jacobus Houbraken - George Morley Bishop of Winchester, portrait engraving, c1820

Jacobus Houbraken - Thomas Sydenham MD, portrait engraving, c1820

Jacobus Houbraken - Samuel Garth, portrait engraving, c1820

Jacobus Houbraken - Thomas Marquis of Wharton, portrait engraving, c1820

About the Item

Artist: Jacques Callot, French (1592 - 1635) Title: Les Gueux (The Beggars) #22 / 25 in Series Medium: Etching, Second State of (2) Year: Circa 1622 Dimensions: Unframed 5.5 x 3.63" Framed 11.5 x 8.63" Signature: Signed in Plate Bottom Left Artist Bio One of the leading artists of the School of Lorraine, centred at the ducal court at Nancy during the first half of the 17th century, Jacques Callot may have studied with Jacques Bellange, but was only sixteen when he left France for Rome, where he completed his training with the engraver Philippe Thomassin. In 1611 Callot settled in Florence, where he spent ten productive years, gaining the patronage of Christine of Lorraine, the widow of the Grand Duke Ferdinando I de’ Medici, and her son Cosimo II de’ Medici, Grand Duke of Tuscany. Working for the Medici court and other important local patrons, Callot produced a large number of prints and drawings, including religious and allegorical subjects, landscapes, designs for stage sets and festivals and scenes of daily Tuscan life, of which his masterpiece was the large etching* of The Fair at Impruneta, published in 1620. After the death of Cosimo II in 1621, Callot returned to his native Nancy, where he worked for the rest of his career, apart from brief visits to Paris and the Netherlands. He continued to produce the type of etching that had made his reputation in Florence, often reworking ideas and compositions first developed in Italy. He also found a new patron in Henri II, Duke of Lorraine, for whom he produced prints of notable events at the court. The brutal French invasion of Lorraine in 1633 had a significant effect on the artist, resulting in a series of powerful etchings known as Les Grandes Misères de la Guerre. It may also have influenced the gruesome subject matter of what is arguably his most famous etching, the harrowing Temptation of Saint Anthony, executed in 1635, the year of his death. Callot died at the age of forty-three, leaving behind a large number of prints as well as almost two thousand drawings, including landscapes, figure studies, genre scenes theatre projects and religious subjects. The largest groups of drawings by Callot are today in the Uffizi and the British Museum, as well as in the collections of the Hermitage in Saint Petersburg and the Dukes of Devonshire at Chatsworth.

Creator:
Jacques Callot (1592 - 1635, French)
Creation Year:
1622
Dimensions:
Height: 5.5 in (13.97 cm)Width: 3.63 in (9.23 cm)Depth: 1 in (2.54 cm)
Medium:
Etching
Movement & Style:
Renaissance
Period:
17th Century
Condition:
Gallery Location:
Saint Augustine, FL
Reference Number:
1stDibs: LU136327414202

16th Century Renaissance Portrait Prints

Materials

Etching

Las Meninas, 1975

$320 Sale Price

20% Off

The Black Silk Dress (Anaïs).

By Gerald Leslie Brockhurst

Located in Storrs, CT

The Black Silk Dress. 1927. Etching. Fletcher catalog 58 state .ix (published state). 8 3/4 x 6 1/4 (sheet 14 1/2 x 9 1/8). Edition 76 in this state; total 111 proofs). Exhibited at...

Category

1920s Renaissance Portrait Prints

Materials

Etching

Gerald Leslie Brockhurst
The Black Silk Dress (Anaïs)., 1927.

$1,800 Sale Price

28% Off

Heinrich Ulrich after Paul Mair, Guard of Emperor Rudolph, Soldier, Landsknecht

Located in Greven, DE

Heinrich Ulrich (aka Heinrich Ullrich) (fl.1567–1621) “Soldier with Hellebarde”, 1598, out of the series, “The Guard of Emperor Rudolph” (aka “Old German Soldiers...

Category

16th Century Renaissance Figurative Prints

Materials

Engraving

Heinrich Ulrich
Heinrich Ulrich after Paul Mair, Guard of Emperor Rudolph, Soldier, Landsknecht, 1598

$297

Vernet-'Portrait of Napoleon' 1972-Vintage

Located in Brooklyn, NY

This poster reproduces Émile Jean-Horace Vernet’s iconic 1815 portrait of Emperor Napoleon I, capturing the Emperor’s commanding presence and imperial authority. A leading figure in ...

Category

1970s Renaissance Portrait Prints

Materials

Offset

Vernet-'Portrait of Napoleon' 1972-Vintage, 1972

$200 Sale Price

20% Off

Diogenes the Cynic, Greek philosopher. C18th Grand Tour Roman bust engraving

Located in Melbourne, Victoria

'Diogene Cinico' Copper-line engraving by Pazzi after Giovanni Domenico Campiglia (1692-1768). From 'Musei Capitolini' a series of engravings showing the sculpture of the Capitoline Museum in Rome. 240mm by 170mm (platemark) 420mm by 270mm (sheet) Diogenes, also known as Diogenes the Cynic, was a Greek philosopher...

Category

Mid-18th Century Renaissance Portrait Prints

Materials

Engraving

Pazzi after Giovanni Domenico Campiglia
Diogenes the Cynic, Greek philosopher. C18th Grand Tour Roman bust engraving, 1741

$180

Madonna and Donor (an Ecclesiastic)

By Petrus Christus

Located in Brooklyn, NY

Reproduction from a collection of drawings by Flemish and Dutch masters of the XV-XVII Centuries preserved in the Albertina Collection in Vienna, Austria. Published by Campbell Dodgs...

Category

Early 1700s Renaissance Portrait Prints

Materials

Lithograph

Madonna and Donor (an Ecclesiastic), 1930

$90

17th Century Etching, Les Gueux Series, #22

View Similar Items

Jacques Callot
17th Century Etching, Les Gueux Series, #22
1622

About the Item

Jacques Callot

You May Also Like

16th Century Renaissance Portrait Prints

Las Meninas, 1975

1920s Renaissance Portrait Prints

Gerald Leslie Brockhurst
The Black Silk Dress (Anaïs)., 1927.

16th Century Renaissance Figurative Prints

Heinrich Ulrich
Heinrich Ulrich after Paul Mair, Guard of Emperor Rudolph, Soldier, Landsknecht, 1598

1970s Renaissance Portrait Prints

Vernet-'Portrait of Napoleon' 1972-Vintage, 1972

Mid-18th Century Renaissance Portrait Prints

Pazzi after Giovanni Domenico Campiglia
Diogenes the Cynic, Greek philosopher. C18th Grand Tour Roman bust engraving, 1741

Early 1700s Renaissance Portrait Prints

Madonna and Donor (an Ecclesiastic), 1930

Recently Viewed

17th Century Etching, Les Gueux Series, #22

View Similar Items

Jacques Callot17th Century Etching, Les Gueux Series, #221622

About the Item

Jacques Callot

You May Also Like

16th Century Renaissance Portrait Prints

Las Meninas, 1975

1920s Renaissance Portrait Prints

Gerald Leslie BrockhurstThe Black Silk Dress (Anaïs)., 1927.

16th Century Renaissance Figurative Prints

Heinrich UlrichHeinrich Ulrich after Paul Mair, Guard of Emperor Rudolph, Soldier, Landsknecht, 1598

1970s Renaissance Portrait Prints

Vernet-'Portrait of Napoleon' 1972-Vintage, 1972

Mid-18th Century Renaissance Portrait Prints

Pazzi after Giovanni Domenico CampigliaDiogenes the Cynic, Greek philosopher. C18th Grand Tour Roman bust engraving, 1741

Early 1700s Renaissance Portrait Prints

Madonna and Donor (an Ecclesiastic), 1930

Recently Viewed

Jacques Callot
17th Century Etching, Les Gueux Series, #22
1622

Gerald Leslie Brockhurst
The Black Silk Dress (Anaïs)., 1927.

Heinrich Ulrich
Heinrich Ulrich after Paul Mair, Guard of Emperor Rudolph, Soldier, Landsknecht, 1598

Pazzi after Giovanni Domenico Campiglia
Diogenes the Cynic, Greek philosopher. C18th Grand Tour Roman bust engraving, 1741