Roberto Matta

Roberto Matta (1911-2002) - Colored crayons and graphite on paper - 1965

1965

In the artist's Art and Design original print series and Inspired by Matisse, Flower Vase, 2020 by a.muse blooms with color and energy. A 14" x 10" one-of-a-kind abstract art on wate...

Untitled #5 Archival Pigment Print (from the original hand made darkroom c-type), Edition of 3 Reflections... An exploration of light and shadows, creating harmony through symmetric...

Print info: Impact #3 by Michael G Jackson Archival Pigment Print (from the original hand made darkroom c-type), 35 2/5 × 23 3/5 in 90 × 60 cm Limited Edition of 3. Framed print...

"Exploring new formats, techniques and ideas provides me with the foundations to all of my work. Since 2006 I had purposely avoided colour, and due to physical restrictions in the sm...

This is an unique one-off Artist Proof in a stunning large square format and its hand-painted detail bringing still life to modernity; its outstanding hand-painted quality and rare...

"As part of my daily routine I walk early during the winter/ spring months - and I often see the sunrise as I stand alone in the countryside. This event unexpectedly finds its way in...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...

Wonderful silkscreen abstract of yellow and mauves suggesting a doorway to new posibilities by Di Pierro (American, 20th Century), 1989. Numbered left corner "25/75" and signed lower...

Wonderful vintage lithograph titled "Memoria Erotica (2) "by Nicholas Pogany (American, 20th Century). Lithograph on paper. Some wear to over-mat. Signed lower left. Titled "Memoria ...

Gorgeous eching and aquatint of Venice as overlapping scenes by California artist Katherine Chang Liu (American, 20th century). Presented in a metal frame. Numbered "116/150" and sig...