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Jacques VillonLa Couseuse (The Seamstress)1905
1905
$3,500
£2,687.85
€3,080.24
CA$4,927.14
A$5,519.48
CHF 2,876.15
MX$67,326.27
NOK 36,549.30
SEK 34,463.39
DKK 22,990.09
About the Item
Jacques Villon (1875-1963), La Couseuse (The Seamstress), drypoint, 1905, signed in pencil lower right margin. Reference: Ginestet and Pouillon 147, Auberty and Perussaux 96. On a heavy cream laid paper with a partial initials watermark. In good condition apart from slight time stain; soft fold along a laid paper line, a few marks in margins. Archival mounting. With margins, 6 3/8 x 6 3/8, the sheet 8 1/2 x 11 1/4 inches.
A fine, black atmospheric impression, with the drypoint burr fresh and satiny.
This is an exceedingly rare impression. When Ginestet and Poullon did their recent catalogue raisonne of Villon’s prints they were unable to locate an impression, and so made a photo of the impression shown in the very early Auberty and Perussaux catalogue. This impression is before any burnishing of the plate (if indeed it was burnished), so the platemarks are quite prominent. It was never editioned and exists in at most a few impressions.
In this relatively early period in Villon’s career as a printmaker, he made a number of color aquatints, and also began a series of very personal drypoints of his (and his sister Suzanne and his brother Marcel Duchamp’s) family as well as those of children (including the famed Minne series). This extraordinarily successful portrait appears to be within the latter tradition.
- Creator:Jacques Villon (1875-1963, French)
- Creation Year:1905
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531465283
Jacques Villon
Jacques Villon was born Gaston Duchamp in 1875. He was the oldest brother of the artists Marcel Duchamp, Suzanne Duchamp-Crotti and the sculptor Raymond Duchamp-Villon. Initially a law student, in 1894 he went to Paris to study art. It was there that he met Henri Toulouse-Lautrec and other influential artists in Paris, and changed his name to Jacques Villon, after the poet. Villon made prints of some of the most well-known belle-époque portraits and genre scenes of the early twentieth century. Around 1911, he came under the influence of Picasso and other cubists, and became a leading exponent of the style, exhibiting in the 1913 Armory Show in New York. In 1922, the Galerie Bernheim-Jeune commissioned Villon to produce a series of color aquatints after 38 major nineteenth- and twentieth-century paintings. This series included works by Pierre Auguste Renoir, Henri Matisse, Pablo Picasso, Paul Cezanne, Georges Braque, Raoul Dufy, Amadeo Modigliani, Edouard Manet, Pierre Bonnard, and others. Artists who were alive at the time of the printing collaborated with Villon, and signed the prints. The project took ten years to complete. Several of these prints are valued highly today, and some went on to be reproduced by the Louvre Museum as photo-etchings. Villon's 'cubist' etchings, with their characteristic cross-hatching, are amongst the most renowned prints of the twentieth century. Jacques Villon's long career brought him fame. The diverse nature of his paintings, from end-of-the-century portraits to cubist and abstract styles to graphic works, made him a major figure in twentieth-century art. He was made a Grand Officer of the Légion d'Honneur, and upon his death in 1963, and he was given a state funeral.

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