Want more images or videos?
Request additional images or videos from the seller
1 of 6
Richard CormanMadonna2013
2013
About the Item
Richard Corman
Madonna, 2013
Color photographic monotype on archival pigment paper
Hand signed, dated and numbered 1/1 by Richard Corman on the front
26 × 20 inches
Unique
Unframed
This unique archival pigment print (numbered 1/1) was based upon a photograph taken by legendary portrait photographer Richard Corman, which was later hand embellished in acrylic by artist Alec Monopoly. That original work is reproduced in the monograph Richard Corman – Madonna NYC ’83 published by Damiani in 2013. This print is numbered 1/1 and is hand signed by Richard Corman.
The photograph of Madonna was taken during Richard Corman's historic photoshoot in the early 1980s, and it was reprinted in 2013. Richard Corman's famous photographs of Madonna during that period have been reproduced in books, magazines, tv clips and newspapers - and are considered the most iconic images ever taken of The Material Girl. We are incredibly honored to be exclusively offering this unique print for the very first time -- in honor of her 65th birthday.
Here, Madonna is just a natural beauty, youthful, confident, vulnerable, natural, and extraordinarily poised. The photograph was taken while she was on the cusp of superstardom, but still anxious, striving, going on casting calls, and waiting for her big break.
In his own words, photographer Richard Corman describes how this famous photo shoot came about:
My mother was Cis Corman, a renowned casting director in New York City. In the summer of 1982 she was casting The Last Temptation of Christ for Martin Scorsese and called me to say they had just tested a girl for the part of the Virgin Mary. She said, “You must meet this girl — she’s an original.” I was 28 and had just finished an apprenticeship with Richard Avedon and was looking for interesting people to shoot. So I got this girl’s number and called. It was Madonna. At the time she was living in Alphabet City [Lower East Side of Manhattan], and she suggested I go to her apartment and chat about what I wanted to do. I had to call her from a phone booth across the street, because the neighborhood was full of drug dealers, and they didn’t let people just walk in and out. There was a group of kids outside the building, on the stoop, in the hallways, and when I said I was there for Madonna the seas parted. I looked up the staircase, and I saw this girl leaning over the edge of the banister, and even from three stories below I could see these catlike eyes just looking down. I knew at that moment that she had something special — I really did. She had her best friend and neighbor, Martin, with her — he later died of AIDS—and we sat and talked. She served me a cup of coffee on a silver tray with three pieces of Bazooka bubblegum. There was no pretense to it. When I came back a few days later to shoot her, she said, “You know, we should go up to the roof because I go up there with all the kids from the building.” She was like the Pied Piper of the neighborhood — they loved her. They followed her, they danced with her, they sang with her. It was something they did on a daily basis, and it was remarkable. We just walked up and they gathered around. She put the boom box on — it was her music, though I don’t remember which song — and they just started dancing and singing. She was so alive and unpretentious. She was fierce, determined. Nothing was going to stop her.
After we came down from the rooftop, we walked through the neighborhood, laughing and chatting, stopping in front of a storefront that you see in one of the shots, stopping in front of a senior citizen’s home and hanging out with the old folks. For me, like her, when I do a shoot now, I’ve got eight people around me — but that day it was just the two of us. I would shoot her a couple more times, once for the campaign for Vision Quest, with Matthew Modine and Linda Fiorentino. It was a hot coming-of-age film about wrestling in the Northwest, and she was the singer in the little bar that some of these teenagers would hang out in. By then Madonna was becoming hot and big, and — in the nicest way — she would go to whoever would help her and move her ahead. I was that person to begin with because of the connection to my mother. But as soon as she had that rocket to fame she was off to the next stage. That’s when Herb Ritts started photographing her exclusively, but that early period of the ’80s was amazing. I was photographing Basquiat and Keith Haring, and just to be part of all that took your breath away. People were truly taking chances. It was just a different energy, and Madonna was the focal point for a lot of that.
For fans and followers of Madonna, snag this unique print now while we still have it, and while it's still available.
- Creator:Richard Corman (1954, American)
- Creation Year:2013
- Dimensions:Height: 26 in (66.04 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745212877842
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2007
1stDibs seller since 2022
289 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Collection of 20 signed Lt. Ed. silkscreens by top Russian artists in red boxBy Grisha BruskinLocated in New York, NYAUFBRUCH AUS MOSKAU MOCKBA - PORTFOLIO OF TWENTY (20) ORIGINAL LIMITED EDITION SIGNED GRAPHICS, 1990 20 Limited edition, hand signed and numbered Screenprints, unframed in original Portfolio case 22 4/5 × 29 9/10 inches (each work) Edition of 100 Each print is hand signed and numbered 64 from the edition of 100 This is the complete Portfolio with 20 original limited edition, hand signed and numbered from the limited edition of only 100 - graphics by 20 Russian artists, including screen printing and collotypes. This portfolio was the mastermind of legendary printer and publisher Michael Domberger, who crisscrossed the globe from Rome, Sydney, Amsterdam, New York, Cologne and Moscow to realize this ambitious project - technically and artistically. Domberger writes that to his great surprise and delight -all of the artists invited agreed to participate. The 20 Russian artists invited to contribute works to this portfolio are: Jurij Albert, Grisha Bruskin, Erik Bulatov, Andrey Filippov, Sven Gundlach, Vladimir Yankilevsky, Ilya Kabakov, Igor Kopystyansky, Svetlana Kopystyanskaya, Georgiy Litvsky, Sergei Mironenko, Vladimir Mironenko, Boris Orlov, Dmitry Prigov, Andrei Roiter, Jurij Sobolev, Ivan Chujkov, Sergei Wolkov, Wadim Zakharov and Constantine Zwesdotschotov. Each print is housed in the original elegant Linen Portfolio Box...Category
1990s Contemporary Abstract Prints
MaterialsScreen, Linen, Mixed Media, Pencil
- Lincoln Center 25 Years poster (Hand signed and inscribed by Julian Schnabel)By Julian SchnabelLocated in New York, NYJulian Schnabel Lincoln Center 25 Years (Hand signed and inscribed), 1984 Offset lithograph. Signed and inscribed to Kevin by Julian Schnabel 60 × 40 inches Signed and inscribed on the front Unframed Julian Schnabel signed and inscribed this 1984 poster...Category
1980s Contemporary Abstract Prints
MaterialsOffset, Permanent Marker, Lithograph
- Poster of Abstract Expressionist sculptor John Chamberlain Hand Signed by artistBy John ChamberlainLocated in New York, NYJohn Chamberlain (Hand Signed), 1988 Offset Lithograph Poster (Hand Signed by John Chamberlain) 30 × 20 inches Boldly signed on the recto in white grease marker by the artist in his ...Category
1980s Contemporary Portrait Prints
MaterialsPermanent Marker, Lithograph, Offset
- Andre Emmerich Gallery poster: New Work With A Camera (Signed by David Hockney)By David HockneyLocated in New York, NYDavid Hockney New Work With A Camera (Hand Signed), 1983 Offset Lithograph Poster Hand signed by the artist on lower right front 39 × 24 1/2 inches Unframed This offset lithograph p...Category
1980s Pop Art Portrait Prints
MaterialsLithograph, Offset
- KAWS Tokyo First mini posterBy KAWSLocated in New York, NYKAWS Kaws Tokyo First mini poster, 2001 Offset lithograph poster 11 3/4 × 8 1/4 inches Unframed; unsigned In 1996, Brian Donnelly, now known by his moniker...Category
Early 2000s Street Art Portrait Prints
MaterialsOffset, Lithograph
- Wrapped Magazines (Revues Empaquetees), Hand Signed postcard of Marilyn MonroeBy Christo and Jeanne-ClaudeLocated in New York, NYChristo Wrapped Magazines (Revues Empaquetees), Hand Signed, 1991 Offset lithograph postcard (hand signed by Christo) 5 4/5 × 4 1/5 inches Signed in ink by Christo on the image Unfra...Category
1990s Pop Art Abstract Prints
MaterialsOffset, Ink, Postcard, Lithograph
You May Also Like
- Single Print on Paper -- A Conversation with a Female GladiatorBy George SimmonsLocated in Troy, NYThe piece shows a human figure in a cubist-inspired style. What looks like a mouth reaches towards the white side of the pictorial space. One arm and eye connecting to it seem to str...Category
Early 2000s Contemporary Abstract Prints
MaterialsPaper, Ink, Graphite, Monotype
- Pink Nicola, Nicola as an Orchid, Brown, Brown, Silver and BrownBy Gary HumeLocated in New York, NYGary Hume Pink Nicola, Nicola as an Orchid, Brown, Brown, Silver and Brown 2005 Set of three screenprints on silver leaf "Pink Nicola": 49 1/4 x 38 1/8 inches; 125 x 97 cm "Nicola as...Category
Early 2000s Contemporary Portrait Prints
MaterialsSilver
- An Eye To The Future (Ed. 139/175)Located in Dallas, TX"Art is very important to me. Art has the power to move us. It can free us from the worries of daily life. It can make us marvel and give us the opportunity to get in deeper contact ...Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsPigment, Screen
- WednesdayBy Richard HullLocated in Bloomington, ILHull's etching "Wednesday" depicts a figure viewing itself in a mirror, the funky and undulating frame of which has become part of the figure itself. The print is densely drawn, text...Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsEtching, Aquatint
- TuesdayBy Richard HullLocated in Bloomington, ILHull's etching "Tuesday" depicts a figure viewing itself in a mirror, the funky and undulating frame of which has become part of the figure itself. The print is densely drawn, textur...Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsEtching, Aquatint
- Otherness No. 2Located in Columbia, MOOtherness No. 2 Collograph 8.75 x 8.75 framedCategory
21st Century and Contemporary Contemporary Abstract Prints
MaterialsMixed Media