Items Similar to SELF-PORTRAIT IN A VELVET CAP WITH PLUME
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Rembrandt van RijnSELF-PORTRAIT IN A VELVET CAP WITH PLUME1638
1638
About the Item
A fine 18th century impression of Bartsch’s only state, Usticke’s second state of three, printed after the appearance of the diagonal scratch running down from the upper left corner, but prior to rebiting of the plate and the re-etching of the signature in the subsequent state, probably printed by P.F. Basan and issued c. 1790.
Catalog: Bartsch 20; Hind 156; Biorklund-Barnard 38-B; Usticke 20 ii/iii
Platemark: 5 3/8 x 4 1/8 inches
Sheet: 5 3/4 x 4 1/2 inches
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:1638
- Period:
- Condition:In excellent condition, printed on a sheet with small margins all around.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 218191stDibs: G1112139149
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1998
1stDibs seller since 2011
75 sales on 1stDibs
Typical response time: 14 hours
- ShippingRetrieving quote...Ships From: San Francisco, CA
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- MASQUE DE JEUNE GARCON (Mask of a Young Boy)By Henri MatisseLocated in San Francisco, CAOriginal etching printed in black ink on wove paper bearing the Arches script watermark. Signed and dated in the plate lower left Matisse / 45 A fine impression of the definitive state, from the edition of 25 stamp numbered in the margin lower right, (there was one trial proof and six artist’s proofs printed at the same time in 1966), also bearing the artist’s monogram stamp in the margin lower right. Catalog: Duthuit-Matisse 268; Fribourg 344; Duthuit Illustrated Books 12. 13 15/16 x 10 15/16 inches Sheet Size: 20 7/8 x 15 3/4 inches In excellent condition, printed on a sheet with full margins. This etching was commissioned by Marguerite and Jacques Maret, founders of the bibliographic society Le Gerbier, Paris, in 1945 to be part of an album titled Alternance which was comprised of sixteen etchings by Jean-Emilé Laboureur, Edouard Goerg, Jean Cocteau, Marie Laurencin, André Lhote, Hermine David, H. de Waroquier, Jacques Villon, Valentine Hugo...Category
20th Century Modern Figurative Prints
MaterialsEtching
- The Artist’s Mother seated at a table, looking right: Three quarter lengthBy Rembrandt van RijnLocated in San Francisco, CAOriginal etching printed in black ink on laid paper bearing a “Foolscap with Five-Pointed Collar” watermark (Ash/Fletcher 19.I.b; Hinterding 2006 I.a.a). Signed in the plate with ...Category
18th Century and Earlier Old Masters Portrait Prints
MaterialsEtching
- THE ARTISTS MOTHER SEATED, IN AN ORIENTAL HEADDRESS: HALF LENGTHBy Rembrandt van RijnLocated in San Francisco, CAA fine 17th century/lifetime impression of Bartsch’s second state of three, Usticke's third state of four, New Hollstein’s fourth state of six, of this scarce etching. printed after ...Category
18th Century and Earlier Old Masters Portrait Prints
- Luce Myres, De ProfilBy Henri de Toulouse-LautrecLocated in San Francisco, CAOriginal lithograph printed in olive-green ink on wove paper. Signed on the stone with the artists monogram device lower right. A fine, impression of Wittrock and Adriani’s on...Category
19th Century Modern Portrait Prints
MaterialsLithograph
- Nude Model, RecliningBy James Abbott McNeill WhistlerLocated in San Francisco, CAOriginal lithograph printed in black ink on antique laid paper. Signed on the stone with the artist’s butterfly monogram center left. A superb impression of Spink’s third and f...Category
19th Century Aesthetic Movement Figurative Prints
MaterialsLithograph
- . . . ET IL FAUDRA MOURIR SANS AVOIR TUÉ LE VENT . . .By Henri MatisseLocated in San Francisco, CAOriginal linocut printed in black ink on Rives wove paper. Bearing the artist's estate monogram blindstamp in the paper lower right. A superb impression of the definitive state...Category
20th Century Modern Figurative Prints
MaterialsLinocut
You May Also Like
- Backyard Garden, Yue Minjun - Art, Lithograph, Limited Edition, China Art, PrintBy Yue MinjunLocated in Zug, CHYue Minjun, Backyard Garden Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. The print is mounted on double sheet of paper with a poem on one spread and print on the other. Backyard Garden belongs to the set of twenty lithographs from the “Snatched Ecstasy of Yue Minjun”, which comes as a limited edition of 130 rare books. The work of Yue Minjun is instantly recognizable with its uniform laughing faces, the artist's faces. Minjun creates various realities against which the laughing figures are rendered, thus creating ambiguous images, often with the sinister atmosphere, which comes as his personal cynical reaction to various social and political dimensions of contemporary Chinese realities. Immediately humorous and sympathetic, Yue Minjun’s paintings offer a light-hearted approach to philosophical enquiry and contemplation of existence. Yue’s self-portraits have been describe by theorist Li Xianting as “a self-ironic response to the spiritual vacuum and folly of modern-day China”, thus the acidic tones and commercialized vacuity of his works are used to underscore the insincerity of his figures’ mirth. “Art should be an expression of one's particular feelings and should be direct and deep. So I drew one person, and then added another and another until there were crowds of them. Then I felt my emotions to be fully expressed.„ —Yue Minjun YUE MINJUN Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner. Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming...Category
Early 2000s Contemporary Figurative Prints
MaterialsLithograph
- Paean on Grassland, Yue Minjun - Art, Lithograph, Limited Edition, China, PrintBy Yue MinjunLocated in Zug, CHYue Minjun, Paean on Grassland Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered...Category
Early 2000s Contemporary Figurative Prints
MaterialsLithograph
- Ingres & I, Yue Minjun- Contemporary Art, Lithograph, Limited Edition, ChineseBy Yue MinjunLocated in Zug, CHYue Minjun, Ingres and I Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Ro...Category
Early 2000s Contemporary Figurative Prints
MaterialsLithograph
- Backyard Garden, Yue Minjun - Art, Lithograph, Limited Edition, China Art, PrintBy Yue MinjunLocated in Zug, CHYue Minjun, Backyard Garden Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in...Category
Early 2000s Contemporary Figurative Prints
MaterialsLithograph
- Remarkable People, Yue Minjun- Art, Lithograph, Limited Edition, ChineseBy Yue MinjunLocated in Zug, CHYue Minjun, Remarkable People Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered ...Category
Early 2000s Contemporary Figurative Prints
MaterialsLithograph
- Fighting, Yue Minjun - Art, Lithograph, Limited Edition, Chinese Art, PrintBy Yue MinjunLocated in Zug, CHYue Minjun, Fighting Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. The print is mounted on double sheet of paper with a poem on one spread and print on the other. In fantastical paintings populated with heightened, hysterical self-portraits, Yue Minjun satirizes contemporary society and art historical tropes. Yue paints himself in fluorescent hues with a gaping grin. He occasionally multiplies his likeness, making his compositions even more menacing; his style has made him a pioneer of China’s Cynical Realism movement. Yue’s influences include Chinese socialist realism, Surrealism, and European classical paintings. He studied oil painting at Hebei Normal University in Shijiazhuang and has exhibited in Hong Kong, Berlin, Shenzhen, Shanghai, London, Basel, and New York. Yue has been the subject of numerous institutional shows at venues such as the Macao Museum, the ARoS Aarhus Art Museum, the National Art Museum of China, the Kunstmuseum Bonn, and the Museum of Fine Arts in Bern. “[...] I choose to paint laughter, to communicate a sense of pleasure and happiness, but actually, it hides a double perspective of drama and suffering.„ —Yue Minjun YUE MINJUN Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner. Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming Yuan, a village near Beijing where he began to form his style and iconography. The paintings, sculptures, and installations of Yue Minjun feature uniform laughing pink faces, which appear to be self-portraits. Through various symbols, metaphors, signs, or through depictions of daily life the artist constructs various realities against which the laughing figures are rendered. "In my work, laughter is a representation of a state of helplessness, lack of strength and participation, with the absence of our rights that society has imposed on us." —Yue Minjun Yue became famous after his participation in the 48th Venice Biennale in 1999, which granted him access to international art. One of the best-known paintings by Yue Minjun and an icon for modern Chinese art and the Cynical Realism movement is Execution. It was painted in 1995 and is generally regarded as a reaction to the Tiananmen Square...Category
Early 2000s Contemporary Figurative Prints
MaterialsLithograph
Recently Viewed
View AllMore Ways To Browse
Marilyn Rosenthal
Three Stooges
American Sporting Art Etchings
Picasso Imaginary Portraits
Picasso Le Gout
Vanity Fair Spy Prints
Warhol Reigning Queens
Brock And Co
Robin Morris On Sale
Andy Warhol Joseph Beuys
Chapeau Vintage Femme
Le Gout Du Bonheur
Warhol Superman
Stone Marten
Baskin Lithograph
Andy Warhol Reigning Queens
Queen Elizabeth Ii Warhol
Ruth Bader Portrait