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Raymond Pettibon
Raymond Pettibon 1980s illustration art (early Raymond Pettibon)

1981

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  • Keith Haring Citykids 1986 (sticker)
    By Keith Haring
    Located in NEW YORK, NY
    Keith Haring for New York CityKids, 1986. Rare vintage 1986 sticker illustrated by Keith Haring for the CityKids coalition in New York: "City Kids Speak on Liberty" New York, 1986 sponsored by Burger...
    Category

    1980s Pop Art Mixed Media

    Materials

    Paper, Offset

  • Raymond Pettibon Up The Threshold 1992 (Raymond Pettibon zine)
    By Raymond Pettibon
    Located in NEW YORK, NY
    Raymond Pettibon Up The Threshold 1992 (Raymond Pettibon zine): This visually enticing 1992 Raymond Pettibon artist book/zine includes 20+ evocative drawings. Pettibon’s subjects are...
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    1990s Pop Art Prints and Multiples

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    Paper, Offset

  • Raymond Pettibon The Major Arteries 2009 (Raymond Pettibon zine)
    By Raymond Pettibon
    Located in NEW YORK, NY
    Raymond Pettibon The Major Arteries 2009 (Raymond Pettibon zine): This visually enticing 2009 Raymond Pettibon artist book/zine includes 30+ evocative drawings. Pettibon’s subjects a...
    Category

    Early 2000s Pop Art Prints and Multiples

    Materials

    Paper, Offset

  • Raymond Pettibon My Struggle for Life After Death 1982 (Raymond Pettibon zine)
    By Raymond Pettibon
    Located in NEW YORK, NY
    Raymond Pettibon My Struggle for Life After Death 1982 (Raymond Pettibon zine): This visually enticing 1982 Raymond Pettibon artist book/zine titled includes twenty-plus evocative ea...
    Category

    1980s Pop Art Prints and Multiples

    Materials

    Paper, Offset

  • Raymond Pettibon Short Teats, Bloody Milk 1985 (Raymond Pettibon zine)
    By Raymond Pettibon
    Located in NEW YORK, NY
    Raymond Pettibon Short Teats Bloody Milk 1985 (Raymond Pettibon zine): This visually enticing 1985 Raymond Pettibon artist book/zine titled, Short Teats, Bloody Milk includes twenty-...
    Category

    1980s Pop Art Prints and Multiples

    Materials

    Offset, Paper

  • Raymond Pettibon 1980s illustration art (early Raymond Pettibon)
    By Raymond Pettibon
    Located in NEW YORK, NY
    Raymond Pettibon, "No Mag,'" 1981: A rare late 70's/early 80's Los Angeles Punk scene publication featuring several stand out illustrations by Raymond Pettibon ...
    Category

    1980s Pop Art Prints and Multiples

    Materials

    Paper, Offset

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  • Wrapped Reichstag, Berlin, collage with raised thermal silver paper, hand signed
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  • British Pop: Mail Order, for Culture Carriers Stamp Out Art (Lt Ed signed stamp)
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  • Christo and Jeanne-Claude: Wrapped Reichstag monograph & slipcase, LT Ed Signed
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    Christo and Jeanne-Claude: Wrapped Reichstag, Berlin, 1971-1995, 1996 Hardback monograph with slipcase (hand signed and numbered - Hors Commerce edition, reserved for artists and contributors) Signed by Christo, Jeanne-Claude and photographer Wolfgang Volz and numbered numbered HC-694/HC-700 on the colophon. Also has an encased piece of the actual Reichstag wrapping! fabric! 12 × 12 × 1 1/2 inches Makes a memorable gift! It's hand signed and numbered - with a piece of the actual Reichstag wrapping fabric laid in. Signed by Christo, Jeanne-Claude and Wolfgang Volz and numbered numbered HC-694 on the colophon page (an Hors Commerce [not for sale] edition reserved for artists and collaborators) Original textured silver cloth with blue lettering on spine, housed in matching photo-illustrated slipcase, black lettering on spine. Contains an example of the original aluminum mesh used to wrap the Reichstag, framed in white cardboard (9 x 9") at inside back cover. Documentation of one of the startling and most stunning public art projects, representing the essence of conceptual art on a scale unmatched in the 20th century, one might say. 100 rock climbers abseiling down the facade of the Reichstag, without cranes or machinery being used in the project. This publication provides vivid documentation and a perspective of the extent of the project by the Bulgarian artist. His personal view, as expressed in The Guardian: "Artist - and above all architects - seek permanence," he said. "I don't. I like leaving nothing. That takes courage." His projects were funded mainly by selling preparatory drawings, always refusing sponsorship. Christo forbade the Three Tenors...
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