Paula Rego

Mist II -- Print, Etching, Pendle Witches, Contemporary Art by Paula Rego

1996

The Baker's Wife II, 1989 Paula Rego Etching with aquatint and hand-colouring, on Somerset wove Signed and numbered from the edition of 75 Printed by Culford Press, London Co-publis...

Dismemberment, 1994 Louise Bourgeois Drypoint and roulette, on smooth Somerset wove paper Signed and numbered from the edition of 44 Fourth and final state Printed by Harlan & Weaver, New York Published by Peter Blum Edition, New York Plate: 17.6 × 12.6 cm (6.9 × 4.9 in) Sheet: 52 × 37.7 cm (20.5 × 14.8 in) Literature: MoMA Cat. No. 652/IV "This is a self-portrait as a helpless, defenceless woman. She has no arms... she is like the harmless women in sculpture. The protecting hand has been cut off. Maybe women are just poor creatures... there is always the fear of being inadequate... of not being able to take care of oneself. It is a permanent feeling. There is the need to defend oneself... then she would be afraid for the children. I always felt that I could not defend myself because I could not understand what motivates people... I still feel that way." In reference to the game of marbles (being played by the hand at bottom right, most easily seen in state IV), Bourgeois said: "There is always someone to trick her... someone always wins. This is the desperate art of self-defense.... But even if someone cut her, she would not lose her dignity... she would still stand there in full self-assurance. She tries to put herself back together through her beauty... through her hair. You can land on your feet if you are beautiful...

The House of Women is an original print realized by Massimo Campigli in the 1970s. Etching on paper. This artwork it is part of a series of works created in the last period of the ...

Lovers I is an original etching, realized by Giacomo Manzù in 1970. Hand Signed. numbered, Edition of 26/125 prints. Published in the artwork series: "...