Texture Portrait Prints

Artist: Henri Matisse Title: Teeny Portfolio: Other Portfolios Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19" x 16 1/4" Sheet Size: 12 1/4” x 9 1/2” Image Size: 11 7/...

Wes Lang (American, b. 1972) To Tell The Truth, 2020⁣⁣⁣ Medium: Archival pigment print on cotton paper Dimensions: 66 x 85 cm (26 x 33 1/2 in) Edition of 75 + 20 AP : Hand-signed and...

Girl in Blue Charles Levier, French (1920–2003) Date: circa 1970 Lithograph, signed in pencil l.r. Edition of 250 Image Size: 24 x 17 inches Size: 30 x 22 in. (76.2 x 55.88 cm)

Finely detailed late 19th century chromo-lithograph portrait of a violinist street musician by John George Brown (British, 1831-1913). Many of Brown’s paintings were reproduced in lithography (Chromo-lithograpy), as is the case with the one offered here. Presented in a rustic antique Oak wood frame with giltwood fillet. Image, 15.63"H x 10.63"W. John George Brown was a British citizen and an American painter born in Durham, England. His parents apprenticed him to the career of glass worker at the age of fourteen, in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852, and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 ad 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy’s vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found of the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). Brown’s art is best characterized as British genre painting...

Artist: Henri Matisse Medium: lithograph Portfolio: Untitled from Les Lettres Portugaises Year: 1946 Edition: 250 Framed Size: 16 3/4" x 14 1/2" Reference: Duthuit 15 Signed: Unsigned

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 16.5 i...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 25 x 18 inches. Sheet size 29.5 x 22 inches. Custom framed as pictured. Edition of 300. Artwork is...

Caroline Durieux created the technique (electron print) used in the depiction of "Morning".e. This is only one of 5 impressions. Some have theorized that the image is close to that of the artist's brother, Professor Charles Durieux. In the electron print technique, radioactive isotopes are mixed with printing ink. A drawing is made and exposed face-to-face to paper coated with a radio-sensitized substance. The paper is then developed and produces an exact image of the original drawing. “The image is transferred from the radioactive drawing to the sensitized paper by invisible beta rays,” says Dr. Wheeler. “Since beta rays are electrons, we named the process Electron Printing.” Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...

The portfolio consists of six screenprints. Each hand-signed and numbered. Each print is unique. Printed by Rupert Jasen Smith, New York. Published by Andy Warhol, New York. The artwork is in excellent condition. The Dollar Sign series from 1982 was the ultimate manifestation of Andy Warhol’s love...

Red Head Charles Levier, French (1920–2003) Date: circa 1970 Lithograph, signed and numbered in pencil Edition of 250 Image Size: 24 x 16 inches Size: 30 x 22 in. (76.2 x 55.88 cm)

Meeting, 2023 18 x 20.75 inches Archival pigment print Edition of 50 + 5AP + 1PP Signed and numbered by the artist Meeting is a serene composition of three figures, ensconced in one...

Screenprint in black on wove paper, hand signed and inscribed 'to Camilla and Earl' by the artist. From the edition of 20. Sheet size 25.25 x 19.25 inches. Custom framed as pictu...