Gretchen, Robert Longo
View Similar Items
Robert LongoGretchen, Robert Longo1985
1985
About the Item
- Creator:Robert Longo (1953, American)
- Creation Year:1985
- Dimensions:Height: 71.5 in (181.61 cm)Width: 38.5 in (97.79 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU5544196442
Robert Longo
The drawings by artist Robert Longo are a sensory experience: They are monumental, detailed and hard-hitting in their subject matter, which often includes critiques of power, social unrest and consumer capitalism.
Longo has spent his career exploring mediums as varied as the Photorealistic charcoal drawings for which he is best known and film direction. In all of his work, however, he draws inspiration from his deep background in sculpture. “I always think that drawing is a sculptural process. I always feel like I’m carving the image out rather than painting the image. I’m carving it out with erasers and tools like that,” he once said.
The Long Island, New York, native attended high school with a man who was shot at Kent State University while protesting the U.S. invasion of Cambodia during the Vietnam War in 1970, and the famous image of this man lying dead on the ground influenced Longo so deeply that he began to consider all art political. Longo attended Buffalo State College, where he met and became friends with artist Cindy Sherman, and later the two moved to New York City together.
Longo’s revered work includes his charcoal and graphite “Men in the Cities” drawings. The Photorealist series, which debuted at Metro Pictures gallery in Manhattan in 1981, depicted people in formal business clothing. Posing in suspended animation in unusual contortions, the figures take on a choreographic quality and represent the career-minded “yuppies” of the era.
“Men in the Cities” was inspired by punk rock music and decades later has been cited as a visual reference for the opening sequence of the popular television drama Mad Men. The work was among the most recognizable and iconic of the Pictures Generation — the movement by artists who came of age in the 1970s and were disillusioned by the social and political conditions of the time. In 2014, Longo created 12 charcoal drawings for a series titled “Gang of Cosmos,” which were black-and-white depictions of famous Abstract Expressionist works by artists like Jackson Pollock, Willem de Kooning and Lee Krasner.
Through his provocative, detailed and highly precise prints, drawings, photography and sculpture, Longo continues to challenge traditional sources of power and authority.
Find original Robert Longo art on 1stDibs.
- The Gates (a), Christo and Jeanne-ClaudeBy Christo and Jeanne-ClaudeLocated in New York, NYThis offset lithograph in colors on wove paper from the Project for Central Park, New York City, was created by the artist in 2004. One of 300 hand-signed in pencil prints, from an u...Category
21st Century and Contemporary Contemporary Prints and Multiples
MaterialsLithograph
- The Century, Maxfield ParrishBy Maxfield ParrishLocated in New York, NYThis image - created as an advertisement for the magazine "The Century" - is an original lithograph by Maxfield Parrish printed in 1897 measuring 15 ¾ x 11 3/8 in (40 x 29 cm), unfr...Category
Late 19th Century Prints and Multiples
MaterialsLithograph
- As I Opened Fire, Roy LichtensteinBy (after) Roy LichtensteinLocated in New York, NYThis offset lithograph in colors in three panels was created in 2002 and is from the unsigned edition of unknown size measuring 25 x 20 ½ in. (63.5 x 52 cm.) each and 25 x 62 in. ...Category
21st Century and Contemporary Pop Art More Prints
MaterialsLithograph, Offset
- Les BanderillasBy Pablo PicassoLocated in New York, NYThis original lithograph in black ink was created by the artist in 1961. From A Los Toros avec Picasso, this lithograph is dated 6.3.61.IV in the stone and measures 10 x 13 in. (25.4...Category
Mid-20th Century Modern Prints and Multiples
MaterialsLithograph
- RoxyBy Robert CottinghamLocated in New York, NYCreated by Robert Cottingham in 2002, Roxy is an original color lithograph on paper. Hand-signed, titled, dated, and numbered in pencil from the edition of 30, the artwork measures 4...Category
21st Century and Contemporary Photorealist Figurative Prints
MaterialsLithograph
- Moment BBy Kiki SmithLocated in New York, NYThis unique hand-worked lithograph and watercolor with pressed leaves was created by the artist in 2006. Signed in pencil and numbered, measuring 22.4 x...Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsLithograph
Price Upon Request
- Architectural StudyBy Ettore SottsassLocated in Greding, DELarge format lithograph with architectural study, partly coloured. Signed at lower right. Edition 65/100(?).Category
Late 20th Century Post-Modern Landscape Prints
MaterialsLithograph
Price Upon Request - Sandeman Porto & Sherry – Iconic Original PosterLocated in Zurich, CHThe Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...Category
1920s Art Deco Figurative Prints
MaterialsPaper, Lithograph
- "La Vache Enragee" iconic vintage poster by Toulouse-LautrecBy Henri de Toulouse-LautrecLocated in Hinsdale, ILTOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA VACHE ENRAGÉE" Wittrock P27B, Adhemar 197 Original color lithograph Wittrock’s State III of III with letters Printed on buff wove paper, c. 1896 Bears artist stamp “TL” upper right, dated 96 Image size: 22 1/2” x 23 5/8” Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- F-111 (Castelli Gallery Poster)By James RosenquistLocated in Hinsdale, ILROSENQUIST, JAMES (1933 - 2017) F-111 (Castelli Gallery Poster) Offset Lithograph c. 1965 Signed and dated in pencil along lower edge Sheet Size: 28” x 22”, Fresh ...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Offset
- "Grande Tuilerie d’Ivry" from Les Maitres de l'AfficheBy Alexandre CharpentierLocated in Hinsdale, ILCHARPENTIER, ALEX (1856 -1909) "Grande Tuilerie d’Ivry" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, issue # 33, 1898. Plate #131 Unframed Size: 11 3/8 x 15 3/4”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "MARIS STELLA" from "L'estampe Moderne"Located in Hinsdale, ILGUYON, MAXIMILIENNE (1868-1903) "MARIS STELLA" Lithograph in color, c. 1898-99 Signature in stone “Maximilienne Guyon”; lower right Sheet size: 16” x 12” As published in L’estampe Moderne...Category
1890s Art Nouveau Portrait Prints
MaterialsLithograph