Leonard Baskin

Original Lithograph Native American Figure Portrait Male Tribe Bold Stoic Signed

1993

"Kill Spotted Horse" is an original lithograph created by Leonard Baskin. It was published by Fox Graphics. This is a proof purchased directly from the artist. Baskin signed the work in the lower right margin and labelled the work as a proof in the lower left margin, written with graphite. It depicts Kill Spotted Horse, an Assinniboine Native American, in a feather headdress against a light blue background.  Artwork Size: 15" x 13 1/2" Frame Size: 27 1/2" x 26 3/8" Artist Bio: Leonard Baskin (1922-2000) was an american artist born in New Jersey and taught art classes in Massachusetts. He has received many public commissions (including a bas relief for the FDR Memorial), honors, and his work is owned by many major museums around the world. Additionally, Baskin was a teacher at Smith College in Northampton, Massachusetts. As a champion for human rights, Baskin created many pieces celebrating those who were seldom recognized.  Baskin’s interest in nineteenth century Native Americans was roused into acute attendance from ignorant indifference, when the National Park Service asked him to provide illustrations for the handbook that described the then called “Custer National Park”, now called “Little Big...

"Sambaso After Hirosada" is an original color lithograph by Michael Knigin from his Osaka series. This lithograph features a portrait of a traditional Japanese man in front of the Ne...

"Cheyenne Woman in the Robes of a Secret Society" is an original lithograph by Leonard Baskin. It depicts a Native American woman in pale green robes. The title is written on the lef...

"Geronimo - Apache" is an original color lithograph by Leonard Baskin. TThis is a proof purchased directly from the artist. Baskin signed the work in the lower right margin and label...

"Little Crow-Sioux" is an original lithograph created by Leonard Baskin. This is a proof purchased directly from the artist. Baskin signed the work in the lower right margin and lab...

"Helen Goes Ahead- Crow" is an original lithograph proof signed by the artist Leonard Baskin. It depicts a Crow woman named Helen Goes Ahead in front of a red background. 19" x 12 ...

Annie Leibovitz Photographs 1970-1990 (Hand signed by Annie Leibovitz), 1993 Offset lithograph poster (hand signed) Boldly signed in black marker on the front 30 × 24 inches Ansel Adams Center for Photography, San Francisco in collaboration with the National Portrait Gallery, Smithsonian Institution Unframed This offset lithograph poster was published on the occasion of the Annie Leibovitz' 1993 survey exhibition at the Ansel Adams Center for photograph in San Francisco. The photograph of course depicts the actor and renowned art collector Steve Martin in front of a Franz Kline painting entitled Rue, which Martin apparently once owned. Steve Martin was said to have always wanted to be part of the painting; Complete with black brushstrokes on his white suit, Martin realized his dream and posed for Leibowitz in front of Rue. (Of course the irony is that Martin cuts a gleeful, almost clownish pose in front of a painting, Rue, whose very name means sorry and regret. Perhaps Martin will rue the day he sold this Franz Kline!) A companion photo appeared on the cover of Rolling Stone magazine. The Portland Art Museum also exhibited the photo Annie Leibovitz took of Steve Martin in Beverly Hills when he posed for his portrait. A coveted poster when hand signed by Annie Leibovitz Provenance: Collection of former Trustee of the Portland Museum of Art Annie Leibovitz Biography: Born in 1949, Annie Leibovitz graduated from the San Francisco Art Institute in 1971. Photos she took during college while living on a kibbutz in Israel and working to uncover the remains of King Solomon’s Temple helped land her a job at Rolling Stone magazine, where she was quickly named chief photographer. Between photographing John Lennon and documenting the Rolling Stones’ 1975 concert tour, Liebovitz reinforced her reputation as the most prominent celebrity photographer of her generation. In 1983, she moved to Vanity Fair, where she broadened her range of subjects from rock stars to other public figures like the Dalai Lama. In 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery. Overview and Early Life For decades, Annie Leibovitz and her camera have exposed to the public eye subtleties of character in rock stars, politicians, actors, and literary figures that lay beneath their celebrity personae. Her work first fueled the American fascination with rock ’n’ roll dissidents in the 1970s and then, in the 1980s and 1990s, captured the essence of the day’s great cultural icons. Her photographs make plain that, as Leibovitz herself once put it, she was not afraid to fall in love with her subjects. Anna-Lou Leibovitz was born on October 2, 1949, in Westbury, Connecticut. She was the third of six children of Marilyn Leibovitz, a modern dance instructor, and Sam Leibovitz, an air force lieutenant colonel. As the daughter of a career military officer, Leibovitz moved with her family frequently from town to town. The constant relocation fostered strong ties among the six Leibovitz children. Education and Work with Rolling Stone Leibovitz attended the San Francisco Art Institute from 1967 until 1971. She shifted her focus from painting to photography early in her college career. In 1969, she lived on Kibbutz Amir in Israel. The archaeological team on which she worked during her five months in Israel uncovered the remains of King Solomon’s Temple. By the time Leibovitz received her bachelor of fine arts degree in 1971, her photographs of Israel and a picture of the poet Allen Ginsberg at a San Francisco peace march had already landed her a job at the music magazine Rolling Stone. Soon after she was hired, Leibovitz convinced editor Jann Wenner to grant her a breakthrough assignment. Leibovitz flew with Wenner to New York City to interview John Lennon. A photo from that trip adorned the cover of Rolling Stone, the first of dozens Leibovitz would shoot over the course of her career with the music magazine. In 1973, she was named chief photographer. The mid-1970s brought Leibovitz an increasing amount of notoriety and its concomitant tribulations. In 1975, the rock band the Rolling Stones invited Leibovitz to document their six-month concert tour. Living in the world of her subjects, her camera did not shield Leibovitz from the rock ’n’ roll life-style. She began using cocaine on tour and struggled for years afterward to recover. Photography Exhibits and Move to Vanity Fair In 1983, Leibovitz put together her first major exhibit, which led to the publication of her book Annie Leibovitz: Photographs (1983). Her ability to work with her subjects to get beneath the veneer of superficiality that typically characterizes Hollywood paparazzi has reinforced her reputation as the most prominent celebrity photographer of her generation. The rapport Leibovitz develops with her subjects creates an atmosphere in which celebrities will strike the most unconventional of poses and show emotions that other photographers could not evoke. Among her most famous shots are a naked John Lennon curled around a fully clothed Yoko Ono, Bette Midler in a bed of roses, and the Blues Brothers painted blue. In 1983, after more than a decade of photographing such rock ’n’ roll legends as Lennon, Bob Dylan, Stevie Wonder, and Bruce Springsteen, Leibovitz left Rolling Stone for Vanity Fair. This move gave her the opportunity to shoot a broader range of subjects, including the Dalai Lama, Vaclav Havel, and Donald Trump. Her art did not suffer from the change. The American Society of Magazine Photographers selected her as the Photographer of the Year in 1984. Advertising Work, Awards, and Honors In addition to her work for Vanity Fair, Leibovitz became active in advertising photography. In 1986, she was the first photographer ever to be commissioned to design and shoot posters for the World Cup. A campaign she designed for American Express brought Leibovitz a storm of critical acclaim. In 1987, she received the Innovation in Photography Award from the American Society of Magazine Photographers, a Clio Award from Clio Enterprises, and a Campaign of the Decade Award from Advertising Age for the “Portraits” campaign she produced for American Express. Then, in 1990, the International Center of Photography recognized the same work by giving Leibovitz the Infinity Award for applied photography. n 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery in Washington, D.C. She published this retrospective in book form under the title Annie Leibovitz: Photographs, 1970–1990. In anticipation of the centennial Olympic games, Leibovitz spent two years photographing athletes...

Ed Ruscha Reading Ed Ruscha (Hand Signed by Ed Ruscha), 2012 Offset Lithograph Poster Boldly signed in black marker by Ed Ruscha on the lower front, edition of approx. 50 (unnumbered...

This rare original lithograph print is from 1899. It is one sheet of a huge 24 sheet poster that was created in 1899 to announce Buffalo Bills Wild West. The size of the complete 24 sheet poster would have been approx. 10 feet tall by 20 feet wide and would have been posted on barns and buildings in 1899 to promote Buffalo Bills Wild West before it would come to towns. This 1 sheet of the 24 sheet lithograph is in such good condition because it was found in the Lithographers draws of the print shop that created the poster. It is black and white because it was a proof that was used to create the final layout of the color poster. It indicates on the image that it is No. 2 Buffalo Bill San Juan Hill 1899, so it would have been the 2nd poster down on the left side of the large total image comprised of 24 separate sheets all unique to create the full image. You can see the two black printed lines on the left side indicate where the edge of the poster would have been. We have never seen a complete image of this rare 1899 poster. When we first acquired this rare proof over 20 years ago, we contacted the The Ringling Museum in Florida that houses a large Buffalo Bill poster...

Highly detailed and realistic portrait lithograph of the modernist watercolor artist Sam Colburn (American, 1909-1993) by Jack Coughlin (American, b. 193...

"King Pin" Pointillist Lithograph in Ink on Paper Detailed lithograph of a king on a bench by E.B. Rothewell (American, 1926-2011). A stylized portrait of a king, seated on a large bench. He is looking upwards, with a somewhat dejected expression, hands near his mouth. This piece is completely made from small dots (stippling) giving the subject the feel of a fantasy illustration...

Jasper Johns and Phong Bui Offset lithograph card of portrait of Jasper Johns by Phong Bui (hand signed and dated by Jasper Johns), 2008 Card depicting a portrait of Jasper Johns by ...