Rufino Tamayo

Niño, Mixograph by Rufino Tamayo

1979

Artist: Leonor Fini (Argentine / French, 1908-1996) Title: Blind Man's Buff Year: 1970 Medium: Lithograph on Arches, signed in pencil Size: 25.5 in. x 19.5 in. (64.77 cm x 49.53 cm)

Artist: Rufino Tamayo (Mexican, 1899-1991) Title: Salome Year: 1983 Medium: Color Lithograph, signed and numbered in pencil Edition: 250, 10 AP, 5 HC Size: 30 x 22 in. (76.2 x...

Artist: Roberto Matta Title: L'eau est Mana Year: 1974 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 200 Size: 21.5 x 30 inches (54.61 x 76.2 cm) Frame...

Artist: Paul Wunderlich, German (1927 - 2010) Title: Aida Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 150/250 Size: 29 x 21.5 inches Frame Size: 39 x 30.5 ...

This lithograph by Austrian artist Anton Krajnc (b. 1949) displays his unique combination of dreaminess and attention for detail. His works blend "illusion and reality, architecture ...

Artist: Mark Kostabi, American (1960 - ) Title: Cash Dance Year: 1990 Medium: Serigraph, signed and numbered in pencil Edition: 11/56 Size: 31.75 in. x 31.75 in. (80.65 cm x 80.65 cm)

Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 864. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

Litografo (Volume I) Italian edition from 1972. Catalogue of works: Cramer 160. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 864. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 860. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

Joan Miró - "Original Lithography X". Lithograph in colors from Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 866. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...

Joan Miró - "Original Lithography VII". Lithograph in colors from Litografo (Volume I) Spanish edition from 1972. Catalogue of works: Mourlot 863. Slight book fold in the centre of the paper. Miró's development of a new pictorial language led to a consistent restriction to the primary colours black, green, yellow, blue and red, which he implemented in the series of paintings "Constellations" (1940/41) with lines, spots and areas of colour. Like Pablo Picasso and Franz Marc, Miró also worked with graphics and primarily produced etchings and lithographs. Produced in large editions, the artist believed that everyone should be able to afford a print by Miró...