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Art Subject: Pet
Bold & Elegant Large Giclée of Borzois in a Rendez-vous set in Classical Setting
Located in Charleston, US
This stunning large-format gallery-wrapped giclée captures internationally acclaimed Count Bernard de Claviere’s last Borzoi painting, "Rendez-vous o...
Category
2010s Romantic Animal Prints
Materials
Giclée
Golden Retrievers Framed in Triptych Bottoms Up, BYOB and Shaken Not Stirred
Located in Charleston, US
Three charming giclees of Golden Retriever dog paintings by Karen Killian are attractively framed in a gray wood floater. How clever that the dog paintings have titles of Bottom's U...
Category
2010s Realist Animal Prints
Materials
Giclée
Muff, a favorite Retriever - Etching by Joseph Banks - 1837
Located in Roma, IT
Muff, a favorite Retriever is an artwork, realized by the artist Joseph Banks in 1837.
Colored etching, titled and signed in the plate.
Beautiful engraving with contemporary colour...
Category
1830s Modern Figurative Prints
Materials
Etching
Ancient Roman Frescoes - Original Etching by Nicolò Vanni - 18th Century
Located in Roma, IT
Ancient Roman Frescoes, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Nicolò Vanni in the 18th century.
Signed on the plate...
Category
18th Century Old Masters Figurative Prints
Materials
Etching
Uncle Vanja
Located in London, GB
FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947
(Czech / French)
Title: Uncle Vanja, early 1920’s
Technique: Original Hand Signed, Inscribed and Titled Woodcut on thin wove paper
Paper Size: 27.5 x 21 cm / 10.8 x 8.2 in
Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in
Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin.
It is also tilted "Onkel Wanja" (Uncle Vanja) and inscribed "Handabzug" (Hand printed) in pencil at the lower left margins.
This work was printed in the early 1920's in a small edition.
Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936.
His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946.
Exhibited: Fédor Lowenstein...
Category
1920s Cubist Portrait Prints
Materials
Paper
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