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Annie LeibovitzPoster: Photographs 1970-1990 with Steve Martin (Hand signed by Annie Leibovitz)1993
1993
About the Item
Annie Leibovitz
Photographs 1970-1990 (Hand signed by Annie Leibovitz), 1993
Offset lithograph poster (hand signed)
Boldly signed in black marker on the front
30 × 24 inches
Ansel Adams Center for Photography, San Francisco in collaboration with the National Portrait Gallery, Smithsonian Institution
Unframed
This offset lithograph poster was published on the occasion of the Annie Leibovitz' 1993 survey exhibition at the Ansel Adams Center for photograph in San Francisco. The photograph of course depicts the actor and renowned art collector Steve Martin in front of a Franz Kline painting entitled Rue, which Martin apparently once owned. Steve Martin was said to have always wanted to be part of the painting; Complete with black brushstrokes on his white suit, Martin realized his dream and posed for Leibowitz in front of Rue. (Of course the irony is that Martin cuts a gleeful, almost clownish pose in front of a painting, Rue, whose very name means sorry and regret. Perhaps Martin will rue the day he sold this Franz Kline!) A companion photo appeared on the cover of Rolling Stone magazine. The Portland Art Museum also exhibited the photo Annie Leibovitz took of Steve Martin in Beverly Hills when he posed for his portrait.
A coveted poster when hand signed by Annie Leibovitz
Provenance: Collection of former Trustee of the Portland Museum of Art
Annie Leibovitz Biography:
Born in 1949, Annie Leibovitz graduated from the San Francisco Art Institute in 1971. Photos she took during college while living on a kibbutz in Israel and working to uncover the remains of King Solomon’s Temple helped land her a job at Rolling Stone magazine, where she was quickly named chief photographer. Between photographing John Lennon and documenting the Rolling Stones’ 1975 concert tour, Liebovitz reinforced her reputation as the most prominent celebrity photographer of her generation. In 1983, she moved to Vanity Fair, where she broadened her range of subjects from rock stars to other public figures like the Dalai Lama. In 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery.
Overview and Early Life
For decades, Annie Leibovitz and her camera have exposed to the public eye subtleties of character in rock stars, politicians, actors, and literary figures that lay beneath their celebrity personae. Her work first fueled the American fascination with rock ’n’ roll dissidents in the 1970s and then, in the 1980s and 1990s, captured the essence of the day’s great cultural icons. Her photographs make plain that, as Leibovitz herself once put it, she was not afraid to fall in love with her subjects.
Anna-Lou Leibovitz was born on October 2, 1949, in Westbury, Connecticut. She was the third of six children of Marilyn Leibovitz, a modern dance instructor, and Sam Leibovitz, an air force lieutenant colonel. As the daughter of a career military officer, Leibovitz moved with her family frequently from town to town. The constant relocation fostered strong ties among the six Leibovitz children.
Education and Work with Rolling Stone
Leibovitz attended the San Francisco Art Institute from 1967 until 1971. She shifted her focus from painting to photography early in her college career. In 1969, she lived on Kibbutz Amir in Israel. The archaeological team on which she worked during her five months in Israel uncovered the remains of King Solomon’s Temple. By the time Leibovitz received her bachelor of fine arts degree in 1971, her photographs of Israel and a picture of the poet Allen Ginsberg at a San Francisco peace march had already landed her a job at the music magazine Rolling Stone.
Soon after she was hired, Leibovitz convinced editor Jann Wenner to grant her a breakthrough assignment. Leibovitz flew with Wenner to New York City to interview John Lennon. A photo from that trip adorned the cover of Rolling Stone, the first of dozens Leibovitz would shoot over the course of her career with the music magazine. In 1973, she was named chief photographer.
The mid-1970s brought Leibovitz an increasing amount of notoriety and its concomitant tribulations. In 1975, the rock band the Rolling Stones invited Leibovitz to document their six-month concert tour. Living in the world of her subjects, her camera did not shield Leibovitz from the rock ’n’ roll life-style. She began using cocaine on tour and struggled for years afterward to recover.
Photography Exhibits and Move to Vanity Fair
In 1983, Leibovitz put together her first major exhibit, which led to the publication of her book Annie Leibovitz: Photographs (1983). Her ability to work with her subjects to get beneath the veneer of superficiality that typically characterizes Hollywood paparazzi has reinforced her reputation as the most prominent celebrity photographer of her generation. The rapport Leibovitz develops with her subjects creates an atmosphere in which celebrities will strike the most unconventional of poses and show emotions that other photographers could not evoke. Among her most famous shots are a naked John Lennon curled around a fully clothed Yoko Ono, Bette Midler in a bed of roses, and the Blues Brothers painted blue.
In 1983, after more than a decade of photographing such rock ’n’ roll legends as Lennon, Bob Dylan, Stevie Wonder, and Bruce Springsteen, Leibovitz left Rolling Stone for Vanity Fair. This move gave her the opportunity to shoot a broader range of subjects, including the Dalai Lama, Vaclav Havel, and Donald Trump. Her art did not suffer from the change. The American Society of Magazine Photographers selected her as the Photographer of the Year in 1984.
Advertising Work, Awards, and Honors
In addition to her work for Vanity Fair, Leibovitz became active in advertising photography. In 1986, she was the first photographer ever to be commissioned to design and shoot posters for the World Cup. A campaign she designed for American Express brought Leibovitz a storm of critical acclaim. In 1987, she received the Innovation in Photography Award from the American Society of Magazine Photographers, a Clio Award from Clio Enterprises, and a Campaign of the Decade Award from Advertising Age for the “Portraits” campaign she produced for American Express. Then, in 1990, the International Center of Photography recognized the same work by giving Leibovitz the Infinity Award for applied photography.
n 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery in Washington, D.C. She published this retrospective in book form under the title Annie Leibovitz: Photographs, 1970–1990. In anticipation of the centennial Olympic games, Leibovitz spent two years photographing athletes around the world. Her tour culminated in the 1996 book Olympic Portraits. In 1999, she published Women, a compilation of women’s portraits with an accompanying essay by Susan Sontag; the photographs then went on national tour.
In May 2004, her previously unpublished photographs were exhibited under the title “American Music” at the Rock and Roll Hall of Fame in Cleveland, Ohio. Annie Leibovitz continues to shape public conceptions of the celebrities she photographs.
- Creator:Annie Leibovitz (1949, American)
- Creation Year:1993
- Dimensions:Height: 30 in (76.2 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good condition; gentle handling around the margins and edges which will frame out.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213413402
Annie Leibovitz
Annie Leibovitz is arguably one of the best-known photographers in the world.
Few photographers are household names. Even fewer can claim that the portraits they create are often as famous as the subjects they depict. Leibovitz (b. 1949) qualifies on both counts.
Leibovitz has provided the public with views of movie stars, politicians, athletes, artists — you name it. Being shot by Leibovitz has been a rite of passage for celebrities of every stripe for decades: You’re not really famous until you’ve sat for her. Graydon Carter, the longtime editor in chief of Vanity Fair, where Leibovitz has been on staff since 1983, compares her to both Frans Hals, a Dutch master of the formal portrait, and Jane Austen, a knowing chronicler of her epoch.
Although she’s technically inched past the age of retirement, Leibovitz shows no signs of slowing down — the whole world remembers the buzz over the gorgeous, groundbreaking photos she took of Caitlyn Jenner for the cover of Vanity Fair, but the hubbub surrounding the Jenner images was nothing new for the acclaimed photographer.
Throughout her career, Leibovitz has created portraits that generate cultural conversation, whether outraged, admiring, shocked or some amalgam of all three. In celebration of Leibovitz’s incomparable work ethic, shop some of her most revered photography here on 1stDibs.
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