1870s Portrait Prints

Paul Cézanne Young girl Original etching and roulette Signed in plate "P. Cézanne" and dated 1873 in lower right corner On vellum 32 x 25 cm (c. 13 x 10") REFERENCES : - Catalog...

Self Portrait is an original artwork realized by Frédérique Émilie Auguste O'Connell (1822 -1885) . Etching print. Signed on plate. Good conditions. Frédérique Émilie Auguste O'C...

Etching on laid paper titled "Guillaumin au Pendu," 1873, by Paul Cezanne (1839-1906). Signed 'in the image' with Cezanne's signature monogram symbol (Hanging Man...

Portrait of Otto von Bismarck is a photographic albumen print in CDV size. Print by the Loescher & Petsch photographic studio on front and back of ...

Woman is an original zincography on paper realized by G.E. Hicks, in 1877. This Specially Zincography representing a portrait's Woman. The title of the work "Zigeunermadchen" and th...

Paul Cézanne Young girl Original etching and roulette blood Signed in plate "P. Cézanne" and dated 1873 in lower right corner On vellum 32 x 25 cm (c. 13 x 10") Very good conditi...

Image dimensions: 28.7 x 22.2 cm. Portrait de M.lle Sarah Bernhardt is a wonderful black ad white etching on wire rod-paper, after Jules Bastien-Lepage (1848-1884), etched by Eugène...

"George Washington" and "Martha Washington" are two hand-colored lithographs by Currier & Ives. They are sold as a pair. 10 1/2" x 14" art 22 1/2" x 19 1/2" frame Nathaniel Currie...

From the Ambrose Vollard book, Cezanne, 1914, printed in an edition of 1000 and used as the frontispiece Provenance: From the Private Collection of Benno & Babette Rothschild, Colu...

Paul Cézanne Young girl Original etching and roulette blood Signed in plate "P. Cézanne" and dated 1873 in lower right corner On vellum Vergé 13 x 11 cm at view (c. 5 x 4.5 in) ...

Paul Cézanne Young girl Original etching and roulette blood Signed in plate "P. Cézanne" and dated 1873 in lower right corner On vellum Vergé 32.5 x 25 cm (c. 13 x 10") Exc...

An original lithograph after American artist Benjamin West (1738-1820) titled "The Father and Brother of Benjamin West" from "The Family Picture" series, 1873. This original print was hand drawn on stone by English artist E.H. Mitchell in 1873. Full original paperwork information on back comes with artwork. All archival framing. Framed size: 15.25" x 14.5". Image size: 7.5" x 7". Mint condition. Benjamin West PRA (October 10, 1738 – March 11, 1820) was an Anglo-American painter of historical scenes around and after the time of the American War of Independence and the Seven Years' War. He was the second president of the Royal Academy in London, serving from 1792 to 1805 and 1806 to 1820. He was offered a knighthood by the British Crown, but declined it, believing that he should instead be made a peer. He said that "Art is the representation of human beauty, ideally perfect in design, graceful and noble in attitude." West was born in Springfield, Pennsylvania, in a house that is now in the borough of Swarthmore on the campus of Swarthmore College, as the tenth child of an innkeeper and his wife. The family later moved to Newtown Square, Pennsylvania, where his father was the proprietor of the Square Tavern, still standing in that town. West told the novelist John Galt, with whom, late in his life, he collaborated on a memoir, The Life and Studies of Benjamin West (1816, 1820) that, when he was a child, Native Americans showed him how to make paint by mixing some clay from the river bank with bear grease in a pot. Benjamin West was an autodidact; while excelling at the arts, "he had little [formal] education and, even when president of the Royal Academy, could scarcely spell". Benjamin Franklin Drawing Electricity from the Sky c. 1816 at the Philadelphia Museum of Art From 1746 to 1759, West worked in Pennsylvania, mostly painting portraits. While West was in Lancaster in 1756, his patron, a gunsmith named William Henry, encouraged him to paint a Death of Socrates based on an engraving in Charles Rollin's Ancient History. His resulting composition, which significantly differs from the source, has been called "the most ambitious and interesting painting produced in colonial America". Dr William Smith, then the provost of the College of Philadelphia, saw the painting in Henry's house and decided to become West's patron, offering him education and, more importantly, connections with wealthy and politically connected Pennsylvanians. During this time West met John Wollaston, a famous painter who had immigrated from London. West learned Wollaston's techniques for painting the shimmer of silk and satin, and also adopted some of "his mannerisms, the most prominent of which was to give all his subjects large almond-shaped eyes, which clients thought very chic". West was a close friend of Benjamin Franklin, whose portrait he painted. Franklin was the godfather of West's second son, Benjamin. In August 1763, West arrived in England, on what he initially intended as a visit on his way back to America. In fact, he never returned to America. He stayed for a month at Bath with William Allen, who was also in the country, and visited his half-brother Thomas West...