Woman in White

1990

This lithograph, titled Benigne, is a notable work by the French Fauvist artist Georges Rouault. Created with great precision by lithographer Daniel Jacomet, the print is numbered ou...

In 1988, the Musée Picasso-Château Grimaldi in Antibes hosted a retrospective exhibition of André Brasilier's work, showcasing his artistic journey and contributions. Brasilier, born...

The reproduction of Come Sunday by Romare Bearden is based on a piece he originally created in 1967. Come Sunday is a powerful work that reflects the significance of spirituality and...

Paper Size: 28.75 x 16 inches ( 73.025 x 40.64 cm ) Image Size: 22.75 x 10.5 inches ( 57.785 x 26.67 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Supplement...

The painting is being offered with a work and authenticity certificate

6050 Italian white on white composition in a silver leaf frame

Portrait of a young woman in an elegant white dress by Antonio Sotomayor (Bolivian, 1902-1985). Signed "Sotomayor" in the lower left corner. Presented in a wood frame. Image size: 30.25"H x 25.25"W Antonio Sotomayor (Bolivian, 1902-1985) was born in Chulumani, Bolivia on May 13, 1902. Sotomayor began his art studies in La Paz under Belgian master Adolf Lambert and by age 15 was contributing illustrations to Bolivian periodicals. After settling in San Francisco in 1923, he continued his art training at the CSFA. He was soon busy illustrating newspapers, magazines, and books. His caricatures appeared in the San Francisco Chronicle, Life, and others. He taught art at Mills College in Oakland (1942-43) and at the CSFA (1946-50). Sotomayor contributed greatly to California art for over 60 years until his death in San Francisco on Feb. 10, 1985. Member: SFAA; Bohemian Club. Exh: over 80 solo shows in U.S. and abroad; SFMA, 1935. Awards: SF Art Festival prize, 1959; Award of Honor, SF Art Commission, 1978. In: SFMA; Mills College; Pasadena Museum; IBM; San Diego Museum; Newark Museum; Museo de La Plata (Argentina); Hillside Methodist Church, San Mateo (glass-mosaic facade); St Augustine's Church, Pleasanton, CA (reredos); Grace Cathedral, SF (murals); Sheraton Palace Hotel, SF (murals); Peruvian Embassy in Washington, DC (murals done for the Peruvian Bldg at the GGIE); Treasure Island, SF (36'x48' terra cotta...

No background setting is needed in this painting by Fichtl to reference solitude's impact on the young woman. Loneliness is etched into her features. The choice of a dark coat—is it ...