R.B. Kitaj

1972 'Baghdad' Hand Signed

1972

Artist: John Moore Title: Still Life (Sixth Annual Community Holiday Festival) Year: 1976 Signed: No Medium: Serigraph Paper Size: 47.25 x 31.25 inches ( 120.015 x 79.375 cm ) Image ...

Paper Size: 20 x 29.75 inches ( 50.8 x 75.565 cm ) Image Size: 20 x 29.75 inches ( 50.8 x 75.565 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

This is a "Hors Commerce" (HC) screen print of "Equestrian Extravaganza" by Wayland Moore, published by Pamplemousse Press in 1985. Featuring a lively and colorful depiction of a cir...

This is a printer's proof of "Three Tigers in the Circus" by Wayland Moore, published by Pamplemousse Press in 1985. The screen print features a dynamic and vivid depiction of three ...

"The Wall Street Public Enemy print is a critique of the culture of greed and manipulation seen on Wall Street and in the banking system. Lack of oversight from the government that i...

Emily Joyce Third of May, Red, 2013 3 color screen print on BFK Rives 25 x 18 inches edition of 10, signed and numbered (printed by Gray Area Print, Los Angeles) there are 6...

Renowned painter and printer, Gary Lichtenstein demonstrates true abstract expressionism via his spectacular use of color. His paintings and silkscreen prints, more than 200 oil-based and water-based works to date, exhibit mastery of the properties of light absorption and reflection, specifically with regard to the visual impact of color. Inspired by artists such as Robert Motherwell and Helen Frankenthaler, Lichtenstein creates canvases which have frequently been described as ethereal, and he has been praised as one who manages to capture a “sense of no-self…” In fact, the composition of Lichtenstein’s work has been referred to as atmospheric... “evocative of natural forms and phenomena.” In addition, Lichtenstein has collaborated with over one hundred artists during the course of his 49-year career. Despite, and because of, rich historical influences, Gary Lichtenstein’s vision and artistic intellect are uniquely his own and clearly evident throughout the enormous portfolio of work that spans his career. Lichtenstein’s work has been shown and collected by, among others, The Aldrich Contemporary Art Museum, Ridgefield, CT, New York’s Museum of Modern Art, the San Francisco Museum of Modern Art, the Smithsonian, the San Francisco Art Institute, the San Francisco International Art Expo, the Chicago Art Institute, the Butler Institute of American Art, the College of Art & Architecture at the University of Tennessee, the Silvermine Arts Center, the International Print Center NYC, the Boston World Art Fair, the New York International Exhibit of Contemporary Art, and Art Asia (Hong Kong). Solo exhibitions in New York, San Francisco, Tokyo, and Hong Kong have been celebrated at the Rubicon Gallery, Susan Todd Gallery, Galerie Enatsu, and the Modernism Gallery. The Fried screen print collection can be found at the Museum of Modern Art in New York City, the Whitney Museum, and the Museum of Modern Art in San Francisco. “Not enough has been written about Gary’s personal work as a painter and printmaker. The work, which can be categorized as “Color Field” has been informed by diverse influences, many of them not readily apparent to the casual viewer. One inescapable fact is despite Gary’s roots on the East Coast his artistic outlook has really been tempered by his thirty years in California, and by the Bay area in particular. Working with fabled San Francisco screen printer Robert Fried...

Mr. Brainwash, Love Live the King, 2023 Medium: Sillsceenprint on Paper Size: 76.2 × 55.9 cm (30 × 22 in) Edition: 816 A provocative figure in street art, Mr. Brainwash (a pseudo...