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Joseph Uhl
Joseph Uhl (1877-1945) - Early 20th Century Etching, Portrait of a Child

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Sir Muirhead Bone (1876-1953) - 1927 Etching, Rev. Dr. Herbert Armitage James
By Sir Muirhead Bone
Located in Corsham, GB
A rare and highly accomplished drypoint etching by the Scottish etcher and war artist during both world wars, Sir Muirhead Bone (1876-1953), of Rev. Dr. Herbert Armitage James (1844-1931), the headmaster of Rugby School...
Category

20th Century Portrait Prints

Materials

Etching

Johannes Huibert Prins (1756-1806) - 1783 Etching, The Drinker
Located in Corsham, GB
This etching depicts a seated figure in a rustic interior, with meticulous cross-hatching creating depth and texture throughout the composition. The central subject is portrayed in a...
Category

18th Century Portrait Prints

Materials

Etching

Graham Clarke (b.1941) - 1986 Etching, Your Expert
Located in Corsham, GB
A charmingly naive etching in colour by the notable British printmaker, Graham Clarke. The scene depicts a cottage with a garden full of plants and trees...
Category

1980s Portrait Prints

Materials

Etching

Arthur Paunzen (1890-1940) - 1918 Etching, Portrait of Beethoven
Located in Corsham, GB
The face of Ludwig van Beethoven, likely taken from his death mask. Signed in plate and signed in graphite below the plate line. Inscribed in graphite with the print number 'No.86'. ...
Category

Early 20th Century Portrait Prints

Materials

Etching

James Basire after Guercino - Framed 18th Century Etching, Study of Janus
Located in Corsham, GB
Original etching. 'Janus' the Roman Two-Faced God of Duality Beginnings and Endings. Signed in plate. Well presented in a white card mount and gilt-effect frame. On paper.
Category

Early 18th Century Portrait Prints

Materials

Etching

Willi Kissmer (1951-2018) - Framed Contemporary Etching, White Ribbons
By Willi Kissmer
Located in Corsham, GB
A limited edition etching in colours by contemporary artist Willi Kissmer (1951-2018). Signed in pencil to the lower margin. Editioned E.A (artist proof). Mounted in a sleek silver-e...
Category

21st Century and Contemporary Portrait Prints

Materials

Etching

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To Drink in Excess
By Cornelis Visscher
Located in Middletown, NY
Etching on cream laid paper, full margins. Trimmed at the plate mark. Scattered light caramel colored areas of discoloration in the sheet corners, light skinning on the verso at the ...
Category

Mid-17th Century Old Masters Portrait Prints

Materials

Laid Paper, Etching

Self Portrait With a Cat - Original etching
By Léonard Tsuguharu Foujita
Located in Paris, IDF
Leonard Tsuguharu FOUJITA Self portrait with a cat Original drypoint etching Printed signature in the plate On vellum 65 x 50 cm (c. 26 x 20in) Rare proof on Japan paper applied on vellum Posthumous edition by Chalcographie du Louvre...
Category

Late 20th Century Realist Portrait Prints

Materials

Etching

Dancers - Original Etching and Drypoint by Robert Naly - Mid 20th Century
By Robert Naly
Located in Roma, IT
Dancers is an Original Etching and Drypoint realized by Robert Naly (1900-1984) Good condition on a yellowed paper. Edition of 3/25. Hand-signed and numbered on the lower margin.
Category

Mid-20th Century Modern Figurative Prints

Materials

Drypoint, Etching

Lovers III - Etching by Giacomo Manzù - 1970
By Giacomo Manzú
Located in Roma, IT
Lovers III is an original etching, realized by Giacomo Manzù in 1970. Hand Signed. numbered, Edition of 31/125 prints. Published in the artwork series: "Giacomo Manzù: Fifteen ori...
Category

1970s Contemporary Figurative Prints

Materials

Etching

Union - Whom --- Has Join'd, Let No Man put Asunder!
Located in Middletown, NY
Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art. Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum. _____ The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence...
Category

Late 18th Century English School Figurative Prints

Materials

Watercolor, Handmade Paper, Laid Paper, Etching

An early 19th C. satirical etching of John Bull kneeling before William Pitt
Located in Alamo, CA
This is an early 19th century hand-colored satirical caricature etching entitled "John Bull and his favourite statue of bronze!!", published and possibly engraved in London in 1802 by William Holland (1757-1815). It depicts John Bull (symbolizing the English people) kneeling in profile before William Pitt, who was prime minister of England at the time, and for whom the American city of Pittsburgh was named. Pitt is standing, pretending to be a statue. A rectangular pedestal beneath Pitt is inscribed: "Erected by Voluntary Subscription!" Pitt's body seems elongated, reminding that this a caricature. He is standing, looking to the left, his aristocratic nose held high in apparent arrogance and his hands are deep in his pockets, with his hat under his right arm. John Bull, is dressed simply for the time. He is on in his knees in a gesture of supplication, as if in prayer or begging for some action from a deity. He is holding his hat in both hands, looking up at Pitt. Trees and bushes are seen in the background. A caption showing John Bull's words in the upper left ironically reads: "O Wonderful Man! - how I revere thy sublime resemblance. - what obligations I am under to thee! what happy times thou hast brought about! Bread for nothing! Beef 3d per pound! Porter 3d per pot! a Goose 2 shillings! and a fat Turkey 3s.6d!! - whit every thing else cheap in proportion! - besides the wonderful decrease of Taxes!! - O Dear - O Dear I hardly know how to express myself, I feel so enraptured. - O that fine brass countenance how it shines with conscious Integrity!" The engraving is presented in a gold-colored wood frame and a tan-colored mat, with curved upper corners. The frame measures 18" high, 13.13" wide and 0.5" deep. The framing and mounting utilizes acid-free archival materials and it is glazed with UV conservation clear glass. There are a few faint areas of discoloration and spotting and an apparent short barely visible crease in the lower right corner of the inscription area. The print is otherwise in very good condition. William Holland was printmaker as well as a prominent dealer of satirical prints in London in late 18th and early 19th century. He carried works by the best known satirists of the time: Gillray, Rowlandson, Newton and Woodward, as well as his own creations. Holland along with the other prominent print-sellers of the time, Hannah Humphrey and Samuel Fores, were responsible for promoting the golden age of British caricature...
Category

Early 19th Century Portrait Prints

Materials

Etching

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