Robert Indiana

LOVE: Enflame (From The Book of Love Portfolio)

1996

Marilyn Monroe Diamond Girl Black, one color limited edition screen print on hand-torn deckled edge archival paper, hand finished with diamond d...

George Rodrigue's iconic "Blue Dog" becomes "Truly Rudy" the red-nosed reindeer for the holidays. Hand-signed and numbered limited edition screen-print fram...

Tilt, from the American Dream Portfolio printed in 1997 is a limited edition hand signed and numbered screen print based on the original painting, "The American Dream" which he paint...

Robert Indiana screen print with letterpress and embossing, pencil signed and numbered by the artist. In 1996 when Robert Indiana created The Book of Love Portfolio, he chose to inse...

Marilyn Monroe Diamond Girl Red, one color limited edition screen print on hand-torn deckled edge archival paper, hand finished with diamond dus...

Roy Lichtenstein Art of the Sixties screen print poster printed at the time of the exhibition in 1979 for the exhibition at the Tel Aviv Museum in Israel. Please note that the frame ...

This portfolio by Robert Indiana is a late icon of Pop Art. Since the mid-1960's, he has been working with the word LOVE. Numerous artworks featuring these four letters are well-know...

This portfolio by Robert Indiana is a late icon of Pop Art. Since the mid-1960's, he has been working with the word LOVE. Numerous artworks featuring these four letters are well-know...

A wonderful piece of unknown edition by Andy Warhol. A silkscreen print on a Cellulose and Cotton dress. Fearing the artist's trade mark Campbell's soup can. In very good condition.

'I have made two separate versions of this edition – not because it’s worth saying twice – although it is, but more evidently to do with the colours of two paintings I made on the sa...

Judy on Blue Blanket. Original color silkscreen on Museum Board, 2000. Edition of 75 signed and numbered impressions on Museum Board. Tom Wesselmann is on...

Monica Nude with Lichtenstein. Original color silkscreen on cardboard, 2002. Edition of 60 signed and numbered impressions on a cardboard. Tom Wesselmann is one of the biggest American pop artists today. Even he did not like being labeled a pop artist, it is hard to imagine that his artworks featuring consumer goods and assorted American icons would be considered anything but pop art. At first he was a follower of abstract expressionism, but later switched to figurative art. In the late ‘50s he produced a series of small format collages, which became the basis for his future nudes and still lifes. In 1963 he married Claire Selley, his most faithful model from the series ‘Great American Nude’, and other nudes. In his search for creative styles he began to produce three-dimensional works with the technique of assemblage, using everyday objects such as telephones and televisions. In the ‘Still Life’ series he used advertising techniques and complemented traditional still lifes with mass consumption items taken directly from ads. In the ‘80s he began to work with metals and produced original works with a special laser. Over the next two decades he returned to large formats and the theme of the nude from the ‘60s, rounding off his career with The ‘Sunset Nude’ series, inspired by the works of Matisse. Tom Wesselmann went down in history as one of the greatest representatives of pop art due to his exciting commercial images, his aggressive intervention in three dimensions, his choice of trivial motifs, their monumentalisation, the use of stereotypes as a basis for his work and the choice of strong colors. Wesselmann’s aesthetic usage of everyday objects was done not in criticism of American consumerism and culture, but as a way to render Classical genres modern so as to explore the gap between art and contemporary life. He has a series that incorporated iconic paintings by other artists, including Lichtenstein, Warhol, and Matisse, juxtaposing with his famous nudes...