BEARDEN Early Carolina Morning Serigraph African American Art

1995

Christine Kidder Griffin is an artist recognized for her vibrant serigraph posters, notably her 1991 "Endangered Series - Rhinoceros", published and distributed by Graphique de Franc...

This striking poster, published by A Editions and printed in Canada, captures the quintessential style and fashion of the 1980s. The artwork features a stylized profile of a woman, h...

This original signed poster, titled Expo de Gravures de la Guilde Graphique, was created by French Canadian artist Julien Lacroix for an exhibition. The poster, published in 1973, is...

Patrick Nagel's Commemorative Poster Series is a collection of fifteen iconic posters, numbered NC01 to NC15, created over a span of four years. These works perfectly capture the sle...

Maria Rivans, The Splendour Of Peace Giclee and Screen print with spot varnishes on Somerset 80 x 110 cm (31.49 x 43.31 in) Hand-signed and numbered by the artist Limited edition...

Ed Paschke BAD, 1991 Silkscreen and Lithograph on Rising Mirage Paper, accompanied by documentation Pencil signed, titled "BAD", and annotated "Trial Proof" on the front 22 × 20 inches Unframed Also accompanied by gallery issued Certificate of Guarantee This work is a unique Trial Proof on Rising Mirage Paper, pencil signed by the artist and annotated "Trial Proof" the very first impression, aside from the regular edition. It is accompanied by the tirage sheet, with the biography of the artist and a description of the work. (see photos). As such it is a rare impression. Published by Chicago Serigraphic Workshop and Artco, Incorporated Ed Paschke Biography: Ed Paschke was born in Chicago where he spent most of his life as an important painter. He was initially associated in the late 1960s with the second generation of Chicago Imagists who called themselves The Hairy Who. He received his B.F.A. from the School of The Art Institute of Chicago in 1961 and his M.F.A. in 1970. Between degrees he lived for a time in New York where he easily came under the influence of Pop art, in part, because of his interests as a child in animation and cartoons. His fascination with the print media of popular culture led to a portrait-based art of cultural icons. Paschke used the celebrity figure, real or imagined, as a vehicle for explorations of personal and public identity with social and political implications. Although his style is representational, with a loose affiliation to Photorealism, Paschke’s art plays...

Hand signed rf Lichtenstein, numbered and dated '85 in pencil lower right. Printed by Studio Henrici, New York. Published by the artist, for the Institute of Contemporary Art, Univer...

Kerry James Marshall MOCA LA Street Banner (Museum of Contemporary Art, Los Angeles), 2017 Silkscreen on Vinyl 95 × 34 inches This large, banner is amazing and super dramatic as it'...