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Raymond Pettibon
Raymond Pettibon, Illustrated Punk Flyer

1982

Price:$650
$800List Price

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Keith Haring Into 84 (set of 2 Haring Shafrazi announcements)
By Keith Haring
Located in NEW YORK, NY
'Keith Haring Painted Man'/Keith Haring Into 84: A set of 2 announcement cards for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Looks fantastic framed as a set. Off-set printed gallery announcements, 1983. Dimensions: 6 x 4 inches (applies to each individual). Good overall condition with well-preserved colors. Some surface creating to red card. Unsigned from an edition of unknown. Further About: In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories Modern Dance. Ballet. Keith Haring Figurative Drawings. Keith Haring Into 84 poster. Keith Haring and Tony Shafrazi. Haring Shafrazi.
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1980s Pop Art Figurative Prints

Materials

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Keith Haring Milan c.1989 (vintage Keith Haring)
By (after) Keith Haring
Located in NEW YORK, NY
Keith Haring Milan c.1989 Rare vintage Milan exhibition announcement circa late 1980’s featuring offset printed artwork by Keith Haring. Uniquely rendere...
Category

1980s Pop Art Prints and Multiples

Materials

Offset, Lithograph, Paper

Keith Haring AIDS Dance-A-Thon poster 1992 (vintage Keith Haring posters)
By (after) Keith Haring
Located in NEW YORK, NY
Keith Haring AIDS Dance-A-Thon Los Angeles, CA 1992: Rare early 1990s Keith Haring foundation sponsored event poster - published on the occasion of AIDS Dance-A-Thon - ' A five-hour...
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1990s Pop Art Prints and Multiples

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Keith Haring Resist in Concert! poster 1988 (Keith Haring Activist)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Resist in Concert! 1988: Vintage Keith Haring illustrated 1988 poster for a Refuse and Resist produced concert December 4, 1988 at New York'...
Category

1980s Pop Art Prints and Multiples

Materials

Lithograph, Offset

Keith Haring Into 84 (Keith Haring Tony Shafrazi announcement)
By (after) Keith Haring
Located in NEW YORK, NY
Keith Haring Into 84/Keith Haring Painted Man 1983: Announcement card for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New Y...
Category

1980s Pop Art Nude Prints

Materials

Offset, Lithograph

Futura New York 1988 announcement (Futura 2000 graffiti artist)
By Futura
Located in NEW YORK, NY
Futura NYC 1988: A rare 1980s Futura 2000 illustrated & designed announcement card published on the occasion of: "Observations of an Underground Civilization" at 51X Gallery from Ma...
Category

1980s Pop Art More Art

Materials

Lithograph, Offset

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Jack Gallery 1977, Framed Pop Art Poster by Kiki Kogelnik
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Located in Long Island City, NY
Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: Jack Gallery Year: 1977 Medium: Poster Size: 28.5 x 18 in. (72.39 x 45.72 cm) Frame Size: 30 x 19.25 inches
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Tracey Emin Museum of Contemporary Art Miami Poster (Hand Signed by Tracey)
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Tracey Emin Museum of Contemporary Art Poster (Hand Signed) Offset Lithograph in Semi-Gloss Paper Signed boldly by Tracey Emin in white grease marker on the front 24 x 18 inches Unfr...
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And Then x 727 (Vermillion SHU) Date of creation: 2013 Medium: Offset lithograph with silver Media: Paper Edition: 300 Size: 50 x 50 cm Observations: And Then x 727 (Vermillion SHU) ...
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Rare Philadelphia Museum of Art exhibition poster (Hand Signed by Jasper Johns)
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Jasper Johns, Prints, 1960-70 (Hand Signed by Jasper Johns), 1970 Offset lithograph poster (signed by Jasper Johns) Boldly signed in black marker on the front 35 × 23 1/2 inches Published by the Philadelphia Museum of Art The artwork depicted in the poster is Jasper Johns lithograph...
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Postcard signed, inscribed by Robert Indiana about his portrait at Coenties Slip
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Robert Indiana "My portrait was taken on Coenties Slip"...., 1993 Handwritten letter on an offset lithograph postcard Boldly signed in black marker under the letter 4 2/5 × 7 3/5 inches Unframed Unique one-of-a-kind hand written, hand signed note from Robert Indiana, dated 23 VII '93, written on the postcard depicting Robert Indiana's work "Mother and Father", published by the Farnsworth Museum in Maine. The note, done in black marker, is addressed to Don Allan II of Barrington, N.H. and reads" "DON - MY PORTRAIT IF YOU DO NOT KNOW, WAS TAKEN ON COENTIES SLIP IN NYC". Robert Indiana then signs the note.. (Presumably, the reply is in response to a letter or question this fan sent to the artist asking where Indiana's portrait was taken). Makes a great gift for Robert Indiana fans! Coenties Slip is a historic artist's address in the New York art scene - there was even a book written about it! Coenties Slip is a street in the Financial District of Manhattan in New York City. It runs southeast for two blocks in Lower Manhattan from Pearl Street to South Street. A walkway runs an additional block north from Pearl Street to Stone Street Here's an excerpt from Art in America reviewing the book: "How does specificity of place play a role in art, enough to become more figure than ground, less a context than a character? This is one of the larger questions framing art historian Prudence Peiffer’s momentous new survey The Slip: The New York City Street That Changed American Art Forever. The book vividly documents a moment in the 1950s and ’60s when a cast of artists settled, at staggered intervals, in a three-block area around Coenties Slip, a street on Manhattan’s lower tip. Coenties Slip borrowed its name from one of the “slips”—inlets for the docking and repairing of boats—that once cut sharply into New York’s downtown waterfront, facilitating the busy circulation of fish, freight, and sailors between land and sea. While New York’s status as a maritime trading hub lured fleets of boats, it was the skeletal remains of that activity, by then sharply diminished, that drew artists to Coenties Slip. In place of industry, they found vast and vacant loft spaces, cheap to rent, in which they could both work and live (illegally, owing to zoning laws)....Peiffer’s book arrives nearly 50 years after the earliest attempt to honor the Slip: the 1974 exhibition “Nine Artists/Coenties Slip,” organized for an old downtown branch of the Whitney Museum on Water Street nearby. The exhibition showcased lesser-known inhabitants of the Slip, including Fred Mitchell (the first to settle there), Ann Wilson...
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