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Natasha LelencoFluor Funny Portrait. Between Blooms and Beings - Limited Edition2024
2024
About the Item
"The Point of View" is a limited edition, high-quality Dibond direct UV print, part of the Fetiches series by Natasha Lelenco. Known for her meticulous portraiture, Lelenco brings a fine-tuned attention to detail, particularly in capturing the expressive gaze of her subjects. In this piece, the viewer’s eye is drawn to a subtle yet striking detail: a small fly resting on the figure’s nose, adding a touch of humor and spontaneity to the contemplative scene. Framed by a vibrant fluor red background, the figure is crowned with lush green leaves, and colorful camellias, each element carefully rendered. This composition showcases Lelenco's ability to balance realism with surreal touches, creating a piece that is both visually rich and emotionally engaging.
Natasha Lelenco's use of acrylic paint allows for sharp lines and vivid color transitions, enhancing the realism of the botanical elements while maintaining a sense of surrealism in the overall composition. The pink skin tone is rendered with smooth gradients, while the green leaves and camellia are depicted with layered textures that suggest depth and movement. The careful placement of insects within the foliage adds an element of narrative, inviting the viewer to explore the connection between nature and the human figure. The choice of colors and the composition reflect Lelenco's deep engagement with both classical portraiture and contemporary surrealism, drawing upon influences that range from Renaissance techniques to modernist color theory.
The high-quality Dibond direct UV Print, finished and varnished by the artist herself, ensures durability and brilliant color retention, making this piece a long-lasting addition to any art collection. As with all pieces in the "Fetiches" series, this edition is designed to stand alone or as part of a curated collection, offering flexibility in display. Each print is varnished, signed, and numbered on the back, and comes ready to hang with a simple system that gives the impression of the artwork floating on the wall.
Keywords:
Floral Portrait, Camellia, Green Background, Pink Skin, Acrylic Painting, Botanical Art, Contemporary Art, Natasha Lelenco, Limited Edition, Dibond Print, Surrealism, Insects
- Creator:Natasha Lelenco (1982, Spanish, Moldovan)
- Creation Year:2024
- Dimensions:Height: 15.75 in (40 cm)Width: 11.82 in (30 cm)Depth: 0.2 in (5 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:FISTERRA, ES
- Reference Number:Seller: Fetishes Limited Edition1stDibs: LU2626215318872
Natasha Lelenco
Natasha Lelenco, born in Chișinău, Moldova in 1982, is a prominent Moldovan painter and contemporary artist who has been residing in Galicia, Spain, since 2008. She is especially known for her figurative work, particularly in the realm of portraiture. Holding a degree in Fine Arts from the University of Cluj-Napoca in Romania, her art has been featured in numerous international exhibitions and art fairs. Natasha Lelenco's art has been showcased across exhibitions in Spain, Germany, Denmark, Portugal, Mexico, and beyond. Natasha Lelenco's approach is figurative, primarily centered on the human form, which she understands as an integral part of life rather than its core. Her themes encompass identity, self-awareness, and the role of chance in shaping the value of things and life itself. Her artistic journey has given rise to self-contained series where narrative and format harmonize, often springing from a playful interplay of repetition, color juxtapositions, deformations in pursuit of psychological realism, and a selective use of elements and resources available in her studio. A recurring motif in her work is the creation of panels, which, through repetitive use of representations, weave a narrative. The visual motif of repetition, especially in the portrayal of faces, represents a graphic fixation that captures a world characterized by seriality. To depict this, she frequently draws inspiration from popular art, advertising, and kitsch. The resulting imagery often strikes a tragicomic chord. She finds solace in project-based work, and virtually all her endeavors since dedicating herself professionally to artistic creation revolve around narratives materializing in pieces that often seek to function both collectively and independently.
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