Unknown

Original Exhibition Poster – Le Corbusier's difficult relation to Switzerland

1987

Le Corbusier's first (and largest) original lithograph in color. He created the poster on the occasion of his (first) solo exhibition. Print run was 100 ex. only – whereby the largest part was destroyed when used in the streets of Zurich, what makes it LCs most rare lithograph in color. Moreover: This exemplar is even hand-signed by LC and dated, as it was (meant to be) sold at the entrance of the Kunsthaus Zürich...

Original Swiss Exhibition poster by Hermann Eidenbenz (lithograph, printed by Art. Institut Grafica in Basel) advertising a show of the Basel section ...

Original Vintage Poster, issued 1987 by the ETH in Zurich on the occasion of its exhibition on Le Corbusier's famous – and revolutionary – Villa Savoye, c...

Together with "Les Musiciennes" one of the largest and most sought after lithographs by Le Corbusier – a purist still-life –, printed by Mourlot on Arches after a collage by LC. Pr...

Le Corbusier's original 1971 exhibition poster at Galerie Denise René embodies the essence of the famous architect's visionary design and revolutionary aesthetic. This remarkable pos...

Poster affiche for exhibition 1976 for Le Corbusier

Original vintage Le Corbusier poster - most likely made for the exhibition at Galleri Prisma in Copenhagen, Denmark. In good vintage condition; see p...

Artist: Le Corbusier Medium: Original Lithograph, 1956/62 Dimensions: 29 x 21.5 in, 73.7 x 54.6 cm Arches Paper with Mourlot watermark - Excellent condition A Le Corbusier’s relationship with Mourlot started as early as the mid thirties. The artist was always interested in editions of all sorts, whether furniture, tablewear or lithographic. It all related to a new modern way of life and intrinsic to his architecture. In fact, the famous Modulor is the iconic image in Le Corbusier’s work as it is the basis for his architectural work. As in many other cases, the Master’s philosophy was very democratic and he felt that while a few proofs should be signed, the others should be signed directly in the plate so that it could be affordable to as many people as possible. He wanted not only collectors, but regular home owners to have access to an artwork of quality but reasonably priced, just as he wanted them to afford his furniture designs. It was all about Modernity ushering a brave new world. This rare Le Corbusier lithograph...