Priscila Vergara

Priscila Vergara, ¨Caleidoscopio de Sueños¨, 2011, Silkscreen, 21.7x29.5 in

2011

Vicente Rojo (Mexico, 1932-2021) 'Aforismo F', 2015 silkscreen on paper Deponte 300 g. 20.3 x 26.4 in. (51.5 x 67 cm.) Edition of 140 ID: ROJ-147 Unframed

Felipe Alarcon (Cuba, 1966) 'Fantasía superpuesta II', 2005 digital print, silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 Unframed ID: ALA1741-002-106 Hand-signed by...

Carlos Garcia De La Nuez (Cuba, 1959) 'Pausas', 2006 silkscreen on paper 19.7 x 23.7 in. (50 x 60 cm.) Edition of 99 Unframed ID: GAR1649-006-104 ____________________________________________ "Carlos García de la Nuez. Born in Havana, Cuba, 1959. Lives and works in Mexico City, Mexico. He is a member of the renowned 1980s generation of Cuban artists, whose works differentiated from other contemporaries, noticeably in their intentional distancing from political criticism as a form of expression. This generation was interested in establishing and legitimizing new values of art for art’s sake, gathering inspiration from art movements happening outside of Cuba. Born in Havana, Cuba in 1959, the artist’s paintings explore abstraction and semiotics through the use of color, texture and scale. García de la Nuez participated in the historic 1982 exhibition titled 4x4 with colleagues Gustavo Acosta...

Manuel Victorio (Spain, 1958) 'Jardín azul', 1997 silkscreen on canvas 21.3 x 28.8 in. (54 x 73 cm.) Edition of 75 ID: VIC1221-001-075 Unframed Hand-signed by author

"Untitled" screenprint by artist Carlos Alberto Garcia from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house families of children hospitali...

Bodegon 29 Juan Manuel Gomez-Quiroz Chilean (1939–2021) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 300, AP 40 Image Size: 25.5 x 17 inches Size: 29 in. x...

Angel Otero is known for oil paintings of bleeding color fields that bunch and crease to create topographic textures. In this visually compelling edition, Untitled (SK-PH), the artist flattened one of his compositions into a digital print, turning his signature folds into trompe l’oeil. Here, they read as intricate line work atop a tumultuous sea of brushed pastels. Inspired by a visit to the Lincoln Center archives, Otero drew a connection between the dramatic flair captured in photographs of operas presented during the 1970s and works from his “Poussin” series. Discussing the characters depicted in Poussin’s paintings, Otero remarked, “they were painted with poses that seemed staged, like a play set...

Composition is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect ha...