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Paul CézannePortrait des Malers Armand Guillaumine mit dem hängenden Mann1873
1873
About the Item
Paul Cézanne (1839–1906) was born in Aix-en-Provence and initially studied law, as per his father's wishes. However, he soon turned to art, taking evening drawing classes at the École Municipale de Dessin. In 1861, he moved to Paris, where he befriended artists like Pissarro. Though he briefly returned to Aix discouraged, he resumed his studies in Paris and met artists such as Renoir, Monet, and Manet. Over the years, Cézanne's work evolved, heavily influenced by Pissarro, leading him to participate in the first Impressionist exhibition in 1874. His works were initially mocked, but today, he is recognized as a pioneer of modern art. His innovative use of geometric forms and his transformation of perception paved the way for 20th-century art movements.
This etching ,, Paul Cézanne, Portrait of the Painter Armand Guillaumin with the Hanging Man,, presents a portrait of french artist Armand Guillaumin, accompanied by the figure of the "hanging man." The plate measures 6.02 x 4.5 inches, while the sheet size is 12.9 x 10.1 inches. Cézanne, known for his experiments with various printmaking techniques, created this etching as part of his broader exploration of graphic art. The work is a notable example of his engagement with the medium.
plate size: 15,3 x 11,5 cm
- Creator:Paul Cézanne (1839 - 1906, French)
- Creation Year:1873
- Dimensions:Height: 12.88 in (32.7 cm)Width: 10.12 in (25.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wien, AT
- Reference Number:1stDibs: LU1782215673052
Paul Cézanne
Paul Cézanne (1839–1906) was a French Post-Impressionist painter who served as a bridge between 19th-century Impressionism and early 20th-century Cubism. His work introduced new modes of representation, influencing avant-garde movements of the early 20th century. Initially inspired by Romanticism and Realism, Cézanne developed a unique pictorial language, altering conventional perspectives and emphasizing the formal qualities of art. Cézanne's distinctive brushstrokes, use of color planes, and focus on the underlying structure of objects set his work apart. Despite early ridicule from contemporary critics, artists like Camille Pissarro and gallery owner Ambroise Vollard recognized his talent, with Vollard hosting Cézanne's first solo exhibition in 1895. This exhibition led to wider appreciation, and both Henri Matisse and Pablo Picasso later hailed Cézanne as "the father of us all".
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