After Millais (1829-1896) - Lithograph, Cherry Ripe with Artist's Signature

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Max Liebermann (1847-1935) - Self Portrait, lithograph. Artist's signature printed to the lower right. Mounted. On paper.

A lithograph with hand colouring after John Everett Millais's painting 'Cherry Ripe' (1879). Millais's signature in pen and ink to the lower-right edge of ...

A charming hand coloured lithograph of a young girl lying on the ground in a pink dress. The artist has signed and inscribed to the lower edge...

A charming lithograph after a pastel study John Raphael Smith. The scene depicts a child posing with a blue chair with her bonnet flung to the floor. Signed in graphite by T. Hamilto...

Richard Lindner, German/American (1901 - 1978) - Couple, Portfolio: After Noon Portfolio, Year: 1969, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 25 x...

TO MARRY is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for h...

Original Louis Vuitton Classic, Parc de Bagatelle, September 9 and 10 Septembre 2000, linen-backed, smaller format, Grade A condition poster. The smaller and more manageable, hard-to-find size measures 31.5” x 24”. (The large format is approximately 63” x 47”). Grade A condition, ready to frame. Fantastic image by Razzia. A gorgeous woman's face with sparkling blue eyes gazes out at the viewer as a beam of light shines upon her eye. The light then traces down past her smooth cheek, catching a glimpse of her ruby red lips, and finally falls upon the car, which both she and the viewer are mesmerized by. Reflecting in the woman’s face is a golden speedometer displaying speeds up to 300. • Authentic 2000 Louis Vuitton Classic Poster...

Chelsea Rags. Chelsea Rags. 1888. Lithograph. Way 22, Levy 35, Tedeschi, Stratis and Spink 26. 7 1/8 x 6 5/16 (sheet 12 3/4 x 8). Printed on cream laid paper. Provenance: Miss Rosalind Birnie Philip, Whistler's sister-in-law, her seal verso: (Lugt 405). Michael Parkin Fine Art, Ltd. from whom purchased in 1972. Christie's, King Street.Signed with the butterfly in the image. One of 13 impressions listed by Way, before the image was transferred to supplementary stones for the edition of 500-1,000 printed by Way and issued in the Albemarle, January, 1892. Signed with the butterfly in the stone and in pencil. Housed in an elegant silk mat with a silver liner, and in a 16 3/4 x 14 3/4-inch silver leaf frame decorated with fleur-de-lis decorations. "And his interest in London has not been restricted to the Thames. Seeing the beautiful, where other men might be discouraged by dullness, he has taken his subject, now in the little cheap shop opening a low window upon the street, now in the forgotten church hidden away in a lonely square. And Chelsea Rags, the Shops of Chelsea, the Drury Lane, as well as The Butcher's Dog, are impressions of vague Rembrandtesque interiors where figures, grim or graceful, peer from out deep shadows— shops as lovely in his prints as the halls of a Veronese, or the palaces of a Claude." Elizabeth Robins...