Mr. Brainwash

Obama Superman

2009

Mr. Brainwash John Lennon & Yoko Ono from the legendary ICONS exhibition, 2010 Offset lithograph poster on gloss paper stock with deep saturated vibrant ink colors Plate signed on t...

Jean-Michel Basquiat Portrait with Jack Kerouac (Invitation to Basquiat's final exhibition), 1988 Offset Lithograph for Basquiat's final exhibition Measurements: Offset print, 6″ x 9″ (folded); 10 1/2″ x 9″ (splayed open) Beyond scarce! Exhibition invitation for Basquiat's show at Vrej Baghoomian Gallery, NY, April - June 1988, photograph by (French photographer) Jerome Schlomoff. Historic, uncommon offset lithograph fold-out invitation from what would become the very last exhibition of Basquiat's short life. Indeed, what makes this exhibition invitation so extraordinary is that this exhibition ended June 11th, 1988 - almost exactly two months before Basquiat's own life ended, at the age of 27, on August 12, 1988. Some would later say that Basquiat's death seemed almost foreshadowed by the announcement’s austere design, colorless palette, and solemn portrait photograph. In the photo, he clutches the copy of Jack Kerouac’s The Subterraneans which Basquiat, an autodidact, is said to have kept in his suitcase wherever he went, (The semi-autobiographical novel is about Kerouac's affair with an African-American woman, and his entree into the world of Jazz.) Basquiat famously had a falling out with the notoriously sketchy Vrej Baghoomian, and he is said to have boycotted the opening reception on April 29th. This invitation was printed in Basquiat's lifetime - making it such a collectible. Phoebe Hoban reported in her biography, "Basquiat: A Quick Killing in Art": .."the FBI in 1994 investigated a matter in which Vrej Baghoomian, the dealer who represented the painter at the time of his death, had sold five fake Basquiats at a Paris art fair. Though he apparently hadn’t made the fakes himself, and was never convicted, “Vrej was a big crook,” says the artist Rick Prol...

Jean-Michel Basquiat Portrait with Jack Kerouac (Basquiat's final exhibition), 1988 Offset Lithograph for 1988 Vrej Baghoomian exhibition. Historic. Thankful...

Steve McCurry Sharbat Gula, Afghan Girl, Pakistan (Hand Signed), 1984 Offset Lithograph poster Hand signed by the photographer in black felt pen on the front 24 × 20 inches Unframed...

Chuck Close Process and Collaboration (Hand Signed by Chuck Close), 2004 Offset Lithograph poster (Hand Signed & dated by Chuck Close in 2014) Boldly hand signed and dated by artist ...

Claude Lafortune 8e centenaire de la naissance de François d'Assise ("Fais de moi un artisan de paix), 1982 Offset lithograph poster 23 1/2 × 12 3/4 inches unframed (unsigned) This r...

Unsigned offset lithograph in colors on paper. £10 note Di-Faced by Banksy with a portrait of Princess Diana on the front and the motto: "I Promise to Pay the Bearer on Demand the Ultimate Price." The back features Darwin's image and the statement: "Trust No One...

Antony Micallef Peace Keeper, 2007 Lithograph printed in colours hand-signed and numbered by the artist 96 × 67 cm 105 x 72 cm (framed) Edition of 400 Antony Micallef is a prominent...

“The duality of art is a fatal consequence of the duality of man.” - Charles Baudelaire “Working with different techniques in print is a major interest in my art practice. I’ve alwa...

I've collaborated with Henry many times in the past and of course, I'm constantly in awe and impressed by him. Just as much as I love Henry's musical contributions, he is the hardest working guy I know who stays completely up on social and political issues. He uses his megaphone to talk about important things and is very entertaining and captivating when doing so. I'm honoured and excited to collaborate with him again for the Henry Rollins...

"Golden Future is the next in the series of large format prints inspired by the paintings in the latest body of work featured in the Damaged exhibition. Already released were Ideal P...

Copper etching with aquatint The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...