1970s Portrait Prints

Firmada a lápiz por el artista en la parte inferior y con tiraje 8/250 En buen estado de conservación Sin enmarcar Medidas: 49 cm x 58 cm.

Firmada a lápiz por el artista en la parte inferior y con tiraje 8/250 En buen estado de conservación Sin enmarcar Medidas: 49 cm x 58 cm.

Artist: Enrico Baj, Italian (1924 - 2003) Title: Flavius Valerius Constantinus Chlorus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition: 24/70;...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Caius Flavius Valerius Claudius Constantinus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition:...

Artist: Richard Lindner Title: Red Head Year: circa 1970 Medium: Lithograph in Colors on Arches Paper, signed and numbered in white pencil Edition: 120 Paper Size: 30 x 22 inches P...

Max Epstein, Canadian (1932 - 2002) - The Other Side of Me, Year: 1977, Medium: Screenprint, Signed and Numbered in pencil, Edition: 50, Image Size: 23 x 16 inches, Size: 30 in....

Vasilios Janopoulos, Greek (1953 - ) - Marcella at La Cabana, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, HC, Size: 29 in. x 22 in. (73.66 ...

TECHNICAL INFORMATION: Jim Dine The Woodcut Bathrobe 1975 Woodcut and lithograph on Natsume 4007 paper 36 x 24 in. Artist's Proof (A.P.) Pencil signed, dated and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a light wood frame with matte, as shown in photos. ABOUT THE WORK: Jim Dine began painting bathrobes in 1964; some of them were titled or subtitled as self portrait. The bathrobe became a motif in his repertoire which he has returned to on many occasions, in prints as well as paintings. Though he claimed never to wear a bathrobe, nonetheless these are all, in a way, portraits and self portraits. Dexter's Four Robes illustrates the enduring importance of the bathrobe motif in Dine's work, a motif that he has been using over the years in countless printed works to depict mostly himself, but also his wife and people around him. This subject came to him as source of inspiration after coming across an image of a man's dressing gown...

Hand signed and numbered by the artist. Artwork is in excellent condition. Edition of 100. All reasonable offers will be considered.

Unsigned Edition: Large edition as published and bound into the catalog raisonne of the artist's lithographs From: Minaux Lithographe Published by Leon Amiel, Paris Printed by Fe...

Artist: John Grillo, American (1917 - 2014) Title: Girl with Hat VI Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Image Size: 28 x 22.5 inch...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Eve (Pink) Year: 1974 Medium: Silkscreen, signed and numbered in pencil Edition: AP Image Size: 18 x 18 inches Size: 20 x 20 in. (5...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Caius Julius Caesar Octivanius Augustus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition: 24/7...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Eve Year: 1974 Medium: Silkscreen, signed, titled and numbered in pencil Edition: 11/50 Image Size: 18 x 18 inches Size: 20 i...

Artist: Henri Matisse Title: D'Apres Longus Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 7/8" x 11 1/8" Sign...

Artist: Henri Matisse Title: Hier, de tes Doights d'Or Pale Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition Size: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 1...

Hand signed, dated and numbered by artist with pencil. Etching and aquatint. Edition of 90 prints plus 15 prints in Roman Numbers and 5 Artist's Proofs. Excellent condition.

Artist: Henri Matisse Title: Lied Dement Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 7/8" x 11 1/8" Signatu...

Hand signed, dated and numbered by artist with pencil. Etching and aquatint. Edition of 90 prints plus 15 prints in Roman Numbers and 5 Artist's Proofs. Excellent condition.

23" x 17" Unframed Limited Edition Silkscreen and Mixed Media on Paper of 200 Hand Signed by Bob Gruen 2021

Hand signed, dated and numbered by artist with pencil. Etching and aquatint. Edition of 90 prints plus 15 prints in Roman Numbers and 5 Artist's Proofs. Excellent condition.

Lovely impressionist portrait lithograph titled "Feather Head" of a woman in a decorated hat dated 1974, edition 8/16 by artist Dan Allison. Artist Biography: Allison first made his mark on the art world in the late 1970's with his instantly recognizable aquatint etchings, created through a revolutionary, one-plate, three-color printmaking process the artist pioneered and refined while attending Sam Houston University in Huntsville, Texas. The artist earned a Bachelor of Fine Arts degree with an emphasis on printmaking from the university in 1978. In 2000 Allison turned his attentions to first establishing a printmaking studio, Texas Collaborative Arts, with an emphisis on the collaborative aspects between printer and artist and in 2007 established the Nau-haus art venue where he presented more than 60 exhibitions between 2007 and 2011 before moving to his present location in Houston's Upper Kirby Gallery district on Gallery Row, where the d. m. allison gallery...

Countess Portrait is a lithograph realize by Virgilio Guidi. Good conditions. Hand-signed on the lower right. Numbered, edition 40/75. The artwork represents a feminine portrait,...

Hand signed and numbered in pencil. From the series La Conquete du Cosmos (Conquest of Cosmos). Sheet size: 38.5 x 27.5 inches. Image size: 29.5 ...

Jean Jansem - Original Etching Title: Loneliness Dimensions: 40 x 30 cm Edition of 175 Paper: vélin de Rives 1974 Jean Jansem was born in 1920 at Seuleuze in Asia Minor and spent h...

Reiner Schwarz "Don Quichotte" Year: 1973 Medium: Color Lithograph Edition: 60 Size: 19.68 x 25.98 in. Signed, numbered and titled After fleeing and exp...

Reiner Schwarz "Die Blaue Stunde" Year: 1973 Medium: Color Lithograph Edition: 80 Size: 25.98 x 19.68 in. Signed, numbered and titled After fleeing and expelling from Silesia, Reine...

This is an original color lithograph created by Claude Weisbuch. It was designed to promote his show at Vision Nouvelle, a gallery in France. This show in particular was about his Ho...

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition number 135 / 200. There are 200 pieces in the edition all signed and numbered b...

"Sugawara" by Al Hirschfeld from the "Kabuki Suite," a series of 12 color lithographs on Arches paper capturing Hirschfeld's impressions from a trip to Japan in 1975 of the country's...

Homage to Ali: Neil Leifer pays tribute to the legendary Muhammad Ali in an exclusive set of classic photographs. The Mouth That Roared, Miami Beach, October 9, 1970: “It was imposs...

Head of Oedipus is an etching print on paper realized by Giacomo Manzù in 1970. Hand-signed and numbered. Edition of 125 prints. Published in the series of artwork: "Giacomo Manzù: Fifteen original etchings and aquatints", by Touchstone Suite, New York, 1970. Good conditions. Giacomo Manzù (Bergamo, 1908- Ardea, 1991), pseudonym of Giacomo Manzoni, was a famous Italian artist and sculptor. He devoted himself to sculpture, but also to drawings, etchings and paintings, often centered on female models...

Poster, printed in lithograph by Mourlot, for the artist’s exhibition (Cent tableaux 1928-1970) at the Grand Paris, Paris. Jean Hélion was a French painter whose abstract work of the...

Tim ( Louis Mitelberg called, 1919-2002) Caricature of Salvador Dali as Fidel Castro Original etching Handsigned in pencil On Arches vellum 38 x 28 cm (c. 15 x 11 inch) INFORMATIO...

"Le Philosophe Au Papillon", from Je Reve (I Dream) Portfolio, is an original color lithograph signed in pencil lower right by French Surrealist artist Andre Masson. This is H.C. XXV/XXV. It depicts a brightly colored man...

Kitaj’s drawing is of a fisherman in profile, wearing a sou’wester: a collapsible rain hat. The image is a wry portrait, ostensibly of Albert Blake Dick, ...

Alexander Calder - Original Lithograph - Behind the Mirror 1 Original lithograph created in 1976 Framed Dimensions: 38 x 28 cm Source: Derrière le m...

The Bride is a artwork made by Nino Aimone (1932-2020) in 1975. Woodcut. Stamp signed on high margin and title on low margin. Excellent condition.

Poster-Galerie Nai’fs et Prìmitifs, 9 Rue du Dragon, Paris, Du 25 Septembre au 20 Octobre, 1979. Plate signed. Measures 25 x 15.75 in. Unframed. Good/Fair Condit...

Hand signed and numbered by the artist. From School Days portfolio. Artwork size 26 x 20 inches. Frame size approx 30 x 26 inches. Edition of 200. Artwork is in excellent condi...

Robert constructs his portraits from an interlacing of short, tight, tangled strokes, drawn with meticulous regularity. The drawing does not follow a continuous line: it is composed ...

"Five Dutchmen with Hats" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (EA 15/30) in the lower left. This piece ...

Original lithograph, hand-signed and hand-numbered in pencil by the artist. Edition: 56/99 Excellent Conditions Dimensions: 76 x 56 cm Reference : Catalogue raisonné Tonneau-Ryckely...

Countess Portrait is a lithograph realize by Virgilio Guidi. Good conditions. Hand-signed on the lower right. Numbered, edition 54/75. Virgilio Guidi  (Rome, 1892 - Venice, 1984)...

Countess Portrait is a lithograph realize by Virgilio Guidi. Good conditions. Hand-signed on the lower right. Numbered, edition 54/75. Virgilio Guidi  (Rome, 1892 - Venice, 1984)...

Countess Portrait is a lithograph realize by Virgilio Guidi. Good conditions. Hand-signed on the lower right. Numbered, edition 53/75. The artwork represents a feminine portrait,...

Hand signed and numbered in pencil. From the series La Conquete du Cosmos (Conquest of Cosmos). Authenticated by Albert Field on verso. Sheet siz...

Countess Portrait  is a lithograph realize by Virgilio Guidi in the 1970s. Good conditions except for yellowing of paper. Hand-signed on the lower right.Numbered on the lower left....

Wilson, John W. SEATED WOMAN. Etching and aquatint, 1973. A Proof aside from the edition of 75. Inscribed "Guide Proof" and signed in pencil. 18 x 12 1/2 inches, 457 x 315 mm. (plat...

Salvador Dali - The Grand Inquisitor Expels the Savior Handsigned in pencil and Numbered Edition: F195/195 - Printer: Atelier Rigal. - Paper: Ri...

"La Lecon Du Professor Tulp" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition (ETAT) in the lower left. This piece depicts ...

The idol  is a print realized by Massimo Campigli in the 1970/1971s. Etching on paper. This artwork it is part of a series of works created in the last peri...

The idol  is a print realized by Massimo Campigli in the 1970/1971. Etching on paper. This artwork it is part of a series of works created in the last perio...

The two women is an print realized by Massimo Campigli in the 1970/1971s. Beautiful etching and drypoint on paper. This artwork it is part of a series of works created in the last ...

Portrait is a lithograph realized by Graham Sutherland in 1971. Numbered edition 27/65. Hand signed. Good conditions. Original creation by the English painter Graham Sutherland ...

Woman in the Mirror is an Etching realized by Enrico Palù in 1973. Good condition included a cream colored cardboard passpartout (45x31.5 cm). Hand signed and dated by the artist o...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Susan (1976) A rare and historic lithograph by Alex Katz signed and numbered by the artist. screenprint in colors on Tronko Japan paper sheet/image: 26 h × 19⅝ w in (66 × 50 cm) fr...

Woman is a lithograph print on paper, realized after Jean Paul Sauget for Maurice Magre's Les Soirs d'Opium. Published in 1921. Good conditions.

Alexander Calder - Original Lithograph - Behind the Mirror Original lithographs produced in 1976 Dimensions: 38 x 56 cm Source: Derrière le miroir (...